Dub Siren | Performance Synth – Designed to deliver authentic dub sounds and effects, iTALIZER at it’s heart is a monophonic synthesizer paired with an authentic tape echo emulation. iTALIZER comes with customizable X/Y pad and standalone application, making it a complete solution for live sets and performances. What’s more, with full support for Audio Unit V3 Extensions, Audiobus, Interapp-Audio, MIDI and Ableton Link, iTALIZER is equally suited for live as well as studio use.
Overview:
* Monophonic Virtual Analog Synth Voice
* Authentic Tape Echo emulation
* Performance oriented touch controls
* Tempo Sync (syncs both LFOs & Delay Time)
* Standalone operation support for USB audio interfaces
* Audio Unit Extension
* Inter App Audio support
* Audiobus support
* MIDI Remote Control
* Ableton Link
* Tap Tempo
Synth Voice
* 5 Waveforms (Sine, Saw, Square, Triangle, Noise)
* 4 Pole Lowpass Filter for further sound shaping
* 2 LFOs ranging from 0.01Hz to 25Hz (1x Sine, 1x Square)
* Fixed Env/VCA triggers via touchpad, MIDI or manually
Tape Echo
* Authentic Tape Echo Emulation
* Effect Send control
* Delay Time and Feedback controls
* Loop mode
* Capable of self-oscillation
* 8x oversampled
Touch Controls
* X/Y Pad Performance Control
* Both axis can be mapped to any parameter
* Voice triggers automatically when using the touchpad
Requirements:
* iOS9+
* iPhone, iPod Touch or iPad
So you’re a musician and you just got an iPad. At this point you probably want to know how to get started with iPad music production but don’t know where to start. The following quick start guide will give you the basics to get started without overwhelming you with the thousands of different apps available. I’m breaking it down into four simple items considering you CAN do everything within the box (pad) so to speak therefor I will not get into midi controllers and audio interfaces as that is taking things to another level and will be good for an additional topic of discussion.
I’d like to start by telling you a little about my self. I’m a composer with over 20 years in the music industry. I got my start producing royalty free loops for software companies (currently producing for Retronyms and Mixcraft) which led to a career in production music. Production music is music typically used for TV, film advertising, and video games otherwise known as sync. I got my first iPad for music production back in 2010 which is when I started this blog. At the time I was creating loop content for an iOS app that is no longer with us. The app was called Looptastic. Since then producing music on an iPad has become just as real as producing music on a desktop and laptop. iPads now have fast powerful processors and there are literally thousands of cool music creation apps out there. So with that said I would like to help you get started.
I know what you’re thinking. Where do I start? Well you might be following a popular blog such as my own and you’re probably aware of the many apps out there which is overwhelming I know. Don’t worry I’m here to break producing music on an iPad down to the core essentials. It’s really that simple.
1) Choosing your DAW – For those who are totally new to music production in general a DAW (digital audio workstation) is often times the central hub of your workflow. The DAW allows you to record, multi-track, sequence, arrange, and mix your music. Seems simple enough right? Well there are several options out there so you will want to spend a few hours researching the different DAWs available. Some DAWs are very open in regards to integration of other apps like Beatmaker 3, Cubasis and Auria for example where as some are a closed one stop shop type situation like Korg Gadget. I’ll get into that a bit later as you might want to look into getting both Korg Gadget AND an open DAW because Korg Gadget is really awesome. Most DAWs feature things like IAA (inter app audio), AU3 (audio unit 3), and Audiobus support as well as MIDI (musically integrated digital interface/instrument). MIDI is the language that allows synthesizers and drum machines to communicate with each other. It is also note information sent from those instruments as well as a few other things. I suggest googling MIDI if you want to know more about it. Eventually you will know everything about MIDI but honestly you can still write a wicked song with just the basics. Inter App Audio is a feature designed by Apple and it allows you to integrate apps from different sources and developers into your DAW much like a VST except you can ONLY integrate one instance of that app in a project unlike Audio Unit (also by Apple) which allows you to load multiple instances of an app within your project (DAW) similar to what we know as VST technology in the desktop world. Again if you are totally new and these terms confuse you PLEASE don’t hesitate to message me and google them. We will get you on the right path. I’m going to leave it at that because like I said I don’t want you to feel overwhelmed. These are the core essentials of what to look for in a DAW. To summarize does this DAW support IAA, AU, and MIDI. SOOOOO to simplify things I want you to look and see if you got Apple Garageband with your iPad for free. You probably did. Garageband is a great place to practice and get your feet wet without having to spend any money or time researching other apps. You can do a lot with Garageband but it does have it’s limitations and you might want to expand your iPad production suite by investing in a totally different app like Auria, Cubasis, FL Studio Mobile, or Caustic to name a few. Will you also need to sync to hardware or other apps? If so there is a thing called MIDI sync (MIDI Clock) which until recently was the best way to sync BUT there is now a thing called Ableton Link which most DAWs support. Choosing the right DAW is really a matter of preference after you decide what is important to you. I used Cubasis because I use Cubase on my desktop DAW but I also have AUM and Audiobus at the center as well. Contact me http://ipadloops.com/about-ipad-loops/
2) Choosing a virtual mixing/routing app. iPad music production is quite unique because well you get a touch screen but it’s also unique because now you can have an additional hub to your workflow something to work beside your DAW. I’m referring to apps that act as extended routing and mixing. There are two popular apps for this at the moment and they are Audiobus 3 and AUM. These apps do similar things but they also have some features which are different from one another. Most iPad music producers own and use both apps!
3) File management – Apple did a great job of making the iPad file system unreachable so this really cool app came along and it’s called Audioshare. Audioshare is ESSENTIAL to all iPad music production studios. Why? It will help you record, manage, share, and organize your project files and samples. Go ahead and just buy it now you’ll thank me later
4) Your virtual sound palette – This is where things can get hairy. There are literally thousands of synths, drum machines, and instruments out there. Most of them are IAA instruments which means you can easily integrate them into your studio and SOME are also AU3 audio units which is even better. Those are two terms that will really mean a lot when choosing your sound palette. DAWs like Garageband and Cubasis come with a vast selection of virtual synths and drums so I suggest you start there. You will easily get buried in a sea of virtual instruments when you decide to step outside of your DAW for more sounds and inspiration which is actually a lot of fun but it’s only fun when you already have had time to wrap your head around the basics so don’t worry just take is slow. Try writing a song first with the sounds from your DAW then when you get comfortable dive into the sea of sound and choose your weapons of music construction wisely as they can really start to add up in regards to financial investments.
So there you have it. My intro to iPad music production in a nutshell. There is a lot more to it BUT this will get you started no doubt as these are the basic core essentials. Eventually when you get comfortable you will want to improve your workflow so it could take a bit of a little here and a little there. Don’t think about that yet. Remember it’s not the tools it’s what you do with them you can get the job done with these 4 essential items!
Here comes the the crazy twin-sister of Ruismaker, designed for people who want to design their own percussion sounds from scratch. Ruismaker FM’s simple, yet flexible synthesis engine lets you create anything from snaredrums, kickdrums and spacy toms to weird and unconventional percussive sounds and effects. Ruismaker FM is a unique drumsynth plugin (i.e. it does not use samples), which is coupled with a creative Euclidean sequencer when run in standalone mode.
What’s New in Version 2.0
Completely overhauled the app:
– added a cool standalone Euclidean sequencer mode (with Ableton Link, MIDI Clock, WAV export etc.)
– upgraded the synth engine
– added a preset manager to the AU plugin
– many more little touches and improvements!
The plugin is fully AUv3 (Audio Unit Extension) compatible:
– Audio Unit Instrument: making music on iOS doesn’t get more convenient
– Each sound is modeled using authentic analog and FM algorithms;
– Comes with dozens of unique customizable models
– Does not use any samples; all sounds are synthesized in realtime, on the fly
– Light on the CPU, so you can run lots of Ruismaker FMs simultaneously
– Fully automatable parameters (requires host support) and MIDI CC controllable
– Has its own preset manager
The standalone sequencer is refreshingly different:
– Program patterns using Euclidean algorithms
– Powerful random feature and mutation probability settings per channel
– Syncs with Ableton Link or MIDI Clock
– Exports WAV and MIDI
– Compatible with Audiobus 3 (including MIDI IN/OUT mode)
Ruismaker is a unique drumsynth plugin (i.e. it does not use samples), which is coupled with a creative Euclidean sequencer when run in standalone mode.
What’s New in Version 2.0
Completely overhauled the app:
– added a cool standalone Euclidean sequencer mode (with Ableton Link, MIDI Clock, WAV export etc.)
– upgraded the synth engine
– added a preset manager to the AU plugin
– many more little touches and improvements!
The plugin is fully AUv3 (Audio Unit Extension) compatible:
– Audio Unit Instrument: making music on iOS doesn’t get more convenient
– Each sound is modeled using authentic analog and FM algorithms;
– Comes with dozens of unique customizable models
– Does not use any samples; all sounds are synthesized in realtime, on the fly
– Emulates analog components, introducing subtle, natural fluctuations in the sound
– Light on the CPU, so you can run lots of Ruismakers simultaneously
– Fully automatable parameters (requires host support) and MIDI CC controllable
– Has its own preset manager
The standalone sequencer is refreshingly different:
– Program patterns using Euclidean algorithms
– Powerful random feature and mutation probability settings per channel
– Syncs with Ableton Link or MIDI Clock
– Exports WAV and MIDI
– Compatible with Audiobus 3 (including MIDI IN/OUT mode)
What do you do when you need the sidechain pumping effect in an iOS DAW that doesn’t have sidechaining? Pumphouse to the rescue! Pumphouse allows you to draw an envelope via step sequencer for your pumping effect so really it’s more or a less an amplitude modulator envelope.
Pumphouse is a simple and excellent compressor (taken straight from our RoughRider 2 codebase) coupled with a step sequencer driving an envelope generator. In this manner, you can sidechain-compress your pads or bassline against a 1-measure pattern, no other inputs required.
With an easy-to-understand interface, Pumphouse is a quick method for getting That Sound.
Pumphouse requires transport information to work. Please note that some iOS AUv3 hosts do not have a transport. (At this time, Auria Pro that we’re aware of.) There is an Inter-App Audio version supplied, but it also requires transport info.
Tested and approve the AUv3 with AudioBus 3, Cubasis, GarageBand, AUM, ModStep, Zmors Modular, and Beatmaker 3.
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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1) Choosing your DAW – For those who are totally new to music production in general a DAW (digital audio workstation) is often times the central hub of your workflow. The DAW allows you to record, multi-track, sequence, arrange, and mix your music. Seems simple enough right? Well there are several options out there so you will want to spend a few hours researching the different DAWs available. Some DAWs are very open in regards to integration of other apps like 
2) Choosing a virtual mixing/routing app. iPad music production is quite unique because well you get a touch screen but it’s also unique because now you can have an additional hub to your workflow something to work beside your DAW. I’m referring to apps that act as extended routing and mixing. There are two popular apps for this at the moment and they are 
