2018
09/05
Fluxly Sound Design App
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Fluxly sampler sound design tool

Fluxly is a musical physics looper where you create new instrument scenes by moving and spinning colorful Fluxum sound sample players. Fluxly brings a whole new approach to knob twiddling and sound making. Now compatible with Audiobus.

You can choose from a bank of built-in sound samples, or record your own samples and play them back in either direction at any speed. By touching two Fluxum and pushing them together you can link them into looping gear train machines. You can also enable movement and let the built-in physics engine take over as the Fluxum bounce around the instrument for random sonic fun.

Recording can be done right in the app, and loops can be up to about 10 seconds long. You can also customize all of the sounds in Bank 1 by using iTunes and the filesharing features of your iPhone or iPad to upload any sound samples from your computer.

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2018
09/05
Ribn 2 Midi Controller
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Ribn is a MIDI controller with 8 assignable ribbons. What makes Ribn unique is its ability to record and loop your finger movement. This allows you to add organic repeating modulation to your synths and effects, kind of like complex LFOs. You can assign a unique MIDI channel and CC# to each ribbon. As long as your gear responds to MIDI CC messages you will be able to control it with Ribn.

Version History
Sep 4, 2018 Version 2.0

• Add names to your ribbons
• Toggle looping per ribbon
• Choose any number of ribbons between 1 and 8
• Full screen mode
• Switch between 3 sets of configurations using presets
• MIDI works in the background
• iPad landscape mode
• iOS 10 support
• Select multiple MIDI outputs
• Bluetooth pairing from within the app

** FEATURES **
• 8 MIDI CC ribbon pads
• Add modulation to your MIDI hardware synths, effects, eurorack modulars, drum machines, etc.
• Configurable MIDI channel and CC# per ribbon
• You can name each ribbon to help you identify what parameter it’s controlling
• Turn off looping on individual ribbons to turn them into regular sliders
• Choose any number of ribbons between 1 and 8
• Full screen mode (removes navigation bar to help you focus)
• Switch between 3 sets of configurations using presets
• MIDI sending works while the app is in the background
• iPad landscape mode
• Select multiple MIDI outputs
• Ribbons record and loop your finger movement
• Use a wired MIDI interface, Bluetooth or Wi-Fi
• All settings are saved automatically
• Works with external hardware as well as other iOS synths
• Works on iPhone (including iPhone X) and iPad starting with iOS 10

** EXAMPLE USES **
• Control hardware MIDI synths parameters like the filter cutoff frequency, resonance, oscillator octave, etc.
• Control any soft synth in Ableton Live (or your favorite DAW) by connecting your iOS device to your Mac via Wi-Fi and choosing “Session 1” as the MIDI output in Ribn.
• Control your Eurorack modules by running Ribn through a MIDI to CV converter.
• Control other iOS synths like the Moog Model 15 or Arturia iSEM.
• Control drum machines and effects. For example, try controlling the room size of a reverb effect unit with a looping ribbon or the snappiness of a snare drum on a drum machine. The possibilities are endless.
• Daisy chain your MIDI hardware using MIDI Thru ports and assign each ribbon to a different MIDI channel. This way you can control more than one piece of hardware at a time. For example, you can assign the first 4 ribbons to a synth and the last 4 to an effect unit.

** HOW IT WORKS **
• Connect your MIDI gear (like a synth) to your iOS device using a MIDI interface (wired or bluetooth)
• Launch Ribn and select your MIDI interface in the settings page.
• Find out which CC# and MIDI channel your gear responds to (usually at the end of the manual) and enter this information in RIbn’s edit view.
• Slide your finger on a ribbon to send CC values and control the parameters on your MIDI gear.

** WHAT IS MIDI AND CC? **
• MIDI is just the way electronic musical instruments talk to each other.
• CC (Continuous Controller) is just a way to control various parameters using MIDI. For example, a synth’s filter cutoff frequency can be controlled using a MIDI CC signal.

** NOTE **
• Ribn is a MIDI controller and doesn’t produce any sounds. To use Ribn you must connect it to a device that responds to MIDI CC signals (check your gear’s manual to be sure).
• Ribn doesn’t send note data, it only sends CC signals (you can’t play melodies with it, but you can control various parameters like synthesizer filters, or effects settings).
• To connect your iOS device to MIDI gear you will need to buy a MIDI interface. A MIDI interface typically connects to your iOS lightning port and provides standard MIDI DIN ports to connect to your hardware. There are also bluetooth MIDI interfaces that connect wirelessly. Alternatively, you can connect to your Mac over Wi-Fi and control software synths that way. This setup is a little more complex but totally doable (I’ve tested controlling Ableton Live plugins over Wi-Fi with Ribn and it worked perfectly).
• Audiobus and AUv3 are not supported at this time. However, you can still control other iOS synths by routing the internal MIDI ports and having Ribn run in the background.

Get Ribn

2018
08/30
Xequence Update Audiobus 3 Support
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Xequence is a highly professional, fast & stable MIDI sequencer, arranger & controller for iPhone & iPad.

What’s New
Version History
Aug 28, 2018 Version 1.8

COMPLETE AUDIOBUS 3 SUPPORT:

– SIDEBAR: Audiobus sidebar for switching between connected apps, with access to all Xequence transport controls (Play, Stop (the Rewind icon) and Record) from any other Audiobus app.

– SYNCHRONIZATION: Full synchronization (Start, Stop, Tempo, Phase). Please note that Ableton Link has to be enabled in Xequence, all participating apps, and Audiobus.

– MIDI OUT: 16 Audiobus MIDI Out ports for connecting up to 16 Xequence instruments to 16 separate Audiobus MIDI lanes or apps. Displays connected apps’ names inside Xequence.

– COMPATIBILITY NOTE: Some apps hosted in Audiobus as a MIDI receiver might not work correctly due to implementation issues in these apps. In these cases, please send the MIDI directly to the app (do not put the target app on Audiobus’ MIDI screen. Instead, put it as a source on the Audio screen and select the app itself as the MIDI Destination on Xequence’s instruments screen). This problem can only be fixed by the receiver app developers.

– MIDI IN: Audiobus MIDI In port for recording the MIDI output of other Audiobus apps. (all input will currently be merged to a single track, i.e. multitrack MIDI recording is not yet supported, but will be in a future update.)

– MIDI THRU: Xequence’s usual MIDI Thru will also work inside Audiobus, passing whatever is received from the MIDI lane OR from any other source selected in Xequence’s settings to the current track’s instrument, which can be an Audiobus destination, hardware, OR another app.

– STATE SAVING AND RESTORE: Xequence will save the current project, including all modifications done since the last save, in the Audiobus preset, and restore it when a preset is recalled.

– MIDI MERGE: Xequence merges all MIDI input both from the Audiobus lane AND any other MIDI sources, both hardware and software, and can record it or send it to the current track’s instrument (MIDI Thru).

– Please note that Audiobus MIDI and State Saving still are very new and evolving technologies, and you may encounter issues which are caused by problems in third-party apps. However, please do let us know if you have a problem that you suspect might be due to a Xequence bug, and we’re happy to investigate.

IMPROVEMENTS:

– MIDI Input has been cleaned up: The “Any” source has been replaced by “Xequence Destination” and can be enabled alongside the other available sources. To send MIDI to “Xequence Destination”, most apps have a menu that will list “Xequence Destination” so you can send to it. Of course, the other way around (Xequence actively connects to other sources) is still available by enabling one of the other sources in the “Select MIDI sources” panel.
– Better contrast for instrument colors in “Light” theme.
– Pianoroll: When switching between note and velocity editing, scroll and zoom are now preserved.
– Various optimizations.

FIXES:

– Pianoroll: Fix vertical scrolling of keys on the left sometimes not in sync with scroll position of editor.
– Pianoroll: Fix slightly wrong vertical zoom in Drum editor mode when using “Zoom All” with the ruler enabled and “Ruler Auto-Dismiss” disabled.
– Keyboard: Fix sliders with “Return” option sometimes not returning to their zero position.

Get Xequence

2018
08/30
Fabfilter Pro-Q 2 iPad Update
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Fab Filter Pro-Q For iPad

FabFilter Pro-Q 2 is a transparent, high-quality equalizer plug-in for mixing and mastering purposes, with up to 24 bands and a gorgeous interface for easy and precise editing. With its unique Natural Phase mode, it matches both the magnitude and phase response of analog EQ’ing perfectly. Innovative features like Spectrum Grab and EQ Match together with its intelligent interactive EQ display make Pro-Q 2 an absolute joy to use.

The Pro-Q 2 app filters the microphone input and plays it back in real-time. To use Pro-Q 2 as a plug-in, you need an AUv3-compatible host app like Auria, AUM or Cubasis. Pro-Q 2 will appear in the list of Audio Unit extensions for effect plug-ins in the host app.

UPDATE 2.14 Aug 28, 2018

– Optimized memory usage so you can add more Pro-Q 2 plug-in instances to a session, and opening sessions with many instances is faster.
– Improved the position of the EQ parameter value display in the interface so it is less likely to be obscured by your finger while dragging an EQ band.

Pro-Q 2 for iPad

Key features:

– Highest possible sound quality
– Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency
– Up to 24 EQ bands
– Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode
– Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf
– Universal filter slope support for all filter types, up to 96 dB/oct
– Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!
– EQ Match feature to automatically match the spectrum of another track
– Optional Gain-Q interaction
– Each band can operate on the stereo signals or on the left or right channels independently for per-channel EQ-ing
– Built-in spectrum analyzer with Pre-EQ, Post-EQ and SC modes, adjustable range, speed, resolution, tilt and freeze
– Auto Gain and Gain Scale
– Mid/side mode where you can EQ the mid and side signals separately
– Optional piano roll display to quantize EQ frequencies to musical notes
– Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
– Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
– Phase Invert option to change polarity
– Large output level meter with peak level readout
– Undo/redo and A/B comparison

Get Pro-Q 2

2018
08/30
Analog Rytm iPad Controller
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Collider Analog Rytm Controller App

Collider is a performance and control surface for Elektron’s Analog Rytm drum machine. Unlock the full potential of your drum machine with minimal effort and programming.

UPDATE 4.8 Aug 28, 2018

– New Mode allows you to launch Patterns using Program Changes
– Resetting a Track / Kit will no longer reset the Track’s Engine
– Added ALL toggle on Mixer Page which lets you affect parameters across all tracks at once
– The Mixer will now show if a Track is locked with a red border
– Receiving and Sending Kits will now correctly save / encode Pad Retrig settings, Legacy FX Toggle, Sound Chromatic Mode & Sound Vel to Vol Toggle
– Track Selection on the Pattern Page has been improved. You can now glide your finger across to toggle instead of having to individually select.
– New Pattern function under Retrig & Tools called “Offbeat Trigs” will move some Trigs off the beat (forward or back 1)
– Added Purge function to Pattern Side Controls
– Improved Drum Pattern Population. Less Sequences will be empty when loading Patterns from Genres.
– Improved algorithm for AutoFilling Pattern snapshots (more variation)
– Improved Trap algorithm
– Improved Cross Rhythms algorithm
– Improved Random 808 Kits

Features:

– Intelligently randomize and morph Parameters, Pages, Tracks, FX, Patterns, Trigs and Parameter Locks
– Randomized Kits of a certain flavor + sound design functions
– Control common parameters across ALL tracks
– Scene and Performance Controls Randomization
– Pattern Mode: Euclidean patterns, humanization, randomization, pattern algorithms and much more!
– Over 300 drum grooves from various genres are included to kickstart your production
– Use Physics to control Performance and Aftertouch
– Automate the addition of TRC conditions and P-Locks, Randomize Retrig Rates and Sequence Lengths creating interesting and evolving patterns
– Save and Load Kits, Tracks, MFX, Mixer Settings, Kit Snapshots & Pattern Snapshots
– Mixer Mode
– Chromatic Mode
– XY Pads to control Master Filter, FX, Drive
– Link multiple tracks to single pads for layering

*Not compatible with Overbridge

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  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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