Lofionic Mani is a rich and evocative analogue-modelled chorus effect for iOS, supporting AudioUnit, Inter-App Audio and AudioBus. In addition to the standard mix, rate and depth controls, Mani adds a switchable feedback control, for metallic flanger-like effects, and a pre-delay switch for extra body.
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Looking for an analog tape effect for iPad mixes? Check out Master Record. Easy to use recording application with convenient controls and very creative effects like analog tape recorders will gives your music warmth and natural sounding professional grade quality.
Master Record can use any external audio source for record or used as Effect or Output in Audiobus. Also you can upload audio files to this application for final processing or before mixing.
After recording you can cut any part of track, make fade-in and fade-out and dubbing track with applying all built-in effects. Then you can send the track to another audio application thru “Open in” option or use audio clipboard. Built-in web access service gives you easy way to share files in your WiFi network.
What’s New in Version 2.0
● Playback and recording at the same time.
● Added file format and sample rate conversion.
● New feature Noise Gate.
● Improved user interface.
● Added different color schemes.
● Built-in description updated.
● Minor bug fixes.
Audio processing features:
● Tape recorder effects with different types of frequency response and wow / flutter.
● Classic High / Low shelf EQ for accurate input signal correction.
● Tape saturation effect with three types similar to the different equipment modes.
● Noise effect with five types of noise for more natural sounds.
● Separate level control for each channel with link option and channel selection.
● High quality limiter prevents clipping and makes sound more intense.
● Highly visible level meters, time counter, free space and battery meters.
● Support .wav, .aif, .mp3, .m4a, .caf .flac audio file formats.
More features:
● Predefined presets, ability to create own presets.
● Compare two different preset or effects settings in real time.
● All effects settings are stored for each file and recording mode.
● Dubbing recorded or uploaded tracks with using all of effects.
● Cut part of track and make Fade In and Fade Out with three types of envelope.
● Support Dropbox web service (you will need free Dropbox account).
● Sharing files on SoundCloud web service (you will need free SoundCloud account).
● Support Audiobus in Effect or Output position.
● Exchange files between applications through audio clipboard.
● Option “Open in” sends file to another audio application.
● Sharing files thru internal Web service in WiFi network.
● Support iTunes file share.
Get Master Record
Multieffect Audioprocessor for iOS. Seven studio quality effect modules for live usage and to enrich your iTunes music library.
### Introductory offer 30% off ###
All effect modules can be used together chained in any order you like.
The Chorus effect is a modulation effect used used to create a richer, thicker sound and add subtle movement. The effect roughly simulates the slight variations in pitch and timing that occur when multiple performers sing or play the same part.
The Delay effect provides you with two different types of delay effects using two delay lines. With Sync mode the delay times can be set by note lengths and are then relative to the currently set tempo. The delayed signal can be feed back to the input for echo effects. You can select between a stereo delay and a ping-pong delay where the echoes bounces across the stereo field.
The Drive effect provides you with different types of distortion from hard clipping to soft distortion simulating analog tube amplifiers and tape machines. The sound balance can be adjusted using a combined High/Lowpass filter.
The distortion algorithm uses oversampling to reduce aliasing artefacts.
The ParaEQ effect is a parametric equalizer with optional graphic editing of Lowpass/Highpass and Bandpass equalizer stage.
The Flanger is composed of two independent delay lines with feedback for the left and the right channel respectively.
The delay time of both delays is modulated by one LFO with adjustable frequency.
For typical flanging effects the delay time should be below 5 milliseconds.
The Phaser is built from an 8-pole allpass filter, which gives you a very short and frequency dependent
delay time. This delay time is modulated by an LFO.
The Reverb effect is used to simulate the sound reflections off walls in different kind of rooms. This reflections
disperse the sound, enriching it by overlapping the sound with its reflection.
This reverb parameter are accessible by the user:
• Tail delay – Sets the amount of time that elapses between the direct sound and the reverberation tail. This time correlates
with the perceived size of the simulated room. The adjustable range is from 0 ms to 300 ms.
• Reverb time – The time the reverb takes to die away by 60dB after the end of the initial sound. This parameter correlates
with the perceived size of the simulated room. The adjustable range is from 50 ms to 100 seconds.
• Room size – The room size parameter sets the average distance between the reflecting walls.
• Diffusion – The Diffusion parameter controls the echo density of the resulting reverberant sound. A higher value
corresponds to a higher echo density which is in most cases more natural sounding.
• Absorption – The Absorption parameter simulates the surface and air absorption of high frequencies. Due to absorption the reverberation time is shorter for high frequencies than for low frequencies. With higher absorption high frequencies will decay much faster.
• Tail stereo – Adjusts the stereo image width of the reverberation tail.
• Tail cutoff / tone – Lowpass and Highpass filter for the reverb tail.
Summary of features:
• Seven studio quality audio effects
• AudioUnit for AUv3 compatible hosts.
• Inter-app audio compatible effect.
• Audiobus 2 compatible with state saving.
• Apply multi effect to any song in your iTunes library.
• Low latency live usage with mic and headphones.
• Audio recorder
• Ableton Link compatible.
Get AudioEffX
Haaze provides two different ways of making a mono (or a not-wide-enough-stereo) signal to a wider stereo signal.
By splitting the input signal into 16 different frequency regions, spanning from 20 Hz to 20kHz, Haaze can add different amount of stereo-widening to different frequency regions. This makes it possible to transform a mono track into a natural sounding stereo track (by for example keeping lower frequencies in mono while spreading the higher ones).
Haaze is using two different stereo widening techniques, Haas (short delays between left and right channel) and ”Split EQ” (different gain on different channels on different frequency regions).
Noteworthy features:
• AUv3, works with AUv3 compatible hosts like Cubasis, Auria, AUM etc.
• 16 separate frequency regions with independent parameters on each band
• Two different stereo widening algorithms (Split EQ and Haas)
• Convenient and easy-to-use user interface
Usage:
To apply the Haas effect, click and drag the spring component horizontally. The top-most part applies the effect on higher frequencies, and the bottom-most part applies the effect on lower frequencies.
To apply the ”Split EQ” effect, drag the LOW (bass frequencies), MID (mid frequencies), HIGH (high frequencies) sliders to apply the effect.
The MIX knob mixes the input audio with the processed audio.
NOTE: When setting the MIX knob somewhere in the middle, there might be noticeable phase issues (if so, we recommend setting the value to max and adjusting the other parameters instead).
Important: Haaze in stand-alone mode does not support IAA, Audiobus. You can try it out using the microphone, but beware of audio feedback (use headphones!). We recommend using Haaze with AUv3 compatible hosts.
iPhone 6 or later is recommended.
iPad Air 1 or later is recommended.
Haaze
Haaze from Klevgränd produktion on Vimeo.
