Rainbow Delay is a polyphonic harmonizing delay effect unlike any that you’ve played before. Harmonize full chords with multiple different intervals at once to create colorful soundscapes you didn’t know your guitar could create. Program your MIDI controller to control your harmonies and delay in real time. Switch it into Mono mode for vocals and other monophonic instruments.
F e a t u r e s:
• Fully polyphonic harmonies – WORKS ON ALL CHORDS
• Separate harmonies for real time input and delays
• Delay with feedback, filter, time division and tempo sync
• Creates harmonies above and below the input signal – mix and match them to taste
• All parameters are MIDI programmable
• The stripe in the middle contains buttons that can switch modes, shift intervals and sync to the host tempo
• The colored knobs adjust the volume of the harmonies on the input and the delays
• The gray knobs adjust the delay parameters
• Shift intervals on the fly with automation or MIDI input for greater control over your harmonies
• Mono mode for vocals or monophonic instruments
• Bluetooth MIDI compatible
• iRig BlueBoard compatible
• AUv3
Red Rock Sound presents their anniversary plugin AD IT emulates a Pultec HLF-3C for iPhone and iPad.
For 10 years we have been delighting you with professional plugins at an affordable price. Thank you for support!
The HLF-3C completes the Passive EQ Collection. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.
You can easily subtract the unnecessary frequencies in any instrument and sub-group so they stay wonderfully musical in the mix.
The original HLF-3C hardware unit is a true passive design; there are no input/output amplifiers and it does not require any external power. As a result, there is an inherent loss of signal level when using the HLF-3C hardware. The RRS HLF-3C plug-in compensates for this inherent signal loss for simplified use in the modern era; it has unity gain upon insertion (there is no insertion loss until one or both of the cut filters is engaged).
The HLF-3C interface is very simple and includes only three controls:
• Enable — This toggle switch is the plug-in bypass control. When in the down position (bypassed), plug-in processing is disabled altogether. The plug-in is engaged with the switch is in the up position. This switch can be used to compare the processed settings to that of the original signal;
• Low Cut — This rotary switch specifies the cutoff frequency of the low cut filter. Eleven frequencies are available: 50, 80, 100, 150, 250, 500, 750, 1000, 1500 and 2000 CPS;
• High Cut — This rotary switch specifies the cutoff frequency of the high cut filter. Eleven frequencies are available: 1.5, 2, 3, 4, 5, 6, 8, 10, 12 and 15 KCS.
To use HLF-3C as a plug-in, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — HLF-3C will appear in the list of Audio Unit extensions for effect plug-ins in the host app.
Get Red Rock Sound HLF-3C HERE
Moog has announced Animoog Z today! Designed by Moog Music, the world’s first synth company, Animoog Z is an inspiring 16-voice polyphonic synthesizer that invites you to explore new concepts of multidimensional sound design and performance.
Powered by Moog’s Anisotropic Synth Engine (ASE), Animoog Z empowers you to visually traverse new sonic universes and even create your own! ASE utilizes a novel orbit system to expand the concepts of wavetable and vector synthesis, allowing you to navigate dynamically through the X, Y, and Z axes of sound. Spontaneous sound design with Animoog Z is easy—simply select and drag the orbit path to explore endless sonic configurations.
Animoog Z captures the immediate and intuitive experience of Moog synthesizers and applies it to the modern digital paradigm, enabling you to quickly sculpt incredibly fluid sounds that live, breathe, and evolve as you play. Use Animoog Z’s built-in keyboard to control pitch and pressure per voice (or send MIDI out), or connect your favorite MPE controller and explore Animoog Z’s MPE-compliant sound engine.
Animoog’s diverse library of timbres includes digital tones and spectral sources alongside analog waveforms recorded from classic Moog circuits. If you ever run out of sounds, you can use the built-in Timbre Editor to record and edit your own timbres!
Visually captivating and sonically immersive, Animoog Z brings music production to the next level. Whether you are new to synthesis or a professional musician, Animoog’s unique user interface gives you the power to easily create a visually vibrant and sonically rich universe.
Key Features:
• Multiplatform Experience: Share presets, timbres, and in-app purchases across your compatible Apple devices.
• Anisotropic Synth Engine (ASE): An exciting Moog technology that allows you to move through the X, Y, and Z axes of unique timbres to create an expressive and constantly evolving soundscape. Sonic modulations are visualized in real time, providing a multisensory feedback mechanism for sound creation.
• Polyphonic Modulation and Pitch Shifting: Control Animoog Z’s advanced touch surface keyboard with configurable scales, key distances, pitch correction, and glide. Simply slide your fingers to control multiple per-voice parameters in Animoog Z right from the keys.
• Timbre Editor: Go beyond simple sample playback and build unique sounds that evolve in multi-dimensional space. Select from a wide variety of built-in timbres or customize your sound by recording your own timbres (or import your own WAV files).• ENV/LFO Page: Articulate your dynamics with 3 independent six-stage DAHDSR envelopes for Amp, Filter, and Mod, each with loop and sync functionality. Give motion to your sound with 3 independent LFOs featuring continuously variable wave shapes, phase offset, delayed start, sync, and support for 1-8 repeats.
• MOD Page: Highly flexible modulation matrix with 10 lanes and a multitude of sources, controllers, and destinations—including global destinations like Delay and Thick. Use the Solo and Enable controls to explore complex modulations layer by layer.
• Effects Page: A collection of dynamic sound-altering and sound-augmenting effects with Delay, Chorus, Bitcrush, Filter, Arpeggiator, and Looper. Oscilloscope-style views display the output and impact of your effects.
• MIDI: Use your favorite MIDI controller to control Animoog Z (with full support for MPE input) or go MIDI out to use Animoog Z’s highly expressive keyboard to control your favorite instruments. Go even deeper with Animoog Z’s exhaustive MIDI CC mapping system featuring MIDI Learn, multiple destinations for a single CC, and detailed control of which presets are loaded with program change.
• Additional Features: Backwards compatibility with presets and timbres from the original Animoog, AUv3 support, 440Hz base frequency offset (+/- 10Hz), preset tagging, preset sharing, Global BPM, Tap Tempo, Ableton Link, keyboard typing and shortcuts, random presets, and undo/redo.
BLEASS Shimmer is an AUv3 compatible studio quality Shimmer Reverb Effect that brings stunning harmonic tails to any sound or instrument with very low CPU usage.
While giving users an innovative and clear interface to enhance musical creativity as well as live performance usability, the BLEASS Shimmer brings highly versatile sonic possibilities thanks to its countless combinations of parameters. From angelic sheens, ambient washes to otherworldly chimes, let BLEASS Shimmer make your guitars, strings, pads, vocals, drums shine! BLEASS Shimmer comprises 6 customizable stages which reveal themselves via 30+ presets.
These stages include:
INPUT STAGE:
• Touch control filter with two filter types: Low-Shelf and High-Pass
• Input gain
• Reverb pre-delay
2 PITCH SHIFTER STAGES:
– Two different pitch shifters each offer 3 pitch-shifting modes:
• PRE (signal is pitch shifted and sent directly into the reverb stage)
• POST (reverberated signal is pitch-shifted)
• FEEDBACK (reverberated signal is pitch-shifted and fed back again into the reverb stage)
– Each Pitch Shifter can be tuned with
• Pitch control [-24st; +24st]
• Fine control [-0,5st; +0,5st]
• Delay Time control
• Amount slider
REVERB STAGE:
• Room size control
• Color parameter (control the reverb’s high frequencies)
• Reverb Room Size modulation (amount and rate)
• Length control (200ms – 30s)
DUCKER STAGE:
• The ducker compresses the output signal using the dry signal as sidechain to bring more clarity
• Compressor parameters: Threshold, Attack and Release.
• Visual Input Sidechain Meter
MIX STAGE:
• Dry/Wet Mix
Tutorial:
In this example I used Shimmer on the main arpeggiated synth:
Accordion Vintage is a virtual sampled instrument based on an original. Italian accordion made in Castelfidardo in the 60s years. The sound has been captured with amazing technical tools. Accordion Vintage consists of almost 1300 samples perfectly looped, 4 velocity layers, key-on and key-off noises for a more realistic sound.
Features:
° Full Audiounit (AUv3) support
° iOS Universal
° Audiobus and Inter-App Audio
° Audiobus 3 MIDI support and state save
° Share Presets and Samples between App and AUv3
° Built-In effects: Stereo Delay, Vowel Filter, Sterealizer and Classical/Vintage Reverberator
° Keyboard Ribbon Style
° Keyboard scales quantize
° Full Parameters MIDI/LFO/Accelerometer mapping
° Presets Interpolation Pad
° MIDI Clock and Ableton Link
° Record to .wav file
° AudioCopy/Audioshare/Open In… etc…
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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