A stereo delay effect with LP/HP filter, can be used as an audio unit or as a standalone application. The Reverser Delay is a crystal-clear stereo delay comprised of independent left and right delay channels giving the user separate control over the delay time and feedback for each channel. Each channel also has a dedicated filter to sculpt the tone of the repeats, with the option of switching between high pass and low pass.
However, the crown jewel of the Reverser Delay is its reverse feature which allows for either the left or right delay channels (or both) to be reversed allowing for sonic experimentation not capable on a typical delay unit.
The Reverser Delay makes experimentation simple with an easy to understand user interface. But if users aren’t sure where to start, they can jump straight in and explore the Reverser Delay’s factory presets for inspiration.
Features:
– Stereo delay effect with delay offset, reverse mode, feedback and mix
– Tape-like resyncing of delay offset
– Per-channel state variable filter, offering low pass and high pass modes
– Mono or stereo input
– Clean and simple design
– Runs on both iPads and iPhones
– Selection of factory presets (available when run in an Audio Unit host)
The original dub delay effect, Dubstation has been a go-to effect in the production toolbox for over a decade and a half with good reason. Now available on iOS, this 1:1 code-identical port of the desktop version of Dubstation brings this classic effect to the mobile production studio.
Easy to use and understand, Dubstation works just like a hardware delay pedal. True stereo operation and a nice saturated feedback path provide an instant-classic delay effect that has been used in thousands of commercial tracks.
Features
>> Tempo-synchronized or millisecond timing.
>> True stereo dual time mode, single time mode, or ping-pong.
>> EQ and saturation control on the feedback path, for tonal control.
>> LFO to delay time, for chorus and tape effects.
>> Tempo-synced stereo looping (“infinite mode”) with sound-on-sound and reverse.
>> Heavily optimized for extremely low CPU usage. Use as many as you want, even on an older device.
>> Factory and user presets that can be copied to and from the desktop version.
>> Audio samples and manual available at the Audio Damage website.
Echo Pitch pitch-shifting multi-delay for iPhone. Echo Pitch has 4 delays where each delayed signal can be pitched one octave up or down in 1/2 steps, and can function as a 4 voice harmonizer. Echo Pitch also has a built-in looper, amp simulator and reverb. Each of the four delays can be routed into the other for incredible, swirling, ambient washes and otherworldly sounds.
What’s New in Version 1.2
-status bar is now hidden for better appearance, particularly when using Audiobus
Thanks everyone for all the positive feedback and feature requests.
We’ll keep the updates coming!
Echo Pitch works best with an iOS audio interface, such as the Fender Slide or iRig. Echo Pitch is also Audiobus and Inter-App Audio compatible (for IAA, launch Echo Pitch first).
Brought to you by Avi Bortnick and Maximos Kaliakatsos-Papakostas.
Multieffect Audioprocessor for iOS. Seven studio quality effect modules for live usage and to enrich your iTunes music library.
### Introductory offer 30% off ###
All effect modules can be used together chained in any order you like.
The Chorus effect is a modulation effect used used to create a richer, thicker sound and add subtle movement. The effect roughly simulates the slight variations in pitch and timing that occur when multiple performers sing or play the same part.
The Delay effect provides you with two different types of delay effects using two delay lines. With Sync mode the delay times can be set by note lengths and are then relative to the currently set tempo. The delayed signal can be feed back to the input for echo effects. You can select between a stereo delay and a ping-pong delay where the echoes bounces across the stereo field.
The Drive effect provides you with different types of distortion from hard clipping to soft distortion simulating analog tube amplifiers and tape machines. The sound balance can be adjusted using a combined High/Lowpass filter.
The distortion algorithm uses oversampling to reduce aliasing artefacts.
The ParaEQ effect is a parametric equalizer with optional graphic editing of Lowpass/Highpass and Bandpass equalizer stage.
The Flanger is composed of two independent delay lines with feedback for the left and the right channel respectively.
The delay time of both delays is modulated by one LFO with adjustable frequency.
For typical flanging effects the delay time should be below 5 milliseconds.
The Phaser is built from an 8-pole allpass filter, which gives you a very short and frequency dependent
delay time. This delay time is modulated by an LFO.
The Reverb effect is used to simulate the sound reflections off walls in different kind of rooms. This reflections
disperse the sound, enriching it by overlapping the sound with its reflection.
This reverb parameter are accessible by the user:
• Tail delay – Sets the amount of time that elapses between the direct sound and the reverberation tail. This time correlates
with the perceived size of the simulated room. The adjustable range is from 0 ms to 300 ms.
• Reverb time – The time the reverb takes to die away by 60dB after the end of the initial sound. This parameter correlates
with the perceived size of the simulated room. The adjustable range is from 50 ms to 100 seconds.
• Room size – The room size parameter sets the average distance between the reflecting walls.
• Diffusion – The Diffusion parameter controls the echo density of the resulting reverberant sound. A higher value
corresponds to a higher echo density which is in most cases more natural sounding.
• Absorption – The Absorption parameter simulates the surface and air absorption of high frequencies. Due to absorption the reverberation time is shorter for high frequencies than for low frequencies. With higher absorption high frequencies will decay much faster.
• Tail stereo – Adjusts the stereo image width of the reverberation tail.
• Tail cutoff / tone – Lowpass and Highpass filter for the reverb tail.
Summary of features:
• Seven studio quality audio effects
• AudioUnit for AUv3 compatible hosts.
• Inter-app audio compatible effect.
• Audiobus 2 compatible with state saving.
• Apply multi effect to any song in your iTunes library.
• Low latency live usage with mic and headphones.
• Audio recorder
• Ableton Link compatible.
Lofionic Duplicat is a warm and lush tape delay effect for iOS, supporting AudioUnit Extensions, Inter-App Audio and Audiobus.
In addition to the Swell and Sustain controls found on the hardware equivalents, Duplicat introduces a tape Speed control, for fine tuning the rate of delay in realtime, and a tape Effect control which emulates the deteriorating effect of using worn tape by gradually introducing degradation to the feedback.
Duplicat is perfect for adding lush, organic sounding delay to your mixes ranging from trashy lo-fi grungy tones, through psychadelic swirls, to subtle slap-back.
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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