2022
09/17
TimeVerb-X Type 4 Reverb App
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TimeReverb-X

TimeVerb-X is a new plugin from GSi that combines GSi’s “classic” Type4 spring reverb, first released in 2008, and a new algorithmic digital reverb. The “Type4” spring reverb emulation was originally inspired by an Accutronics reverb tank type 4, like those used in classic Hammond organs of the A100 series, also used in many famous electric guitar amplifiers. The digital reverb, instead, was first developed for the GSi Gemini sound module, but was also included in some Crumar hardware instruments. Both effects have been slightly expanded and further improved for the release of TimeVerb-X, as the spring reverb now features a self-oscillating feedback decay adjustment and a stereo width knob, and the digital reverb includes the early reflections section that was missing in the original project. Both reverbs put together make up a great sound when working in parallel, and create some interesting atmospheres when working in series.

TimeVerb-X app

TimeVerb-X app

TimeVerb-X main features:

– Spring reverb “Type 4” with feedback and stereo operation
– Digital reverb with pre-delay, early reflections and room size adjustment
– Built-in programmer with unlimited number of Programs (comes with 16 factory Programs)
– Integrated user’s manual
– Comes with AUv3 extension

Get TimeVerb-X HERE

2019
04/11
Bleass Reverb With Filter and Ducker
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Bleass Reverb with Filter and Ducker

The BLEASS reverb is a unique sounding plugin effect bringing your music production and live performances towards new soundscapes!

The BLEASS reverb is composed of 3 different stages:

1/ A first stage modifies the input source by correcting the gain and setting up early reflections pre-delay in order to re-create distant walls.
This first stage also contains a filter to modify frequencies. Switch between two different filter types:
– the Low-Shelf filter can reduce or boost your basses.
– the High-Pass filter cuts the low part of the signal and creates a resonant peak on interesting frequencies.

2/ The second stage offers a unique-sounding reverb with size modulation and length controls. It also contains a high frequency damping control in order to re-create plate reverb effects, as well as a freeze toggle button for infinite sound soaring and exploration.
This reverb offers also an X/Y panel which applies a set of fine-tuned frequency shifter as well as a wave shaper in order to mutate your reverb space on the go!

3/ The third stage offers a duck effect made of a compressor side-chained on the dry input in order to bring clarity to heavy kicks and basses

Finally, a dry-wet controller offers control over the reverb level.

All these features are shown within the factory presets, and you can save your own presets which will automatically carry over across different host apps.
All variables are exposed as AU parameters in hosts which support automation.
BLEASS reverb can also be used as a standalone app using headphones and mic or an external sound card.

Get Bleass Reverb HERE

2018
10/19
Ratshack Analog Delay Reverb AU
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Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone’s first analog delay unit, without ever having to change batteries!

As anyone who has owned this unit (which is just about everyone…) knows, it was actually an analog delay, not a reverb at all, and we’ve done our best to exactly replicate the sound and quirks of the original. We’ve even modeled the distortion that occurs by running a line signal in to the mic inputs.

Features

» Accurate analog “bucket-brigade” style delay model. Change the delay time, and the signal pitches accordingly.

» Both mic and line inputs modeled, for overdriving the delay section if desired.

» XML-based cross-platform preset manager, with copy and paste. (You can even move presets between the iOS version and the desktop version with Handoff.)

» Entirely vector-based resizable high-resolution user interface

» Both IAA and AUv3 versions included.

Get Ratshack for iOS here https://www.audiodamage.com/collections/software/products/ad002-ratshack-reverb

2018
04/27
Audio Damage ADverb2 AUv3
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Audio Damage ADverb2 for ios

ADverb2 is an accurate model of a vintage digital plate reverb rack unit from the 80s, with a few modern tricks up its sleeve. From short, thick, rich reverbs ideal for drums on up to incredibly long heavily chorused, echoey spaces perfect for ambient music, ADverb2 is an excellent addition to your sonic toolkit.

ADverb2 works as a stand-alone effect, with Inter-App Audio, but we recommend its use as an AUv3 plugin in a host that supports the format like Beatmaker 3, AUM, Cubasis, GarageBand, etc.

Adverb2 for iOS

» Simple-to-use reverb settings, with pre-delay, time, and size, plus an extensive filtering section to shape the reverb tail.

» Logical vintage-style user interface, vector-based for resizability and future-proofing.

» XML-based cross-platform preset manager, with copy and paste. (You can even move presets between the iOS version and the desktop version with Handoff.)

» Optimized reverb algorithm for low CPU load.

Get ADverb2

2018
02/24
Audio Damage Discord4 Multi Effects
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Discord4 is the latest version of our most popular and long-lived product, our Discord stereo pitch shifter. Originally modeled from the H910, Discord has long since become its own effect and a studio standby, and this version includes major additions to further stretch its capabilities. This application includes a stand-alone version (with Inter-App Audio) and an AUv3 effect for use in hosts that support that format, such as Beatmaker 3, AUM, Cubasis, and Garageband. A full PDF manual is available at the Audio Damage website.

Discord4 consists of three separate algorithms: a “vintage” mode (the original Discord algorithm, modeled on the Eventide H910 and H949), a “clean” mode for more modern shifting sounds, and a “granular” mode for experimental effects. Each mode has its strengths, depending on the input material, and Discord3 has a broad palette of capabilities as a result. The P1 and P2 algorithms have full control over the buffer (window) size of the shift effect, for fine tuning the shift to the input signal, or for stranger sound effects. At the extremes of the six-octave shift range, some truly strange aliasing and artifacts can be had with this control.

Discord4 retains its pair of tempo-synced delays and bandpass filters from previous versions, and adds a reverb in the feedback loop (for easy access to “shimmer” effects). We have also replaced the modulation sources from the original with our all-new FLFO (Flexible LFO) design. Panorama controls are included to control the stereo width of the wet signal. Finally, soft saturation and limiting have been added or improved throughout the signal path, for an overall improved sound and added vintage-style warmth, and to allow for extreme feedback experiments without fear of overloading your DAW’s channel.

Features

• Pitch Shifting: Discord4 contains a pair of shifters with three separate algorithms (Vintage, Clean, and Granular) for different styles of pitch shifting.

• Buffer Size Control: The P1 (Vintage) and P2 (Clean) algorithms have a Buffer Size control, from 32 to 2048 samples, for fine-tuning the pitch shifting effect.

• Delay: Tempo-synced or free-running delays with feedback, cross-feedback, and a sophisticated bandpass filter.

• Reverb: A simple stereo reverb is added to the feedback path, for “shimmer” effects and further sound exploration.

• Modulation: Two of our new FLFO (Flexible Low-Frequency Oscillator) with tempo sync and an arbitrary waveform, capable of a nearly infinite number of modulation shapes using only three controls.

• True Stereo Operation: Discord4 has a true stereo signal path, with entirely independent control over each side, finishing with panorama settings for stereo width.

• MIDI Note Control: Six octaves of pitch-shifting can be controlled with MIDI note input.

• All-New GUI: Vector-based resizable user interface.

• Presets: Cross-platform XML-based preset manager.

Get Discord4

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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