2013
04/08
UPDATE: Electronic Piano Synthesizer Ver 1 3 0 Adds Audiobus
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Electronic Piano Synthesizer iPad App

The ELECTRONIC PIANO SYNTHESIZER (EPS) is the worlds first piano synthesizer for the iPad. Based on a 32-bit realtime sound engine the sounds are computed on the fly and no samples are used.
The EPS gives you possibilities you don´t have with any other Piano, EPiano or Synthesizer on the iPad. You can adjust the sound while you play on the keyboard and hear the changes immediately. That is what you need to tweak your own sounds. The EPS is not only for EPiano sounds, you can also make sounds like bass, brass, bells, chimes, toms, vibraphone, synth pads…

What’s New in Version 1.3.0

– Audiobus support

– 32bit float point polyphonic realtime sound engine
– Core MIDI support
– Audiobus support
– MIDI Learn for all knobs
– background audio support
– other audio apps can play audio in background
– 32 library patches to load and save
– 21 factory preset sounds
– multiple FX (vibrato, tremolo, delay, tube overdrive)
– Recorder (up to 6 minutes in 16bit 44.1 kHz)
– iTunes file sharing
– copy audio to Pasteboard
– more than 7 octaves
– keyboard scrollable
– two different keyboard sizes
– second keyboard available via options
– simulated touch velocity
– single screen edit
– last session save on closing app

Electronic Piano Synthesizer is available for $4.99.

2013
04/08
UPDATE: Loopseque Ver 2 7 For iPad Adds Audiobus
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loopsequen Icon

Loopseque is a new music ecosystem which includes powerful sequencer, sampler, fx processor and record store with many beautiful releases from talented artists.

What’s New in Version 2.7

Fixed bug with Audiobus support.

MAIN FEATURES:
• Easy to use sequencer.
• Sample editor, uploader & browser.
• Onboard Samples library.
• Audio effects.
• Live track recording & loop bouncing.
• SoundCloud sharing.
• Project sharing via e-mail.
• 22 professionally designed electronic sample sets.
• 14 original project presets.
• Loopseque Store with new projects and tracks by talented artists.
• Dropbox Sync and iTunes File Sharing for your own sounds.
• Audio copy/paste (General Pasteboard with import and export).
• WIST support for syncing with other iOS music apps.
• Audiobus support.
• Master Classes & Tutorials.

MIDI:
• MIDI-out: Clock, Events, CC, Latency.
• MIDI-in: Clock.
• MIDI note for each circle: channel, velocity, volume, root key.
• Attack, Release, Start and Length for each note.
• Chord maker presets.
• 4 pads for X/Y parameters, 2 sliders and 8 buttons.

TECHNICAL INFO:
• 32 bit internal audio engine.
• 32-step circle sequencer.
• 4×4 channels of audio tracks.
• 9 patterns per channel.
• Volume control for each channel.
• Tap tempo & cue sync.
• Swing enhance.
• Cross-project sample set transfer.
• Simple FX set: Filter (LP & HP mode in one amazing control), Beat Repeater with automatic quantize, Reverb.
• Extra FX set: Delay (two modes: stereo and mono), Filter (LP, HP) with LFO, new Reverb and Repeater with reverse mode and manual quantize).
• All FXs can be assigned to each of 4 channels (one-button extra fast routing).
• Background audio.
• Retina Display.
• OMAC support.

Loopseque is available for $5.99

2013
03/31
Johannes Dorr iMidiPatchbay For iOS
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iMidi Patchbay iPad

iMIDIPatchbay lets you organize your whole MIDI setup from one central point. As a keyboard player, you most probably know about splitting and layering sounds. While this can be done relatively easy on professional keyboards, it becomes more complex if your gear consists of multiple keyboards and sound expanders.

iMidiPatchbay Screenshot

iMidiPatchbay

iMidiPatchbay

List of features

Create split and layer configurations very easily
Send volume and other control changes to your sound devices
Send program changes to your sound devices
Transpose sounds in octave steps
Filter controller data (sustain, pitch bend etc.)
Store configurations as programs for later recall
Switch programs of iMIDIPatchbay from another app or MIDI device via program changes
Switch programs while holding down keys or holding e.g. the sustain pedal without getting stuck notes
UI which is optimized for live usage
What exactly can I do with iMIDIPatchbay?

As a keyboard player, you most probably know about splitting and layering sounds. While this can be done relatively easy on professional keyboards, it becomes more complex if your gear consists of multiple keyboards and sound expanders.

Let’s say you want to play the internal piano sound in combination with a string sound of an external sound expander, but the latter should only be triggered by keys higher than middle C. For that, you need to a) select the piano sound on the keyboard, b) select the string sound on the sound expander, and c) make the expander only respond to notes higher than middle C. Although this is a small example, it still can be tricky if your sound expander has a small display and tiny buttons. And when performing on stage, you definitely have to switch both devices to the right program before starting to play. Everything becomes more and more complex if you intend to use more sounds and if you want controllers like pitch bend or sustain to affect only a subset of the active sounds.

iMIDIPatchbay makes building such configurations a lot easier than it has ever been before.

What do I need to get started?

There is one thing you need besides your current gear (and besides an iPad if you don’t already have one): a CoreMIDI interface. There are some on the market, e.g. iRig MIDI or iConnectMIDI. The latter offers many ports so it really is predestined to be used with iMIDIPatchbay. However, by using the THRU ports of your keyboards/sound expanders or external MIDI splitters/mergers you may also be fine with a smaller interface – it depends on your application.

If you have a proper interface, connect your keyboards and sound expanders to the iOS device. Then, press the “Setup” button and set “Device” and “Channel” so that iMIDIPatchbay receives the data of you master keyboard. The “MIDI IN” LED in the main screen should flash now if you play on the keyboard.

Defining keyboard zones

The main purpose of iMIDIPatchbay is creating split and layer configurations for your sounds. For that, you can use up to three keyboard zones called “LO”, “UP” and “HI” which are divided by two split points (”LO Split Note” and “HI Split Note”). You define the number of zones by pressing the buttons “2” or “3”, and define the split points by holding “Set LO Split Note” or “Set HI Split Note” and then playing the desired note on the keyboard. Read further to learn how to use that zones for individual sounds.

MASTER and EXTERN sections

iMIDIPatchbay is divided into sections. There are four “EXTERN” sections which are used to send MIDI data to four sound sources. These can be on separate devices or in one multitimbral device, the only important thing is that each sound is listening on an individual MIDI channel or MIDI device.

The “MASTER” section is used to send MIDI data back to the master keyboard. Using this section usually only makes sense if the master keyboard is also a sound source, i.e. a normal keyboard with internal sounds.

Assigning sounds to keyboard zones

By default, each section is off. You turn it on by tapping the ON button. When the section is on, all notes which are played on the master keyboard are routed to the corresponding sound source. By holding the same button, you select the keyboard zones which are active for this section: You can either hold and wait while the app cycles through the zone selections, or hold and play a note within the zone(s) you want to be activated. It is also possible to select no zone.

Filtering out controllers

By default, all control changes which are coming from the master keyboard are routed to the sound source. However, you can easily filter out some of them by pressing the ON button and touching the desired controller, e.g. the pitch bend or the sustain pedal. You can reactivate it with another touch.

The supported controllers are sustain (CC64), after-touch, modulation wheel (CC1), pitch bend and expression pedal (CC11). All other controllers can be filtered out in the settings.

Sending controller values

Each “EXTERN” section has two parameter knobs and a parameter select button (“>”). With those you can control volume, pan, reverb and chorus of the sound source. Tip: Use two fingers to adjust the value more precisely.

By holding “>”, you can activate “Send on Load” which will make iMIDIPatchbay send the value of the selected parameter always when the current program is recalled.

With the octave shift buttons, you can transpose the sound in 12-half-tones steps.

Storing your configuration

After building your configuration, you can store it by pressing the “SAVE PROG” button which brings you to the store mode. Now, select the bank and program you want to store to, and press “SAVE PROG” again. If you press any other button instead, you cancel the store mode.

In the “SAVE PROG” button, there is an LED which flashes when the current program was modified. You can dismiss the changes by pressing the current program button again or by switching to another program.

You can configure iMIDIPatchbay so that it responds to program changes of the master keyboard or another app.

iMidiPatchbay is available for $54.99

2013
03/25
Live Guitar For iPad
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Live Guitar For iPad

Live Guitar is designed to support playing complex chords, arpeggios, and finger-style guitar lines on your iOS device. Because the iPhone and iPad are not shaped like the neck of a guitar, the app provides an innovative way of selecting chords, while also leaving enough room to play individual strings accurately and expressively.

What’s New in Version 1.3
Introducing Audiobus support, improved support for virtual and core MIDI, and the import/export of chord progressions through Twitter.

Chords are organized in sets, which you can customize and change on a song-by-song basis. A single touch on the fretboard selects the first chord of a set; two touches selects the second, and so on. It’s possible to move quickly and accurately between sixteen different chords without needing to look at the screen; the chords available are taken directly from tablature that can be imported to the app. When playing guitar, switching between chords smoothly is critical; the app has been designed so that you can play music, not just notes.

Single string notes and strums can be played with touches or swipes; the organic sonic texture that comes from varying note intensity is obtained by adjusting where on a string you touch. The interface orientation on the iPhone gives more space between the strings, allowing you to play individual strings more accurately.

Live Guitar supports Chordpro formatted transcriptions; transcriptions to thousands of songs, with both the lyrics and chords, are available on the internet. Chordpro formatted transcriptions can be imported through the internal web browser, or with iTunes file sharing. Chord progressions can be imported from Twitter. You can also edit and create transcriptions in the app, and share transcriptions and chords easily.

MIDI connects your playing to laptop or desktop recording tools like GarageBand, Logic, Reaper, or ProTools. CoreMIDI, Virtual MIDI, and DSMIDI are all supported; you can choose the interface that gives you the best performance on your system. Live Guitar can send MIDI to the GarageBand app, as well as most other synthesizer apps. At present, SampleTank is not compatible.

For those learning to play, Live Guitar gives a gentle introduction to the fretboard and forming chords, and makes playing a song easy. Pros will appreciate the support for tablature and MIDI connectivity. For everyone, the app is a way to get a little “guitar playing fix” when the real thing isn’t available.

There are a number of guitar apps available. What makes Live Guitar different is the integration of song lyrics and chords, and the novel way in which chords are selected. It’s not just a portable guitar, it’s a portable guitar with access to tens of thousands of song transcriptions.

The app should work on all iPhones, iPads, and the iPod Touch, but is best suited for the iPhone 3Gs and newer, the 4th generation iPod Touch, and any iPad. Audiobus works best on newer iPads and iPhones.

Live Guitar is available for $3.99

2013
03/24
UPDATE: CrossDj 1 1 0 Features Keylock
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CrossDj For iPad

CrossDJ delivers a unique iPad DJing experience with a user friendly yet professional and feature rich layout. This application allows all DJs to enjoy the pleasure of performing quality sounding mixes on an iPad.

What’s New in Version 1.1.0
Keylock
Additional bug fixes and improvements

FEATURES

• 2 vinyl decks with realistic scratch
• Ultra-accurate synchronization and ultra-fast beat matching
• Parallel waveforms and track overview display
• Audio via Bluetooth
• Multi-audio for USB compliant multichannel soundcard
• External mixer audio routing mode (channel A and B are routed to different outputs)
• Direct access to your iPad iTunes library
• Sort tracks by BPM, title, artist, album or genre
• 14 Audio FX: Low-Pass, Hi-Pass, Echo, Delay, Phaser, X-Phaser, Flanger, Jet, Chopper, Crush, Brake, Roll, Cut, Bliss
• X/Y control pad for FX
• Live Beat grid edit
• Auto loops (1/8 to 16 beats)
• Slip mode loops
• 6 hot cues per track
• Split output function for headphones monitoring*
• Pitch fader and pitch bend
• Pitch range from 4% to 100%
• Complete DJ Mixer with 3-band EQ, volume faders, cross-fader and level meters
• Compatibility with most Bluetooth receivers for cable-free mixing
• Audio via Bluetooth
• Multi-audio for USB compliant multichannel soundcard

Get CrossDj

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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