DLYM is a free ‘Delay Modulator’ plugin which produces flanger and chorus style effects using Imaginando’s powerful processing technology.
Taking inspiration from DRC’s chorus effect, DLYM expands on the functionality, and makes it available for all DAW instruments, for everyone, for free!
Whether you’re looking to add just a touch of depth to your sounds or radically change them, DLYM can do both; we’ve even included over 20 presets/patches to get you started.
We’re passionate about clean, uncluttered, functional design. We build tools designed to enhance the creative workflow, and at the heart of this is providing an intuitive interface focused on control.
DLYM’s interface features generously sized knobs/dials which provide easy, accurate adjustments for fine control of parameters.
*** AUv3 Audio Unit plugin – requires an AUv3 compatible host app, such as Garageband, Cubasis, BM3 or AUM; Standalone version provided with Inter App Audio and Audiobus support ***
Features
– AUv3 Audio Effect, works in all AU compatible hosts
– 2 processing modes – ‘Analog emulation’ and ‘Dimension style’.
– 6 time syncable modulation waveforms – Sine, Square, Saw, Triangle, Sample & Hold and Filtered Sample & Hold.
– Adjustable stereo spread.
– Crossover/cutoff to control frequency range of the effect.
– Built-in preset/patch manager.
VC-1 – Multi Stage Chorus – VC-1 is a flexible, vintage voiced chorus effect capable of delivering many classic chorus sounds but it doesn’t stop there. Featuring several true stereo algortihms with up to 3 chorus stages per channel, parallel & serial configurations, a 3 band split input section and much more VC-1 offers almost endless posibilites for new, extreme or unconventional effects.
Overview:
* 3 unique chorus models (Analog, Digital, Vintage Digital)
* Up to 3 chorus stages in either serial or parallel configuration
* Modulation via sine LFO or lowpass noise
* Fixed 3 band split input section and +/-6db shelving filters at the output
* Advanced Dimension D style stereo coupling
* Stereo Animator & true stereo processing throughout
Programs:
1. Analog
Warm sounding analog voiced chorus utilizing a BBD (bucket brigade delay) emulation and Dimension-D style cross-coupling.
2. Digital
Bright & modern sounding digital chorus (full bandwith).
3. Vintage Digital
Dark & noisy vintage voiced digital chorus (10khz bandwidth / 12bit processing).
Connectivity:
– Audio Unit Extension
– Inter-App Audio Effect
– Audiobus 3 (Filter)
– Ableton Link
– USB Audio
– MIDI Control (Network, USB, Bluetooth)
FAC Chorus is a versatile chorus effect emulation designed to simulate the characteristics of the classic chorus modules with the flexibility of customising the parameters of the main components involved in the signal path.
The interface has a unique sober look and provides a great user experience. The knobs are very responsive, natural and follow a specific curve according to the parameters type.
The effect is built upon two individual delay line paths controlled by common parameters. The behaviour of each delay signal path is defined by the chorus type parameter. Thick type means warm characters and emulates the behaviour of the BBD. Clean type, as the name says, provides a cleaner sound with a larger modulation.
FAC Chorus is suitable for any situation requiring chorus effects and can go from subtle to drastic changes, the factory presets provide an overview of the sonic panel you can obtain.
Lofionic Mani is a rich and evocative analogue-modelled chorus effect for iOS, supporting AudioUnit, Inter-App Audio and AudioBus. In addition to the standard mix, rate and depth controls, Mani adds a switchable feedback control, for metallic flanger-like effects, and a pre-delay switch for extra body.
Multieffect Audioprocessor for iOS. Seven studio quality effect modules for live usage and to enrich your iTunes music library.
### Introductory offer 30% off ###
All effect modules can be used together chained in any order you like.
The Chorus effect is a modulation effect used used to create a richer, thicker sound and add subtle movement. The effect roughly simulates the slight variations in pitch and timing that occur when multiple performers sing or play the same part.
The Delay effect provides you with two different types of delay effects using two delay lines. With Sync mode the delay times can be set by note lengths and are then relative to the currently set tempo. The delayed signal can be feed back to the input for echo effects. You can select between a stereo delay and a ping-pong delay where the echoes bounces across the stereo field.
The Drive effect provides you with different types of distortion from hard clipping to soft distortion simulating analog tube amplifiers and tape machines. The sound balance can be adjusted using a combined High/Lowpass filter.
The distortion algorithm uses oversampling to reduce aliasing artefacts.
The ParaEQ effect is a parametric equalizer with optional graphic editing of Lowpass/Highpass and Bandpass equalizer stage.
The Flanger is composed of two independent delay lines with feedback for the left and the right channel respectively.
The delay time of both delays is modulated by one LFO with adjustable frequency.
For typical flanging effects the delay time should be below 5 milliseconds.
The Phaser is built from an 8-pole allpass filter, which gives you a very short and frequency dependent
delay time. This delay time is modulated by an LFO.
The Reverb effect is used to simulate the sound reflections off walls in different kind of rooms. This reflections
disperse the sound, enriching it by overlapping the sound with its reflection.
This reverb parameter are accessible by the user:
• Tail delay – Sets the amount of time that elapses between the direct sound and the reverberation tail. This time correlates
with the perceived size of the simulated room. The adjustable range is from 0 ms to 300 ms.
• Reverb time – The time the reverb takes to die away by 60dB after the end of the initial sound. This parameter correlates
with the perceived size of the simulated room. The adjustable range is from 50 ms to 100 seconds.
• Room size – The room size parameter sets the average distance between the reflecting walls.
• Diffusion – The Diffusion parameter controls the echo density of the resulting reverberant sound. A higher value
corresponds to a higher echo density which is in most cases more natural sounding.
• Absorption – The Absorption parameter simulates the surface and air absorption of high frequencies. Due to absorption the reverberation time is shorter for high frequencies than for low frequencies. With higher absorption high frequencies will decay much faster.
• Tail stereo – Adjusts the stereo image width of the reverberation tail.
• Tail cutoff / tone – Lowpass and Highpass filter for the reverb tail.
Summary of features:
• Seven studio quality audio effects
• AudioUnit for AUv3 compatible hosts.
• Inter-app audio compatible effect.
• Audiobus 2 compatible with state saving.
• Apply multi effect to any song in your iTunes library.
• Low latency live usage with mic and headphones.
• Audio recorder
• Ableton Link compatible.
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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