2017
12/12
Dedalus Delay Ver 2 AUv3
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Dedalus Delay is a real time audio mangler. A network of delay lines is continually granulated and modulated, producing a labyrinth of echoes, which are further processed by filters, dynamic processors and saturation modules. Dedalus can produce a wide variety of effects, from reverb-like ambiences to evolving resonation, from rhythmic pulsation to chaotic layering, from subtle chorusing to pure noise.

What’s New in Version 2
+ Added AudioUnit (AUv3) Plugin Extension
+ Host Sync play/stop/rewind/bpm
+ New Send/Receive jitter-free MIDI clock
————————–
+ Audiobus 3 New MIDI Receiver Port
+ New Sampling Rate Setting (up to 96 kHz)
+ New Quick View for the Presets Manager
+ Improved LFO performance in background
+ Midibus 1.39 SDK
+ Audiobus 3.0.3 SDK
+ Ableton LINK 2.1.2 SDK
+ Disable Auto-Lock Screen
+ iPhone X compatibility

Main Features:

– Audiobus and Inter-App Audio support (sender and FX)
– Multiple delay lines with feedback and granulation
– Signal saturation
– Built In Stereo Sampler with varispeed
– Control Manager LFO for Parameters
– Midibus, Virtual Midi and Network: 14 bit NRPN controllers
– File Manager, sharing common audio files via iTunes, Dropbox and AudioCopy
– Snapshot Presets Morphing Pad
– Post Fx Chain: Low-shelf Filter, High-shelf and Compressor

Get Dedalus Delay

2017
12/12
Foxglove Flanger AUv3 IAA Effect
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Foxflove Flanger is a 60’s style through-zero flanger effect with pre-process saturation and high shelf filtering giving enough versatility to make thin guitars crunchy or give some subtle keys a little more depth.

Built upon the tenet of simplicity, the flora project presents great sounding, lightweight audio effects using Inter-App Audio and Audiobus technologies to allow you to get the sound you want, without sacrificing processing power.

NB: Foxflove Flanger requires either Audiobus, Inter-App Audio or an AUV3 capable host in order to operate. See http://audiob.us for more information.

Foxglove Flanger Preview from Timothy J. Barraclough on Vimeo.

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2017
12/11
Quantiloop Looper App Now Universal
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Built for Live performance and hands free use, Quantiloop recreates the simplicity of a hardware loop pedal in an iOS app. Attach a MIDI foot controller and control it the way you want. No MIDI controller at hand; just preset your loop length, enable auto–record or a count–in and your loops will automatically close, no hands or feet required. Big onscreen controls allow for easy configuration and tactile control by vocalists or beat boxers. Focus on your performance instead of fiddling with dip switches or complex menu’s.

What’s New in Version 2.7
iPhone Version (Universal)

Features

• Free, Synced and Paralel,Serial, Mixed Playing Styles
• Multiple Quantise Modes
• Multiple Stop Modes
• Unique Dub Mode and Mute Mode
• Unlimited Overdubs
• Overdub Decay
• Undo / Redo
• Auto Record
• High quality stereo audio
• Clear loop status display
• Rhythm guide with optional auto-start, auto-stop and count-in
• Audible and Visual Metronome
• Send start, stop and host sync to hosted rhythm apps.
• Sync to host when embedded in an Inter-App-Audio host
• Real-time Tempo Control
• Extensive MIDI control
• Multiple Assignments per MIDI controller (tap, hold, double tap)
• MIDI Program Change support for changing presets
• Supports Audiobus and Inter-App-Audio and Audio Units (AUv3)
• Individual outputs for each track and rhythm
• Synchronise to other apps and devices with Ableton Link
• MIDI clock sync (both slave and master)
• 4 physical/iaa/au/audiobus inputs routable to any track
• 8 outputs (main, monitor, track 1-4, rhythm, input out)
• 3 assignable input Fx, including transpose, reverb and IAA, AUv3
• 3 assignable track Fx, including transpose, reverse, tape stop, fade and IAA, AUv3
• Cloud (iCloud, Dropbox, Audioshare …) import / export
• AudioCopy/Paste
• Open In
• Store Phrase Presets in unlimited banks with 100 presets each
• Individual Volume and panning controls for each track

Get Quantiloop Pro

2017
12/11
PolySynth App by DesignByPaul
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PolySynth is the first true polyphonic synthesizer from DesignByPaul with only 3 note polyphony but packed with vintage analog character. Everything on one screen makes sound design quick and easy including fine tuning of each note in the scale for endless microtuning possibilities.

PolySynth filter section sports and ms20 style resonant highpass and 24db/oct resonant lowpass.

PolySynth has Audiobus 3 support, IAA (Inter-App Audio) and MIDI-In so you can connect, play and record with other apps.

— Microtonal tuning
— 3 note polyphony
— MIDI note in
— 24db/Oct MS20 Lowpass filter and resonant highpass
— Arpeggiator
— AudioBus
— Inter App Audio
— 3x oscillators
— 2x LFOs
— 2x ADSR envelopes
— Delay

Get PolySynth

2017
12/11
Beatmaker 3 Now AUv3 MIDI Host
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This update of Beatmaker 3 adds AU Midi plug in support. This means you can route AU Midi plugins to other tracks/instruments within Beatmaker 3. Here is an example of Bram Bos Rozeta Particles running inside Beatmaker 3.

BeatMaker brings unmatched efficiency and depth in an intuitive audio and MIDI workstation. Look no further, the power of traditional desktop software and real hardware is now united into one single production studio.

What’s New in Version 3.0.8
Sound store downloads issue now fixed! Enjoy this amazing update!

[Overall improvements]
– Song position readout, in the transport bar, can be switched between BAR:BEATS, MM:SS.MS and SMPTE, simply by pressing it.
– Support of MIDI knob increment/decrement (“infinite” encoders), via MIDI RPN/NRPN.
– The transport bar record button will now be red when recording.
– Added an option, in the recording panel (press the ‘Q’ label on the transport bar), to disable minimal note length quantization.
– It is now possible to show/hide the left global navigation bar while displaying the AUv3 keyboard screen. This gives access to effects and macros from that view.
– It is now possible to tag packs & categories on a selection of files and directories, recursively from the Browser in files mode.

[Sampler & Plugins]
– Support of AUv3 MIDI plugins. Now, BeatMaker 3 will create virtual input MIDI devices for each AUv3 that supports MIDI out. This way, you can route MIDI messages to other plugins and the sampler.
– Added a ruler button on the full-screen sample editor to switch the time reference of the bottom grid between seconds, samples and bars/beats.
– When using the “Add to existing layer” sample load method, get the currently selected layer rather than the last one. The layer can be selected from the editor screen > SAMPLES tab, just below the small pads selector.
– Added move left/right and zoom in/out tools on the mapping editor toolbar.
– The “Stereo to Mono” sample process tool now offers the possibility to use only the left or right channel.
– When selecting a sample from the mapping editor, highlight it as well in the “SAMPLES” listing.
– When drag’n’dropping a sample that is added to an existing layer, auto-select it in the “SAMPLES” listing.
– Added tooltip next to sample markers when moving them, that will follow the current ruler unit (seconds, beats and samples).
– Improvements on the “Zero Snap” tool: adapt scan size to the currently visible range and find the closest zero-cross against all channels.
– Sample editor zoom in/out is now behaving more naturally.
– Sample editor move left and right buttons will now behave more naturally.
– Double-tapping the sample editor “START/END” or “LOOP” button will focus and recenter.
– In the full-screen sample editor, added a marquee above sample & loop start/end markers to make it more obvious the area can be dragged.
– Zoom in/out and move functions are now consistent on all three modes: select, slice and normal.
– “Grid Snap” can now be used in Slices mode in the sample/slice editor.
– Long press on [-] and [+] on the sample editor will resp. fully zoom out or in.

[Sequencer]
– Added a setting for the transport stop behavior: it can either go back to the start of the track, or on the latest position (by pressing the bar / position in SONG mode).

[Bug fixes & engine improvements]
– When drag’n’dropping a sample onto the mapping editor, follow the browser load method.
– Fixed an issue where it was not possible to drag’n’drop a sample after C5 on the mapping editor.
– Fixed Modulation Delay effect that would still apply processing when depth was set to 0%.
– Fixed an issue where exporting sliced sample to Apple Loop will not preserve number of beats and tempo.
– Fixed an issue in the browser where sharing a file from a group would bogusly pick another file.
– Fixed the Auto-Scale feature.
– Fixed a crash that could happen when using samples with bogus metadata.
– Fixed an issue with the validation of purchases on iOS 11.2.
– Fixed double tapping of a value in the parameter panel.
– Fixed an issue where the mixer would not show any level.
– Fixed an issue where audio recording wouldn’t start or record anything.
– Fixed a crash that would happen when exporting slices to a new bank.
– Fixed a browser issue that would happen when dropping a file back onto itself.
– Fixed a crash that would happen when duplicating pads with AUv3.

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  • iPad Loops is a music app blog dedicated to exposing the best iPad apps for iOS musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my loops are Retronyms AudioCopy, LP-5, iPRO.DJSAMPLER, Looptastic, and Audio Elements. My work is published by Magix Soundtrack Loops, Sample Logic, Pakotec, Loopmasters, Acoustica, Xmix, Sound Trends, and many more. Subscribe to our RSS feed below to get updated when new apps are posted.

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