2019
12/16
Mela Synth For iPad
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Mela Synth Virtual Analog Synth for iPad

Mela is an intuitive virtual analog synthesizer with a streamlined interface. It works as an Audio Unit extension (AUv3) inside host applications such as AUM, Auria Pro, Cubasis, GarageBand and NanoStudio.

Mela Synth Virtual Analog Synth

Key features

• 3 tone oscillators with adjustable shapes
• Noise oscillator
• 2 virtual analog style filters with flexible routing options
• 3 envelopes with adjustable level, time and curve parameters
• 2 flexible LFOs
• Fully featured modulation matrix
• Build-in effects: distortion, phaser, chorus, delay
• Voice modes: monophonic, polyphonic, legato, glide
• Preset management inside the app
• Numeric pad for entering exact parameter values

Get Mela Synth HERE

2019
12/16
ShockWave iPad Synth
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Shockwave Synth Module

ShockWave is a monophonic Synthesizer designed to bring modular style workflow to the world of iOS & AUv3 plugins.

Built around the concept of Phase Distortion (PD) Synthesis, Shockwave includes a pair of PD Oscillators each capable of creating everything from pure Sine Waves over smooth Sawtooth and Square Waves to Resonance & Sync sweeps, filtered Noise and more.

In addition to the Synth Voice, ShockWave includes a dedicated control section housing a pair of 8 step sequencers, a sample & hold module as well modules for trigger divisions, logic comparisons and controlled randomness.

A pair of Low Frequency Oscillators and 2 Attack/Sustain/Release (ASR) Envelopes serve as main modulation sources and can be used in a number of ways. Envelopes can be triggered from a number of internal sources including other modules such as trigger divider, logic or chance module but can also be connected to each other allowing for a wide range of patches usually only possible in large modular systems. LFOs are individually tempo sync-able and capable of producing total of 5 different waveforms each.

The two sequencers can run independently or combine to one 16 step sequence where rate and length can be controlled independently for each of the two.

In true modular nature almost any control within ShockWave can be modulated with up to 11 sources – simultaneously. Modulations are setup simply by holding a control and dialling in the desired amount in a list of all available sources. A special X-Ray mode adds a realtime display of all currently active modulations right at their corresponding control making it easy to understand what’s happening inside the synthesizer at any given time.

Synth Voice and Control Section are accompanied by built-in Delay and Reverb sections placed on send busses with all of their controls including the send levels being available as mod destinations.

Last but not least, ShockWave features a solid MIDI implementation including support for, aftertouch, velocity, wheels, custom CC mappings and up to 4 dimensions of expression when using MPE compatible controllers, such as the Roli Seaboard, Linnstrument, Geoshred, KB-1 and others.

MIDI Output is supported as well and includes Note and Control Change output generated from various internal sources including Sequencers, Envelopes and LFOs making it possible to control external MIDI gear or chain multiple plugin instances for advanced, self driving patches

ShowckWave Synth For iPad

Overview:
– Semi Modular Monophonic Synth Voice
– Phase Distortion Synthesis (PD)
– Dual PD Oscillators with 5 Waveforms + Noise
– Dual ASR Envelopes with variable trigger source
– Dual LFO with Tempo Sync
– Cross Modulation with Linear/Exp. FM, PM, AM & RM
– Mixer section with individual pan and level controls per oscillator
– Output VCA with variable control source
– Pattern Generator for generating sequences from various internal sources
– Quantizer to force note input into a specific scale (19 Scales + User Scales)
– Step Sequencer with 2×8 or 1×16 steps, individual rate and number of steps per row
– Trigger Divider for dividing internal trigger sources
– Probability Gate for adding controlled randomness
– Sample & Hold for additional randomness
– Logic Module to create triggers from various internal sources
– Built-in Delay & Reverb Effects
– MIDI Note and CC output for controlling external gear or chaining multiple instances
– Semi Modular Architecture
– 11 Modulation Sources
– 40 Modulation Destinations
– 2 Color Themes

MIDI Input:
– 4D Expression (Glide, Slide, Pressure & Velocity)
– Mod & Pitch-Wheel
– Tempo Sync
– Custom CC Control

MIDI Output:
– Note
– Control Change

Connectivity:
– Standalone
– AUv3
– AudioBus
– IAA

Get ShockWave HERE

2019
12/16
Klevgrand Hillman Synth
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Hillman Synth For iPad

Hillman is a synthlike instrument inspired by old combo-organs, string machines and similar vintage gear.
4 voices per note, each with selectable waveform (transistorish, tubeish, sine and special plasma), octave switch and a level control.
Sounds are generated with an analog approach, but does not use samples or sampled wavetables.

User interface
— Voices
Level – Level control.
Type – Select between Transistor, Tube, Sine-wave or a special plasma oscillator.
Octave – Octave offset for each note voice. (-1 to +2).
— ADSR

Envelope controls
— FXs
Ensemble – A classic ensemble chorus with 3 different modes
Phaser – 4 pole phaser with 2 different modes with different frequency ranges and notch depths.
Reverb – Lush reverb which ranges from small room to churchlike halls.

Output level – Overall level control

Get the Hillman Synth HERE

2019
12/12
Virsyn Band Delay
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Virsyn Band Delay

The multi-band delay BandDelay is an exciting tool for sound design and loop manipulation in realtime. In contrast to common delay processors BandDelay splits the frequency spectrum of the input signal into 27 bands and applies a separate delay unit to each band. The delay times can be synchronised to the host tempo generating nearly infinite rhythmical and sonic variations of the input signal. For each of the delay bands you can specify the delay time, the level and the feedback amount separately. These parameter changes can even be automised in realtime for glitch free rhythmical morphings. A few high level parameters let you change the delay times and feedbacks of all delays with the turn of a single knob.

– 27 band realtime multiband delay.
– Frequency dependent level, delay time and feedback
– Linear phase precision filters for maximal transparency
– Tempo syncable delay times up to 6 seconds.
– Meta parameter for quick access to rhythm variations

– Effect AudioUnit for use in hosts like Garageband, Cubasis, AUM and others
– Full AU parameter automation
– Ableton Link compatible
– stand alone / Audiobus 3 / IAA

Get Band Delay HERE

2019
12/12
Effectrix Now Audio Unit
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Effectrix For iPad

Effectrix is a professional multi-effect sequencer for the iPad.

The game-changing tool for creative and effective music production is now available on the App Store: scatter 14 intelligent effects across a sequencer matrix and create unheard-of sound patterns and cheeky loop collages.

A playful workflow, refined algorithms and carefully parameterised effects lead to outstanding results – fast! The effects, each exceeding conventional wisdom, cover a wide spectrum from classy standards to scandalising splatter sprees.

This iOS port faithfully recreates the desktop engine, today’s de-facto standard of finest audio manipulation.

Sugar Bytes Effectrix iPad

INSTANT INSPIRATION
– quickly create variations and mutations for productive sound design
– 20 fine audio samples installed
– 230 factory presets (100 global, ca. 9 per effect)
– 14 high-quality effects
– redesigned GUI for a smooth iOS workflow

DIG DEEP
– manipulate each individual effect with up to eight parameters
– two modulator tracks per effect
– Seamless iOS integration: Audio Unit v3, full MIDI support, Host Automation & MIDI Learn
– save your own presets & use them on your desktop version of Effectrix via Preset iCloud Sync
– upload your recordings to Dropbox and other supported apps
– share your recordings with other apps
– sync Effectrix with Ableton Live via Ableton Link

••• Audio Unit v3 and iCloud Drive support •••

!!! Attention: Please be aware that existing IAA and Audiobus sessions won’t work anymore !!!

When using your existing Audiobus 3 session that uses Effectrix IAA, you need to save within Effectrix the corresponding presets you’ve made BEFORE you start the update to version 1.5.0!

Likewise, when loading an existing Audiobus 3 session that uses Effectrix IAA, you just need to make sure you recall the corresponding preset manually via the internal preset browser of Effectrix when using the AUv3 version.

Get Effectrix HERE

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  • iPad Loops is a music app blog dedicated to exposing the best iPad apps for iOS musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my loops are Retronyms AudioCopy, LP-5, iPRO.DJSAMPLER, Looptastic, and Audio Elements. My work is published by Magix Soundtrack Loops, Sample Logic, Acoustica, Xmix, and many more. Subscribe to our RSS feed below to get updated when new apps are posted.

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