2016
12/01
Virsyn AudioEffX Multi-effects Audio Unit
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audioeffx

Multieffect Audioprocessor for iOS. Seven studio quality effect modules for live usage and to enrich your iTunes music library.

### Introductory offer 30% off ###

All effect modules can be used together chained in any order you like.

The Chorus effect is a modulation effect used used to create a richer, thicker sound and add subtle movement. The effect roughly simulates the slight variations in pitch and timing that occur when multiple performers sing or play the same part.

The Delay effect provides you with two different types of delay effects using two delay lines. With Sync mode the delay times can be set by note lengths and are then relative to the currently set tempo. The delayed signal can be feed back to the input for echo effects. You can select between a stereo delay and a ping-pong delay where the echoes bounces across the stereo field.

The Drive effect provides you with different types of distortion from hard clipping to soft distortion simulating analog tube amplifiers and tape machines. The sound balance can be adjusted using a combined High/Lowpass filter.
The distortion algorithm uses oversampling to reduce aliasing artefacts.

The ParaEQ effect is a parametric equalizer with optional graphic editing of Lowpass/Highpass and Bandpass equalizer stage.

The Flanger is composed of two independent delay lines with feedback for the left and the right channel respectively.
The delay time of both delays is modulated by one LFO with adjustable frequency.
For typical flanging effects the delay time should be below 5 milliseconds.

The Phaser is built from an 8-pole allpass filter, which gives you a very short and frequency dependent
delay time. This delay time is modulated by an LFO.

The Reverb effect is used to simulate the sound reflections off walls in different kind of rooms. This reflections
disperse the sound, enriching it by overlapping the sound with its reflection.
This reverb parameter are accessible by the user:
• Tail delay – Sets the amount of time that elapses between the direct sound and the reverberation tail. This time correlates
with the perceived size of the simulated room. The adjustable range is from 0 ms to 300 ms.
• Reverb time – The time the reverb takes to die away by 60dB after the end of the initial sound. This parameter correlates
with the perceived size of the simulated room. The adjustable range is from 50 ms to 100 seconds.
• Room size – The room size parameter sets the average distance between the reflecting walls.
• Diffusion – The Diffusion parameter controls the echo density of the resulting reverberant sound. A higher value
corresponds to a higher echo density which is in most cases more natural sounding.
• Absorption – The Absorption parameter simulates the surface and air absorption of high frequencies. Due to absorption the reverberation time is shorter for high frequencies than for low frequencies. With higher absorption high frequencies will decay much faster.
• Tail stereo – Adjusts the stereo image width of the reverberation tail.
• Tail cutoff / tone – Lowpass and Highpass filter for the reverb tail.

audioeffx

Summary of features:

• Seven studio quality audio effects
• AudioUnit for AUv3 compatible hosts.
• Inter-app audio compatible effect.
• Audiobus 2 compatible with state saving.
• Apply multi effect to any song in your iTunes library.
• Low latency live usage with mic and headphones.
• Audio recorder
• Ableton Link compatible.

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2016
11/30
Poison-202 Vintage MIDI Synthesizer
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poison-202

Poison-202 is a professional Vintage Midi Synthesizer. Made by musicians for musicians, it is inspired by famous classic hardware synthesizers of 80’s and 90’s and has all the main sound creation blocks you can imagine: oscillators, cutoff Filters, ADSR-envelopes, ring, cross modulation, LFOs, sync, super-saw oscillator and more! Unlike many other software synthesizers at the market, which can reproduce only limited family of sounds, Poison-202 is designed to be able to reproduce almost any classic synthesizer timbre!

The library of 188 built-in factory presets includes famous patches that can be heard in the compositions of such electronic and rave scene music performers as The Prodigy, Chemical Brothers, Azzido Da Bass, Darude, Kraftwerk, Daft Punk and many others!

You can play it with your fingers on iPhone / iPad, or you can plug-in your favorite USB MIDI keyboard into your device using Apple’s Lightning to USB Camera Adapter and turn Poison-202 into a real synthesizer module.

What’s New in Version 1.2
• added Midi Learn feature. To enter it, tap 3 times on any knob or fader control. When done, tap WRITE button to save changes.
• added ability to Export / Import user preset sound banks using iTunes File Sharing system (look in Settings page);
• added ability to merge user presets banks;
• maximum number of user presets is raised to 300;
• added “Poison-202” Virtual Midi In Port;
• 10 new patches added to factory Bank B;
• added new Bank C with 17 drum patches;
• added background audio idle timer (adjustable from Settings page);
• added default midi mapping (can be changed using Midi Learn);
• fixed: audio units midi program change event issue;
• fixed: issue with midi note off event, appeared when working with Geo Synth;
• fixed: preset number related issues in audio units, which could cause crashes under Garage Band;
• master volume and patch gain changes are now interpolated (no clicks);
• delay time parameter change is now interpolated;
• other minor improvements.

Main Features:

• supports Audio Unit Extension (AUv3)
• can work either as standalone synth app, or as plugin inside Cubasis, Garage Band, AUM, ModStep and other hosts
• Inter-App Audio supported
• Virtual Midi supported
• Midi Learn feature
• 2 oscillators, 5 oscillator waveforms: Saw, Pulse (with adjustable Pulse Width), Sine, Triangle and Super-Saw
• one Super Saw oscillator generates 7 individual saw oscillators at the same time, with adjustable Mix and Detune parameters, reproducing famous classic analog strings and hoover sounds
• additional (third) sinusoid sub oscillator + noise generator
• 2 TVF (time variant filter) modules with Cutoff, Resonance, Keyboard tracking and ADSR envelope, 12 dB/octave
• 2 TVA (time variant amplifier) modules with ADSR envelope
• It is possible to pair two 12 dB TVF to get one 24 dB filter
• Pitch envelope (Attack/Decay) for each oscillator
• Ring modulation
• Sync modulation
• PW modulation
• Cross frequency modulation
• 2 LFO modulation sources with Frequency and Fade-In parameters
• LFO cross-modulation
• 6 waveforms of LFO: Triangle, Sine, Saw, Square, Trapezoid and Random (S&H)
• 4 LFO modulation destinations: Pitch, Filter, Amplifier and PWM
• 3-band EQ for each patch
• Digital realtime effects: Distortion, Bit-Crusher, Chorus, Flanger, Delay, Panning Delay and Reverb with adjustable parameters
• Master brickwall Limiter (can be switched on/off)
• Two signal flow connection structures: Parallel and Series
• Portamento, Solo playing mode with Legato switch
• Pitch Wheel with adjustable pitch bend range
• Modulation Wheel with assignable controls
• Arpeggiator with 6 modes and 12 rhythm patterns with tempo and swing feel control
• Scale play mode when playing onscreen keyboard with over 40 different scales to select from
• Voice polyphony up to 24 (device dependent)
• Up to 300 user presets to store
• Import/Export user preset banks via iTunes File Sharing
• Scalable and movable onscreen keyboard with key velocity control and Hold button
• Show Oscillogram feature

Minimum requirements:
• iOS 7 or higher
• iPhone 4S and up
• iPad 2 and up

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2016
11/30
Redshrike Polyphonic Subtractive Synthesizer
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redshrike

Redshrike is a polyphonic subtractive synthesizer by iceWorks, Inc. It features a single oscillator and a sub oscillator along with waveform morphing. There are three onboard effects Chorus, Delay, Reverb and it supports all the MIDI standards like CoreMIDI, Virtual MIDI and external sync.

LAUNCH SALE: 40% OFF FOR A LIMITED TIME

* MIDI
* CoreMIDI / Virtual MIDI Input
* MIDI Controller Mapping with MIDI Learn
* External MIDI sync

redshrike

* Oscillator
– Waveform Morphing: Saw – Triangle – Pulse
– Frequency Modulation: Type, Frequency, Depth
– ENV(AD)/LFO
– Detune (3xOSC)
– Sub Oscillator
* Pitch
– Octave
– ENV(AD)/LFO
– Drift
* Noise
– Type: White, Pink, Blue, Pitched, Digital, Glitch
– ENV(AD)
* Resonator
– Pitch/Feedback/Routing
– ENV(AD)/LFO
* Filter
– Type: 24dB/Oct, 12dB/Oct
– Cutoff Frequency
– Resonance
– Drive
– Low
– ENV(ADSR)/LFO
– Velocity
* AMP
– Level
– ENV(ADSR)/LFO
– Velocity
* Effects : Chorus, Delay, Reverb

* Programmable Arpeggiator

* Inter-App Audio
You can stream live audio directly to other Inter-App Audio host applications.

* Audiobus
You can stream live audio directly to other Audiobus-compatible apps. See http://audiob.us for more information.

* Ableton Link
Ableton Link is a new technology that synchronizes beat, phase and tempo of Ableton Live and Link-enabled iOS apps over a wireless network.

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2016
11/30
Korg Wavestation For iPhone and iPad
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iwavestation

The Wave Sequence Synthesizer for iPad – KORG iWAVESTATION

When Sequential Circuits finally went belly-up, their research and development into vector synthesis was picked up at Korg. This led to the hugely successful Wavestation Synthesizer which was based on Sequential’s ProphetVS. The Wavestation incorporated the 2-dimensional vector joystick of the ProphetVS which allowed the user to alter and animate sounds.

iwavestation-vector-synthesis

The WAVESTATION synthesizer appeared in 1990 with its new “advanced vector synthesis system” which combined and shifted between multiple complex waveforms. The user could operate a joystick to “mix” or “morph” between four oscillators selected from the large onboard collection of waveforms.

iWAVESTATION is evolved the operability of the KORG Legacy Collection. The original editing structure has been preserved, while giving you a redesigned graphical user interface that takes advantage of the intuitive operation possible with iPad.

Korg iWavestation

[ Features ]

– An evolved WAVESTATION sound

– New graphical WAVE SEQUENCE operation

– Total 1,500 sound, including the option PCM/Program cards*

– Interoperable with the Original WAVESTATION

IAP = 7 expansion cards for $4.99

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2016
11/30
Dave Smith Instruments Artist Spotlight Dj Puzzle
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Dace Smith Instruments Dj Puzzle

This isn’t really iOS related BUT I am the founder of this blog so I’m entitled to do a little self promotion on here right? Dave Smith Instruments approached me about an interview because I am a Tempest owner.

“Jason Donnelly (Dj Puzzle) is a Los Angeles based composer for TV, video games, and film. He got his start producing loop packs for Sonic Foundry (now Magix) back in 2001, which led to his ongoing success and long list of credits including Anthony Bourdain: Parts Unknown, Damaged Core (Oculus VR). Tom Clancy’s The Division, Saints Row The Third, Saints Row IV, Growing Up Hip Hop, Wicked Tuna, Despicable Me 2 DVD featurette, Kroll Show, Portlandia, Lost Girl, The Royals, Nightwatch, Wahlburgers, MLB.TV, MMA, E! News Weekly and more. When he isn’t busy writing for TV, he’s cranking out sample packs for his side project, Soundtrack Loops.

We chatted with him about how he’s using the Tempest.”

Continue reading the interview https://www.davesmithinstruments.com/jason-donnelly-dj-puzzle/

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  • iPad Loops is a music app blog dedicated to exposing the best iPad apps for iOS musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my loops are LP-5, iPRO.DJSAMPLER, Looptastic, and Audio Elements. My work is published by Sony Creative, Soundtrack Loops, Sample Logic, Pakotec, Loopmasters, Acoustica, Xmix, Sound Trends, and many more. Subscribe to our RSS feed below to get updated when new apps are posted.

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