2017
08/12
Bark Filter Multi Band Filter / Compressor
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The multi band filter in Bark takes the approach to match the reception characteristic of the gate where all sounds must pass through: the human ear. The ear behaves as if it contains a bank of filters, each filter passing frequencies within their respective critical band. Two tones apart more than the frequency dependant critical bandwidth are perceived as separate tones. For this reason Bark contains a filter bank with 27 very steep bandpass filters matching the critical bandwidth characteristic of the human ear. In fact, the human ear have also its own built in multi band compression system which are based on the critical bands.

Why the name Bark ? The Bark scale is a frequency scale on which equal distances correspond with perceptually equal distances. Above about 500 Hz this scale is more or less equal to a logarithmic frequency axis. Below 500 Hz the Bark scale becomes more and more linear.

Multiband compressors can act differently on different frequency bands. The advantage of multiband compression over full-bandwidth compression is that unneeded audible gain changes or “pumping” in other frequency bands is not caused by changing signal levels in a single frequency band. Bark can act both as single band compressor and with up to 27 bands in multiband mode by linking critical bands.

The linear phase filter bank with its steep filter slopes can be used for unusually pronounced filter effects too…

What’s New in Version 1.1.0
– AUv3 Parameter Automation added

Features:

• Multi band dynamic range compressor with up to 27 bands
• Variable number of compressor bands (1..27)
• Threshold/Ratio Attack/Release and Makeup Gain
• Linear phase precision filters for maximal transparency
• Real time pre/post processing calibrated spectrum analyser
• AudioUnit for AUv3 compatible hosts.
• Inter-app audio compatible effect.
• Audiobus 3 compatible with state saving.
• Low latency live usage with mic and headphones.
• Audio recorder

Get Bark Filter

2017
08/09
PPG Infinite Is Here!
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At the end of the 70s Wolfgang Palm developed wavetable synthesis. This was very successful and used by many synthesizer companies in the 80s and 90s. But this technology has its limitations. The main reason is that all sounds are harmonic. In nature this does not happen very often. Many sounds like a piano string have small offsets from the harmonic frequencies. This is even stronger in sounds like bells or percussion. Infinite overcomes this limitation. The frequencies of the overtones created by Infinite can be totally freely defined. So the sounds it produces are totally free in the frequencies of their overtones. This means that each partial wave can have an arbitrary frequency.
Moreover it is possible to move these overtones independently during the duration of a note.

New system which can synthesize harmonic and inharmonic sounds

Morpher – X/Y controller which morphes 5 user selectable sine resources

Noiser – X/Y controller morphing 3 noise resources and performing modulations on the tonal part

Molder – acts as a digital filter with any amaginable filter sweeps

Two detail editor pages for the Sine resources featuring a 3D display

Import WTS and TCS files from the iPad WaveGenerator and WaveMapper

Import Phonem utterances and use them in the Infinite Molder

Versatile matrix system – allowing 16 sources to control 40 parameters

10 Envelopes, for control of filter sweeps, waveform, noise and many modulations

4 LFOs which can be freely routed via the matrix

Delay/Reverb effect
Overdrive/Distortion effect

A/B compare your edited sounds
AU extension – run multiple Infinite instances in AU hosts
IAA – inter-app audio support
Audiobus 2 with statesaving
Export audio to AudioShare
Preset browser with new listing filters
Directly accessible context help for each module

Freely configurable schematic keypads, with extremely expressive modulation options

4 Keypads play modes: Poly, Mono, Legato and Multitrigger.

4 MIDI modes: Omni, Poly, Mono, and Voice-Per-Channel.

Get PPG Infinite

2017
08/07
Vatanator Drum Machine AU3 Audio Unit
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Vatanator is a unique drum machine with advanced MIDI functionality. It features 140 built-in presets emulating every classic vintage hardware. It is aimed for simplicity and instant rhythm creation.

What’s New in Version 1.2.0
– new AUv3 Extension (Available as in-app purchase), you can use it in any Audio Unit host applications
– Audiobus 3 compatible
– Dropbox SDK update
– Added tempo synchronization for delay and ring modulation effects
– Ability to share custom kits with AU extension
– New session browser in export audio panel
– Various bug fixes and stability improvements


An demonstration video of Vatanator AU extension for iOS. All sounds created by Vatanator AU, hosted in GarageBand. Made by Backpullver.

Vatanator legacy features:

– Record patterns in real-time with quantization, MIDI assignable
– 16/32 steps sequencer with advanced MIDI options
– Fast loading of presets on the fly
– Full MIDI implementation, Bluetooth MIDI
– Background audio
– AUv3 Extension (Available as in-app purchase)
– Audiobus, Audiobus Remote, Inter-App Audio and Ableton Link support
– Ability to import samples via AudioShare, AudioCopy, Dropbox or iTunes Share
– Real-time effects with envelope follower and XY pads, MIDI assignable
– Song arranger, ability to store a sequence of patterns and play them in order
– 8 channel mixer with volume control and mute/solo for any individual instrument

Get Vatanator

2017
08/03
NFM FM Synth For iOS
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NFM is an intuitive FM synthesizer with a streamlined interface. It works as an Audio Unit extension inside a host application such as GarageBand, Cubasis, Auria Pro, modstep and AUM.

Key features
• Six stereo operators
• Fully customisable FM algorithm
• Oscillators: sinusoid, noise, fixed frequency
• Envelopes with adjustable level, time and curve parameters
• Operator amplitude can be modulated by the stereo LFO, key or velocity
• Pitch envelope, vibrato
• Build-in effects: distortion, delay, flanger
• Voice modes: monophonic, polyphonic, legato, glide
• Preset management inside the app
• Numeric pad for entering parameter values precisely

Get NFM Synth

2017
07/30
FuzzPlus 3 Free Filter and Distortion AU
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Audio Damage FuzzPlus 3, a direct 1:1 port of the popular free desktop plugin, is an AUv3 or standalone audio effect that consists of a resonant lowpass filter (modelled on the MS20 LPF) and a distortion engine (modelled on the Distortion+ pedal) with a feedback loop.

Easy-to-use, this audio toolbox can do everything from simple filtering and “warmth” to full metal audio destruction.

Get FuzzPlus 3

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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