2015
03/09
Peter Vogel CMI Pro Ver 2
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Fairlight for iPhone, iPad, and iPod

Peter Vogel CMI Pro Ver 2 is a Fairlight CMI brought to the future on iOS. Experience music making ‘80s style with this awesome retro app, modelled on the legendary Fairlight* Computer Musical Instrument. Preloaded with 500+ CMI Series II sounds and 100+ Series III sounds, for the first time a byte-perfect re-issue of the classic CMI sounds of the 80s. 
This app includes the famous ‘Page R’, which was the world’s first screen-based rhythm sequencer. Today every sampler, digital synthesiser, sequencer and audio workstation can trace its lineage back to this legendary machine. Now you can make music using tools like those used by artists including Alan Parsons, Jean Michel Jarre, Trevor Horn, Thomas Dolby, Brian Eno, Kate Bush, Peter Gabriel, Stevie Wonder and so many more. This app is a part midi player, part creative tool and part history lesson – developed by Peter Vogel and his nerds who worked on the Fairlight CMI in the ’80s.

What’s New in Version 2.1
• compatibility with iOS 9
• compatibility with Audiobus 2.2.1
• adds Audiobus Remote support, with extra controls for Page R
• fixes Page R hang in iOS 9 in pattern repeat mode

FEATURES:

– entire original CMI IIX Sound library containing 564 voices*

– 100+ selected CMI III sounds 

- play the CMI voices from an external MIDI input (supports Core Midi, Line6 MidiMobilizer II or Akai SynthStation), or use the on-screen keyboard*

– Sample your own voices from the microphone or line in, then use them in your compositions

– display voices graphically using the iconic Page D, and change your viewpoint by tilting your iPhone/iPad*

– authentic CMI user interface experience, including floppy disk quirks*

– 8 track composition using ‘Page R’ pattern-based sequencer

– create instrument sets that store settings for all 8 channels, including the voices, pitch shifts, volumes, release times etc.

– import/export voices, compositions, MIDI and instruments and exchange with others.

Get CMI Pro Version 2

2015
02/23
Groove Machine Mobile iPad
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Groove-Machine-Mobile

About Groove Machine Mobile – Synthesizer: Load from the extensive library of bass, keys, lead, pad, sfx and synth sounds. The flexible dual-oscillator, wave-shape driven, design with filters, 3 envelopes and LFO architecture will ensure you can create fresh and unique sounds for years to come. Listen to the presets and you will know how powerful the Groove Machine Mobiles synths are.

Sample Player: Choose from over 20 multi-sampled instruments covering Piano, strings, organ, bass, guitar, flute, harp and more.

Drums & percussion: Punch out a beat on the 10 drum pads. The velocity-through-position feature will allow you to play with feeling to get the right groove. Layer two samples per-pad for complex sample mash-ups. A comprehensive library of percussion samples is included covering kicks, snares, toms, hats, cymbals, sfx and more.

Keyboards: Take control over the synthesizers with Groove Machine Mobiles two-tier touch keyboard, perfect for playing chords and melodies. The visual feedback will even help you to learn to play music just by watching the existing projects play.

Effects: A wide array of modern and classic effects are available including a Bit Crusher (for lo-fi gritty sounds), Flanger & Phaser (to create complex stereo washes and spacey effects), Filters (low, high pass & vowel-voice simulation), Delay (echoes), Reverb (to simulate the sound of large halls through to tight spaces), Panning (so you can spread your sounds across your speakers) and Ring modulation (creating screaming-feedback type sounds).

Sequencing: After recording a performance Groove Machine Mobile’s touch-optimized easy editing features make it a breeze. You can edit in all the musical parts from scratch here too. The Piano-roll allows note entry and step-entry for percussion tracks. Finally, record and edit the movement of almost any knob or control with the Automation editor.

Groove Machine Mobile IS NO LONGER AVAILABLE

2015
02/12
Zed Synth Physical Modeling Synthesizer For iPad
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Zed Synth

Zed Synth is easy to learn, with live graphs throughout and built-in help for every knob, but it’s a real powerhouse synth combining virtual analog synthesis with physical modelling. This innovative blend of technologies allows you to create rich and immersive sounds, ranging from bright electronic dance music patches to subtle and expressive solo instruments.

Zed Synth is also a unique audio effect processor: you can route external sounds through the synth and completely transform them: use the microphone and transform your voice, turn drum machines into strummed guitars, or radically transform the sound of any other Audiobus-compatible app!

Over 140 presets covering a wide range of styles provide a great starting point to making your own music. And you can easily share your patches with friends and other IOS musicians.

Key features:

– Wave-Shaping oscillators: inspired by 1950s vacuum-tube technology, 4 parameters allow you to create a vast array of original oscillator shapes which can be modulated in real-time.

– Physical Modelling: a sophisticated resonator can be either struck by a mallet or excited by the synth section (including external audio) with different forms of interaction to simulate blown, bowed or struck models.

– Unique Audio effect: the Zed Synth can process external audio via Audiobus and pass it through its string model. This unique effect can turn unpitched sounds, such as beats, into pitched sounds, akin to what you could do with a vocoder, only more responsively and with a much richer timbre. Using this approach, Zed Synth can radically transform the sound of any other Audiobus-compatible synth on IOS.

– A unique “Spring Box” effect capable of emulating the full 88-string sympathetic resonance of a piano soundboard, or simulating the body resonance of a musical instrument.

– Oscilloscopes throughout the user interface provide clear visual feedback and ease of use.

– Built-in Help system throughout the app to explain each of the modules and all the parameters.

– A Powerful Modulation system makes it incredibly easy to add modulations from a variety of sources to any of the synth’s parameters.

– The Granulator: a different take on the ubiquitous arpeggiator, the granulator can periodically or randomly retrigger the sound, and also vary the pitch. This makes it possible to create rhythmic chorded sounds with a human feel to them, or completely chaotic sounds like raindrops on a tin roof.

– Synth Overview displays the signal path and routing of the various modules, as well as making it easy to jump around sections when editing.

– Effects to further enhance the sound, including a stereo expander to enrich the spatial complexity of the signal.

– iPhone support: Zed Synth has been specially developed to run on both iPhones and iPads. Actual polyphony will depend on the speed of the device and older devices will not be able to recreate a full 88-string piano reverberation effect.

– Patch Sharing: Zed synth makes it easy to import & share patches with friends via e-mail.

– MIDI Learn mode so you can quickly & easily map your MIDI controller’s knobs to the synth’s parameters.

– Audiobus (including presets), Inter-App Audio and Core MIDI.

– 4x Oversampling: this greatly increases the quality of the sound and reduces aliasing at high frequencies. It can be disabled to reduce CPU utilisation.

Headphones, an external controller keyboard and a sustain pedal are highly recommended to get the most out of Zed Synth. Older devices will have reduced polyphony.

Zed Synth

2015
01/06
Synth Q Queuing Synthesizer For iPad
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Synth-Q Synthesizer For iPad

Synth-Q has been designed from the ground up with the touchscreen interface in mind. Synth-Q is a subtractive synthesizer with a customizable interface. A unique module queuing system, resizable multi-octave keyboard, and intuitive cable-based modulation controls offer a truly dynamic music-making experience for iOS.

What’s New in Version 1.045
— Vocoder module with IAA effect port capability. You can now blend your voice or other IAA/Audiobus audio into your current synth sound.
— Matrix keyboard layout mode
— Audiobus/IAA effects port

Each part of the synth is separated into units called modules. Each module snaps into place along a scrollable surface above the keyboard.

Control the number of modules shown on the screen at any time. Control which modules appear for each sound.

Tap a button on the module menu to launch a module and add it to the queue.

Drag a module up and release to remove it from the queue.

Drag a module down to move it within the queue.

Add variability to your sound by connecting different modules using virtual cables.

Alter the sound with synth-Q’s movable keys.

Synth-Q provides an intuitive and engaging way to get started creating your own sounds, and is ideal for production, performance and music education environments.

Full feature list:

MODULES:
—three oscillators — sine, triangle, saw, square, pulse and resonant noise waves
—three adsrs — amp, filter and modulation envelopes
—filter with lowpass, hipass, bandpass, band-reject and peak filter modes
—glide
—frequency modulation oscillator
—ring modulation oscillator
—eight modulation bays with virtual cables enable interactions between modules
—three tempo-syncable LFOs with sine, triangle, saw, reverse saw, square, random curve and random step waves
—two XY matrix pads
—XY keys module turns the keyboard’s movable keys into modulation sources
—two FX slots with chorus, flanger, phaser, reverb, tremolo, distortion, delay and bitcrush
—analog simulation with soft clipping and random pitch wavering
—midi module with pitch bender, modwheel and velocity
—master volume control

INTERFACE:
—multi-octave resizable keyboard with 4-voice polyphonic, monophonic and legato modes
—optional “sticky keys” mode locks each key to your finger after being pressed
—when used as a modulation source, sound can be altered by moving the keys in different directions
—unique rearrangeable module queueing area defines which controls are present per preset
—fully featured preset menu system with options to share and import via e-mail or iTunes File Sharing
—import presets directly from iOS mail by tapping and holding the attachment and pressing “Open in synth-Q”
—functional graphic design and layout eliminates screen switching by keeping the control modules and keyboard in constant view

OTHER FEATURES:
—Audiobus support with Inter-App Audio
—A=432Hz, A=440Hz and A=444Hz tuning modes
—44100k Hz, 32000 Hz and 22050 Hz sampling rate modes
—MIDI input and output per channel
—basic recording feature to save, play, loop, and share recordings
—import .WAV files from iTunes File Sharing for playback
—parallax motion effects

Get SynthQ

2014
12/26
Cube Synth For iPad
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Cube Synth

Cube Synth is a groundbreaking new software instrument giving you the power and flexibility of additive synthesis together with easy editing and morphing capabilities. Macro parameters allow you to control this beast with unequalled ease.

Intelligent sound morphing capabilities enables you to easily create complex evolving sound scapes, vocal phrases or stunning rhythms simply by choosing up to four sound sources from a predefined set. Then add one of the predefined envelopes and a unique, complex sound preset containing thousands of parameters is created! If you want to dive deeper into the inner secrets of this synthesis monster you can manipulate each parameter individually to get precise control over the sound. A number of high level parameters such as Brightness and Harmonic spread control hundreds of synthesis parameters in a way modeled after the inner workings of natural instruments.
Cube Synth gives you also a new method of getting randomly generated sound patches in a way you never experienced before: roll the dice! Every single try gives you a new unique sound patch, really every try, promised…

Synthesis

• over 400 sound presets
• four morphable sound sources
• up to 512 partials per voice
• harmonic/inharmonic spectra
• arbitrary noise spectra
• morphable filter banks
• 3 Envelopes with tempo sync
• 64 time/level segments per envelope

Arpeggiator

• Uses programmable sequences with up to 32 steps.
• Can trigger single notes and chords.
• Unique randomizer generates Arpeggios with 100% usability.
• 32 Arpeggios included, unlimited useer arpeggios possible.
• For each step you can program tie, accent, transposition and note order

Effects

• Chorus
• Phaser
• Overdrive
• Ensemble
• Echo/Delay
• Reverb

Global

• Audiobus 2 compatible (Input slot) (requires iOS 7 or newer)
• Inter-app audio compatible (Instrument/Generator)
• CoreMIDI / Virtual MIDI
• Audio recorder with Metronome.
• Upload to SoundCloud and File Export.
• Audio pasteboard.

Cube Synth is available for $5.99 *special holiday pricing

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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