2017
07/20
Amazing Noises Brick Wall Limiter
Author View comments Tags Tags: , , ,

A brickwall peak limiting app, for the complete control of your audio volume. New Sampler! Now you can use the app as a standalone. Audiobus and Inter-App Audio Effect.

The Amazing Noises Limiter it has a wide range of dynamic processing: from very gentle volume attenuation to heavy distortion (if you want it!).

Main Features:

+ AudioUnit V3, Audiobus and Inter-App Audio support
+ Brickwall Limiter
+ Live Normalizer
+ Built In Stereo Sampler with varispeed
+ Control Manager LFO for Parameters
+ Midibus, Virtual Midi and Network: 14 bit NRPN controllers
+ Snapshots Presets Morphing Pad

Tech Requirements:

– iOS8 or later
– iPad 2 or later

Get Amazing Noise Limiter

2017
07/11
FAC Chorus Audio Effect For iOS
Author View comments Tags Tags: , , , , ,

FAC Chorus is a versatile chorus effect emulation designed to simulate the characteristics of the classic chorus modules with the flexibility of customising the parameters of the main components involved in the signal path.

The interface has a unique sober look and provides a great user experience. The knobs are very responsive, natural and follow a specific curve according to the parameters type.

The effect is built upon two individual delay line paths controlled by common parameters. The behaviour of each delay signal path is defined by the chorus type parameter. Thick type means warm characters and emulates the behaviour of the BBD. Clean type, as the name says, provides a cleaner sound with a larger modulation.

FAC Chorus is suitable for any situation requiring chorus effects and can go from subtle to drastic changes, the factory presets provide an overview of the sonic panel you can obtain.

Get FAC Chorus

2017
07/10
Audio Damage Dubstation 2 For iOS
Author View comments Tags Tags: , , , , , ,

The original dub delay effect, Dubstation has been a go-to effect in the production toolbox for over a decade and a half with good reason. Now available on iOS, this 1:1 code-identical port of the desktop version of Dubstation brings this classic effect to the mobile production studio.

Easy to use and understand, Dubstation works just like a hardware delay pedal. True stereo operation and a nice saturated feedback path provide an instant-classic delay effect that has been used in thousands of commercial tracks.

Features

>> Tempo-synchronized or millisecond timing.

>> True stereo dual time mode, single time mode, or ping-pong.

>> EQ and saturation control on the feedback path, for tonal control.

>> LFO to delay time, for chorus and tape effects.

>> Tempo-synced stereo looping (“infinite mode”) with sound-on-sound and reverse.

>> Heavily optimized for extremely low CPU usage. Use as many as you want, even on an older device.

>> Factory and user presets that can be copied to and from the desktop version.

>> Audio samples and manual available at the Audio Damage website.

Get Dubstation 2

Listen to the album “ADO36 Dubstation 2 Audio Demos” by Audio Damage.

2017
06/29
Goose EQ A New EQ for iOS
Author View comments Tags Tags: , , , , , , ,

The mission for Goose EQ is to manipulate audio with 21st century tools, instead of limiting ourselves with 20th century hardware and concepts. Goose EQ discards the limitations of past hardware and harnesses the future’s computing power. We have designed the UI with only the the physics of audio and the current touch interface in mind,dropping all the baggage of the past. One thing to keep in mind is this is a subscription based app so you will pay a small annual fee to keep it working on your device.

Goose EQ is the next generation of equalizers. It is a sleek stereo equalizer with 11 different types of filters for fine grain audio control. Designed especially for touch screens, no effort was made to recall EQ hardware of the past. Without the limitations of old hardware, Goose EQ takes a bold step into today’s world of touch gestures and high powered processors. As a result, it looks and feels great on any iOS device.

It’s not just good looking and easy to use; there’s power behind this clean user interface. It boasts:
– As many bands as your hardware can handle
– Linked or independent stereo control
– Analyzer for each channel
– Precise control of Gain, Frequency, and Bandwidth with gestures and text input
– Multiple EQs at once
– Hardware inputs & outputs
– AudioUnit v3
– Save your own presets
– Built in Presets
– Bypass a single band or a whole EQ.
– Multiple filters:
– Parametric
– High & Low Pass
– Resonant High & Low Pass
– Band Pass & Stop
– High & Low Shelf
– Resonant High & Low Shelf

To get full use of the EQ there is an auto renewing subscription with the following details:
“One Year Equipment Rental”

What you get:
– Unlimited custom presets
– Unlock all factory presets
– Concurrent equalizers

How it works:
– Starting a subscription will give you the full version of the app
– There is a 2 week demo period in which you can cancel and never get charged anything
– Payment will be charged to your iTunes Account at confirmation of purchase
– The rental automatically renews unless auto-renew is turned off at least 24-hours before the end of the current period
– Your account will be charged for renewal within 24-hours prior to the end of the current period
– Subscriptions may be managed and auto-renewal may be turned off by going to your iTunes Account Settings after purchase

Revenue model:
We believe that iOS hardware is good enough to do great things with audio, yet there is very little good software to run on it. We believe this is because of the current revenue model: pay once and expect updates for life. No one expects to buy a pair of shoes once and have them replaced every year for free. So we are going to try subscription with various checkpoints along the way.

We will be doing a yearly subscription. We will continue fixing bugs, adding features, and updating for the first ten months after first release. At that point we will look at our current active subscriptions. If there are enough to support further maintenance we will continue to keep the app working on the latest OS and hardware. If we do not get enough revenue, we will set the subscription price to $0 a year, and stop development. This means that the people who got on board will be able to use the app until it does not work anymore because of OS updates. Because this pricing model is so different than anything else on the App Store, let’s describe it another way (as a list):

– Subscription-based revenue model.
– If sustainable, we will continuously and features and update (The app will not be abandoned like so many in the current transition to 64 bit).
– If it still proves unsustainable, then current subscribers will be able to continue to use as if they had paid upfront like the typical revenue model.
– Bonus: the subscription will be about 1/4 the price that we would have charged if we were using the old revenue model.
– Bonus: Free trial. Start the subscription. If you don’t think the app is for you, cancel the subscription, and you will not be charged anything.
– Cancel any time.

Get Goose EQ

2017
06/28
Audio Damage Eos 2 For iOS
Author View comments Tags Tags: , , , , , , ,

A long-time studio standard, now finally available for iOS! This is a direct 1:1 port of Audio Damage’s Eos 2 desktop plug-in, identical in every way to the Eos you know and love. This download includes an AUv3 App Extension for use in AUv3-savvy hosts like AUM, AudioBus, GarageBand, Cubasis, and Auria Pro. Also included is a stand-alone application with Inter-App Audio.

Eos 2 consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.

Want a traditional dark plate reverb? Eos 2 can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos 2 really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos 2 thrives, something that is not possible with convolution ‘verbs.

Features

> Four reverb algorithms designed for Audio Damage by ValhallaDSP, including three separate plate algorithms and our own unique SuperHall, a rich, densely modulated, extra-long hall algorithm designed for ambient and synthesizer music.

> Full control over the reverb early reflections and tail, with modulation and equalization control, to sculpt the density and tonal characteristics to your needs.

> All presets from the desktop version included, and you can even share presets among all versions of Eos 2 using the copy/paste mechanism.

> AUv3 and IAA standard.

> Note that Eos 2 is a dense, heavily modulated algorithmic reverb, and as such may be somewhat heavy on the CPU, especially on older devices. For best results, use a single instance as a send.

Get EOS 2

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
    As an Amazon Associate I earn from qualifying purchases.
  • SUBSCRIBE:

  • FOLLOW ON YouTube

    FOLLOW ON Reddit

    iPadLoops RSS Feed

    Instagram
  • Categories

  • Recent Posts

  • Tags

  • Archives