*** Note: this is an Audio Unit Effect Plugin (AUv3) which requires a compatible host or DAW to work. ***
Kosmonaut is Multitap Delay with a twist. In addition to adding echoes to your audio, it packs a bunch of extra tools to put your music in space:
– Tape looper with with variable sound-on-sound decay level
– 4-Tap Delay (placed in series for complex feedback loops)
– LP/HP filters with LFO
– Autopanner
– Ambiance Generator
– Haas Effect Processor (aka ‘wavefront precedence effect’)
All features are demonstrated extensively in a ton of factory presets, and you can easily add your own user presets, which will automatically carry over across different host apps.
All variables are exposed as AU Parameters in hosts which support automation.
It also has a smart Random-feature, which may come up with usable results 🙂
FAC Transient as is suggested by the name is an outstanding dynamics processor providing precise design and control of the attack and sustain stages of your instruments. Transient designers or shapers are often associated with drum enhancements and only the best of them are versatile enough to suit most of the scenarios. Of course, you know that FAC takes pride in ensuring versatility in its product line, providing subtle to drastic changes. FAC Transient is no exception to the rule.
To meet this objective and to be ready for all the situations: drums, guitars, bass, vocal and much more. FAC Transient includes, in addition to the classic amplification or attenuation of the attack and sustain portion of your instrument, a fine control of the detection circuit involved in the processing.
Without going into technical details, there are three envelopes built from their respective detection circuits. The first one is the contour of the input signal, this includes similar processing available in Maxima and brings you control of the treshold, time and detector algorithm. The second and third one define the contour of the attack and sustain portions and brings you a total control of the depth and duration of each stage.
FAC Transient gives you all you need to design the shape of your instruments and provides them the place they deserve in your mix.
Echo effect Audio Unit V3 inspired by the mayan pyramids acoustic echo. I come up with a complex phase modulated frequency of the echo so you can change it’s frequency signature. It is kind of changing the material of the reflective surface and I called it “Stone F”.
I have made the echo to sound more music friendly to me but there is button called “UFO” and if you press it the effect is more close to the mayan just shifting the frequency backwards (I liked that better). You can also control the feedback of the phase modulation.
The effect can work as a stand alone app and as an audio unit AUV3 plug-in.
Stone Echo is an effect that is heavy on the CPU
Controls:
– Time – time offset of the echo
– Stone F – frequency response of the echo
– Feedback – echo feedback
– Level – the volume of the echo
– UFO – heavy modulated echo
Poison-202 is a professional Vintage Midi Synthesizer. Made by musicians for musicians, it is inspired by famous classic hardware synthesizers of 80’s and 90’s and has all the main sound creation blocks you can imagine: oscillators, cutoff Filters, ADSR-envelopes, ring, cross modulation, LFOs, sync, super-saw oscillator and more! Unlike many other software synthesizers at the market, which can reproduce only limited family of sounds, Poison-202 is designed to be able to reproduce almost any classic synthesizer timbre! Check out the Presets Demo video:
What’s New
Version 2.3
– 50 new preset patches added into Bank E;
– “Random” button is now visible in the AU also, not only in standalone mode;
– fixed issue, when double tapping the FX control knobs was not resetting effect’s parameter value.
The library of 420 built-in factory presets includes famous patches that can be heard in the compositions of such electronic and rave scene music performers as The Prodigy, Chemical Brothers, Azzido Da Bass, Darude, Kraftwerk, Daft Punk and many others!
You can play it with your fingers on iPhone / iPad, or you can plug-in your favorite USB MIDI keyboard into your device using Apple’s Lightning to USB Camera Adapter and turn Poison-202 into a real synthesizer module.
Features:
• Audio Unit Extension (AUv3) support
• Audiobus support
• Inter-App Audio support
• Virtual Midi support
• can work either as standalone synth app, or as plug-in inside Cubasis, Garage Band, AUM, ModStep and other hosts
• 2 oscillators, 5 waveforms: Saw, Pulse (with adjustable Pulse Width), Sine, Triangle and Super-Saw
• one Super Saw oscillator generates 7 individual saw oscillators at the same time, with adjustable Mix and Detune parameters, reproducing famous classic analog strings and hoover sounds
• additional sub oscillator + noise generator
• 2 TVF (time variant filter) modules with Cutoff, Resonance, Keyboard tracking and ADSR envelope, 12 dB/octave
• 2 TVA (time variant amplifier) modules with ADSR envelope
• It is possible to pair two 12 dB filters to get one 24 dB/oct filter
• Pitch envelope (Attack/Decay) for each oscillator
• Ring, Sync, PW, XFM oscillator modulation
• 2 LFO modulation sources with Frequency and Fade-In parameters
• LFO’s and Delay tempo sync
• LFO cross-modulation
• 6 waveforms of LFO: Triangle, Sine, Saw, Square, Trapezoid and Random (S&H)
• 4 LFO modulation destinations: Pitch, Filter, Amplifier and PWM
• 3-band EQ for each patch
• Digital realtime effects: Distortion, Bit-Crusher, Chorus, Flanger, Delay, Panning Delay and Reverb with adjustable parameters
• Master brickwall Limiter (can be switched on/off)
• Two signal flow connection structures: Parallel and Series
• Portamento, Solo playing mode with Legato switch
• Pitch Wheel with adjustable pitch bend range
• Modulation Wheel with assignable controls
• Arpeggiator with 6 modes and 12 rhythm patterns with tempo and swing feel control
• Scale play mode when playing onscreen keyboard with over 40 different scales to select from
• Voice polyphony up to 24 (device dependent)
• Up to 300 user presets to store
• Import/Export user preset banks via iTunes File Sharing
• Scalable and movable onscreen keyboard with key velocity control and Hold button
• Show Oscillogram feature
• Midi Learn feature
• Arabic quarter-tone microtuning option
Minimum requirements:
• iPhone 4S and up
• iPad 2 and up
Groove Rider GR-16 is a professional step-sequenced groove box, inspired by professional hardware drum machines and rhythm boxes. It has a powerful Poison-202 based two oscillator synthesizer engine, plus a big variety of included PCM drum samples, insert/send/master effects, arpeggiator, automation recording, modulator, ADSR and filter block, and more! Built-in factory pattern library includes patterns in different music styles, which will inspire you (the list will be appended with the regular updates). Check out the patterns demo video:
What’s New
Version 1.3.3
In this version (1.3.3):
– added a stereo delay effect per part (also known as Haas effect), controlled from the Part Parameters menu. You can specify the delay time between left and right channels in milliseconds, or turn it off for the part (by default);
– added new utility function: Shift part one step left or right, located in the Utils menu;
– chain mode: now, if you switch chain mode to “on” during playback, you won’t have to restart the current pattern to make chain mode work;
– added 4 factory preset patterns (named “Acid-1988”);
– some of factory preset patterns were slightly modified to use new stereo delay effect, introduced in this update.
In previous version (1.3.2):
– “Save to New…” function during playback now immediately switches to the new saved pattern without having to wait for current pattern to end;
– “Export Pattern Audio” functions were renamed to “Render Pattern Audio” for clarity; and “Export Pattern” (.gr16 format) functions were renamed to “Share Pattern” accordingly;
– “Render Chain Audio” and “Render Chain Stems” functions added, allowing you to render a chain of patterns, starting from current pattern, into one big audio file (or stems archive) for export. Be sure to turn “Chain Mode: On” setting to enable and use these functions;
– a progress bar added when rendering audio, with the “Cancel” button, allowing you to cancel rendering in the middle of the process if needed;
– bug fixed: patterns with non-standard rhythm base (especially 16 Triplets) were playing back and chained incorrectly;
– several minor, but important bug fixes.
One remarkable feature of GR-16 is that all the controls are arranged on one screen, just like on a real groove box device! It lets you access almost all useful parameters from the one screen. Forget about numerous sub-windows and dialogs, which ruined your inspiration in another musical apps! Groove Rider is the fastest path from your imagination to reality!
You can use GR-16 as a ready-to-go realtime musical instrument (groove box) in your jam sessions together with Ableton Link feature to synchronize it with your other music gear. Groove Rider is also very handy for quickly sketching your musical ideas, allowing you to instantly record them directly by using the Record function. Making music becomes easy and fun, in contrast with boring note drawing process and dealing with tons of files and expensive plugins in the DAW’s! Don’t loose your inspiration, boost it up with Groove Rider!
• synth engine is Poison-202 based: 2 oscillators, 5 waveforms (Saw, Pulse, Sine, Triangle and Super-Saw)
• synth oscillator modulation types: Ring, Sync, PW and XFM
• 83 available oscillator configurations
• Filter module with LP, BP, HP, Notch type filters, 12 and 24 dB/octave
• amp module
• ADSR envelope, assignable to Amp and Filter
• Modulator module with 9 LFO modulation shapes x 6 modulation destinations (Pitch, Filter, Level, Pan, Osc Edit, IFX Edit)
• voice portamento (Slide)
• polyphony up to 32 voices
• 16 sounding parts per pattern
• 16 steps x 4 bars per each part
• each step consist of up to 4 voices (notes)
• each step can be time shifted forward/backward a fractional value
• assignable strokes for each step (to play several notes at one step)
• assignable step trigger conditions for each note
• 12 send effect types, one send effect per pattern
• 22 master effect types, one master effect per pattern
• 34 insert effect types, one insert effect per each part
• master Limiter (can be switched on/off)
• Arpeggiator with 6 modes and 50 rhythm patterns
• Scale play mode with 36 different scales to select from
• Chords and Notes play mode
• more than 30 different midi groove templates
• up to 256 user patterns to store in one user pattern bank
• import & export user patterns and banks via share sheet
• pattern audio export in 16, 24 and 32 bit wav format
• Ableton Live Set export
• 25 interface skins
Minimum recommended devices:
• iPhone 5 and newer
• iPad Air and newer
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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