Formante is an AudioUnit AU3 compatible vocal filter plugin. You can simulate the formants and the vowels of a human voice, creating rich and mellow sounds; it can be applied to synthesizes, drums, guitars or any sound you want. Its parameters can be controlled by hosts or automated with the integrated drawable envelope (you can choose 16/32/64 steps resolution) and a BPM tempo control. Its filter engine has been already acclaimed in the vocal section of EGSY01 analogue synth, and we decided to publish it as a standalone filter due to users request.
PLEASE NOTE:
this is not a standalone app, but you need an AU3 compatible host like n-Track, AUM, Auria, Cubasis or Beatmaker3
Being a MIDI effect in its essence, controlling your synthesizers parameters (e.g volume, cutoff, res) with MIDI CC and notes, FAC Envolver is also able to transform the input audio via two exclusive effects: a Noise Gate and a Trance Gate. This combination is the key to breathe life into your sound, providing interesting natural modulation and sequences that will always be different by nature.
What’s New
Version History
Aug 3, 2018 Version 2.0
• Two circuits: Env Follower and Trigger Gate (Audio/MIDI fx)
• Each circuit provides MIDI out (CC/Note) and optional audio transformation
• Env Follower provides a Noise Gate with threshold, hysteresis and curve smoother
• Trigger Gate provides a Trance Gate Style fx with optional resolution and patterns
• Stereo/Mono processing – a slot per channel
• Fine tuning of each slot; rising and falling time, bias, depth and inverter
• MIDI IN/OUT support: CC#, channels, int/ext note pitch and scale progression
• Multi-waveform graph: input signal, env contour, gate signal and threshold
• Host tempo sync
Under the hood, FAC Envolver is an envelope follower delivering MIDI data generated from the contour of a signal. The source of this signal may come from two distinctive circuits: the first one is a classic envelope follower and the second one is a rythmical pattern called trigger gate. Both circuits are responsible for providing a signal envelope that can be altered by a set of parameters and delivered as MIDI control change messages (CC).
The generated signal envelope also passes through a gate detection mechanism driven by a threshold. When the signal goes above the threshold, the gate is open and when the signal goes below, the gate is closed. This open/close sequence provides a second envelope which is delivered as MIDI CC (on/off) and notes. The pitch of the note may be set within the effect or from an external value provided by MIDI input. Both may follow a particular scale progression.
The envelope follower circuit also provides a noise gate to control precisely the level of your audio signal. This uses the same open/close sequence built by the gate detection mechanism that delivers MIDI data but acts on the audio. Following the same logic, when the second circuit – the trigger gate – is engaged, the open/close sequence provides a trance gate style effect to the audio.
FAC Envolver is a stereo effect and provides two slots, one slot per channel. Both can be linked to facilitate the manipulation. The audio can also be turned to mono and the dry and wet audio can be mixed.
Note: The MIDI/AUDIO combo makes FAC Envolver usable in every host, even the ones that still do not provide MIDI out support, in this case the MIDI generator is disabled and the fx can be used as standard AUDIO fx.
Get Envolver
AudioLayer satisfies the most sought after gap for contemporary music production on iOS devices. AudioLayer is a full featured open standard audio multi-sampler pushing the boundaries beyond what has been available even in the desktop music production worlds. And all this integrated in all relevant iOS production environments especially the emerging AUv3 AudioUnit standard.
– SSE – Streaming Sample Engine –
The ultra efficient Streaming Sample Engine SSE is capable of playing hundreds of voices of big multi-sampled instruments even in strictly resource limited applications like using multiple instances of AudioLayer in AudioUnit host environments. Innovative features like Sub Sample Looping for perfect loops even in the audible range extend the range of applications even further.
– Perfect iCloud integration* –
The consequent usage of the open file structure of the Files app makes organising even large sample libraries a breeze. Sample recordings and Instrument designs made with AudioLayer are seamlessly available across all your devices and desktop. Even more this opens up new forms of collaborations with musicians all around the world to share your creations and work together.
– Multi Scope Editing –
To support the creation of complex multi-sampled instruments AudioLayer allows you to use a hierarchical structure of Layers and Zones each with it’s own sound manipulation parameters. A unique element of AudioLayer is the possibility to decide for each Zone at which Scope level your editing apply: For the all Zones in the Instrument, for the Layer only or individually for this Zone only. This opens a whole new world of creative options for sound mangling. For sound manipulation you can use a full set of Filters, Envelopes and LFOs to shape the pitch, timbre and level of the sound of each Zone.
SIS – Seamless Instrument Switching
The unique architecture of the Streaming Sample Engine allows for instant loading of even complex instruments and makes this switching from one Instrument to the next without cutting off the sound! And this includes of course also different effect setting
– Easy Design Workflow –
The built in audio sample recorder let you create Instruments on the fly in seconds. The Music Effect AudioUnit / Audiobus effect plugin of AudioLayer let you record multi-samples semi automatically directly inside your preferred host and instantly create an Instrument with the help of several Auto mapping options available. This includes file name based mapping of key ranges and velocities and automatic pitch detection. For the creatives we’ve also integrated a special “Single Cycle Waveform” detector making the use of this special files a breeze.
*App works also without iCloud, but less convenient.
Integration
• Stand-alone App
• AUv3 AudioUnit Instrument and Music Effect
• Inter App Audio
• Audiobus 3 Input/Effect with state saving support.
• Audio recorder with share function.
• Ableton Link compatible.
Ribn is a MIDI controller with 8 assignable ribbons. What makes Ribn unique is its ability to record and loop your finger movement. This allows you to add organic repeating modulation to your synths and effects, kind of like complex LFOs. You can assign a unique MIDI channel and CC# to each ribbon. As long as your gear responds to MIDI CC messages you will be able to control it with Ribn.
** FEATURES **
• 8 MIDI CC ribbon pads
• Add modulation to your MIDI hardware synths, effects, eurorack modulars, drum machines, etc.
• Configurable MIDI channel and CC# per ribbon
• Ribbons record and loop your finger movement
• Looping can be turned off to enable standard ribbon sliders
• Choose 2, 4 or 8 ribbons
• Use a wired MIDI interface, Bluetooth or Wi-Fi
• All settings are saved automatically
• Works on iPhone (including iPhone X) and iPad
** EXAMPLE USES **
• Control hardware MIDI synths parameters like the filter cutoff frequency, resonance, oscillator octave, etc.
• Control any soft synth in Ableton Live (or your favorite DAW) by connecting your iOS device to your Mac via Wi-Fi and choosing “Session 1” as the MIDI output in Ribn.
• Control your Eurorack modules by running Ribn through a MIDI to CV converter.
• Control drum machines and effects. For example, try controlling the room size of a reverb effect unit with a looping ribbon or the snappiness of a snare drum on a drum machine. The possibilities are endless.
• Daisy chain your MIDI hardware using MIDI Thru ports and assign each ribbon to a different MIDI channel. This way you can control more than one piece of hardware at a time. For example, you can assign the first 4 ribbons to a synth and the last 4 to an effect unit.
** HOW IT WORKS **
• Connect your MIDI gear (like a synth) to your iOS device using a MIDI interface (wired or bluetooth)
• Launch Ribn and select your MIDI interface in the settings page.
• Find out which CC# and MIDI channel your gear responds to (usually at the end of the manual) and enter this information in RIbn’s edit view.
• Slide your finger on a ribbon to send CC values and control the parameters on your MIDI gear.
** WHAT IS MIDI AND CC? **
• MIDI is just the way electronic musical instruments talk to each other.
• CC (Continuous Controller) is just a way to control various parameters using MIDI. For example, a synth’s filter cutoff frequency can be controlled using a MIDI CC signal.
** NOTE **
• Ribn is a MIDI controller and doesn’t produce any sounds. To use Ribn you must connect it to a device that responds to MIDI CC signals (check your gear’s manual to be sure).
• Ribn doesn’t send note data, it only sends CC signals (you can’t play melodies with it, but you can control various parameters like synthesizer filters, or effects settings).
• To connect your iOS device to MIDI gear you will need to buy a MIDI interface. A MIDI interface typically connects to your iOS lightning port and provides standard MIDI DIN ports to connect to your hardware. There are also bluetooth MIDI interfaces that connect wirelessly. Alternatively, you can connect to your Mac over Wi-Fi and control software synths that way. This setup is a little more complex but totally doable (I’ve tested controlling Ableton Live plugins over Wi-Fi with Ribn and it worked perfectly).
Apple has done it again with another stupid greedy move. October 2018 will be the end of affiliate commissions for iOS music app reviewers and bloggers. Apps purchased from App Store through blogger / vlogger links will no longer pay affiliate commission. The affiliate commission was a nice little incentive for promoting music apps over the years. I was building up a nice little business here to hopefully give to my daughter when she gets older but I knew it would be too good to be true. Sadly this will probably hurt small developers because they might get less attention and publicity making it even more difficult to discover new apps. I will still do it for the love and to help promote developers and their apps regardless. Anyway please support my channel if you enjoy the content by visiting my Spotify. Also it helps if you watch my videos all the way through. I have a Patreon now and of course I have over 58,000 different loops and samples for sale on my site http://www.soundtrackloops.com Don’t worry though I’m sticking around! Look for more reviews and tutorials very soon!!
Official message from Apple: Thank you for participating in the affiliate program for apps. With the launch of the new App Store on both iOS and macOS and their increased methods of app discovery, we will be removing apps from the affiliate program. Starting on October 1st, 2018, commissions for iOS and Mac apps and in-app content will be removed from the program. All other content types (music, movies, books, and TV) remain in the affiliate program.
For more information on commission rates, please see our Commissions and Payments page on the Affiliate Resources site.
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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