Soundtrack Loops presents Dark Halloween Soundtracks Horror Musicscapes & SFX. Soundtrack Loops is in the habit of observing Halloween with annual sonic offerings, and they do it in style. Dark Halloween Soundtracks is a wonderful dark ambient cinematic music production resource that fits right in with the best assets in its class. Deep, wide, and lush, these sounds take their time to unspool sustained moments of dread, awe and dark majesty, with an occasional nod toward the bizarre and surreal. The 81 loops are timed in a range of midtempo BPM; many are beatless and long enough to be used in sound beds. The included 19 one shots have truly remarkable 3D sonics that deliver impact sounds with discrete components positioned in space and independently moving through space to create hyper-realistic, wide-open shimmering effects that leave plenty of room for clear dialog and other music and sound elements. Here we’re reminded that certain Soundtrack Loops content occupies a sweet spot between Foley and music, and this in itself is refreshing and inspiring. Similarly, Dark Halloween Soundtracks has a deep musicality built into its sound effects—really useful when it comes to dark ambient soundscapes, subliminal rhythms, and creating well-paced music on soundstages where everything works together with plenty of space to spare. Available in ACIDized .wav and Apple-looped .aiff format for Garageband
Igor Vasiliev announces his latest app with an intro price until the first major update.
VintageRack is a minimalistic and convenient multi-effect application that contains modules realistically simulating notable retro gear from the early digital age with their natural lo-fi and warm aesthetics. Most of the effects in this application have been inspired and based on the principles of actual hardware from the 70s and 80s, which is great for giving the sound of any instrument the nostalgic and emotional mood of old recordings.
This application has a clean and intuitive user interface with a well-considered structure. All controls are located on the main screen, which is divided into seven slots for processing (effect) modules. The first slot contains the module for controlling the input, the last one is for controlling the output. Each of the five slots in between are designed to use one of the effect modules. The input signal passes from the first to the last slot and is then sent to the output.
Each slot has a Master Fader that controls the presence of the effect, and a Mute button that smoothly turns the effect on and off. These controls are available to be assigned to a MIDI controller, or to use as audio unit parameters regardless of the type of module in the slot. Also in each slot, there is a Parameters button that opens a panel of additional parameters for each module. Additional parameters of modules are kept to a minimum and represent the most suitable use cases.
The key idea behind application control is to first adjust the parameters of modules, and then use only the Master Fader to change the presence or depth of the effect and the Mute button to turn it on and off. Everything is geared towards fast and easy use.
Another great feature of VintageRack is the ability to set a lower bit depth of processed signal, typical for early digital devices, both for the entire path and for individual modules. As with these devices, this application simulates pre- and post-processing of the analog signal both before and after the digital circuits with the addition of companders, emphasis and filters, which makes the sound similar to the real devices.
Effect modules:
– Analog-style compressor.
– Three band equalizer typical for mixing consoles.
– Classic and reverse delays with modulation feature.
– Two modules of Chorus simulating two well known devices.
– Two modules of Flanger with different options and tones.
– Two modules of Phaser with various sound character.
– AutoWah with several filters based on envelope generator.
– Combined effect of Tremolo and Vibrato with separate rate.
– Ring modulator with additional modulation of carrier.
– Two types of Fuzz with modulated filters.
– Simulation of one of the early digital reverbs.
– Input slot contains Noise gate and Automatic gain control.
– Output slot contains tape-style saturation and three general types of tonestack.
VintageRack is a universal application for iOS and macOS. It can work on iPhone and iPad as well as Mac / MacBook with M1 chip (and later). VintageRack works on iPhone and iPad standalone, as an Audio Unit or Inter-App Audio module, and supports Audiobus and Ableton Link. On MacOS, VintageRack can works both as a standalone application and as an Audio unit (AUv3) with DAWs and audio unit hosts like Ableton Live, Logic Pro, GarageBand, MainStage, Cockos Reaper, Plogue Bidule, Hosting AU, and other hosts that support AUv3 plugins. All application features are available on iOS and macOS, including MIDI support (with a MIDI learn option) and audio unit parameters. VintageRack has a built-in detailed description of all parameters also available as PDF file on the application site.
Guido Scognamiglio (Genuine Soundware and Instruments) announces GS-201 for the iPad. The legendary Space Echo in your iPad.
Please note: this is an AUv3 plugin that can be used with compatible host Apps.
GS-201 Mark II is the evolution of a project that began in 2007 with the release of the old version of GS-201, which evolved into a mark II version in 2019 and has now landed on the iPad platform. The aim is to capture the magic of the famous Space Echo tape delay and make it available to everyone. It’s not an easy task, but the experience gained over the past 15 years in audio DSP development has helped us achieve a result that can sometimes fool even ourselves.
This iPad version of the GS-201 Mark II contains only the basic controls found on the original Space Echo, with no additional editing parameters. If you want to eliminate tape hiss, if the tape splice glitch is bothering you, if you don’t like wow and flutter, or need host tempo sync, you are definitely looking for a different plug-in. If, on the other hand, you want to relive the experience of dealing with an original Space Echo, with all its pros and cons, you are in the right place.
Thick basses, buttery leads, feathery pads — Trooper is a total synth explosion that crams it all and more in a neat little package. It sounds HUGE, yet tweaks easy. It’s coated in analog “fat,” yet bursts with tonal surprises nestled across its controls. Get ready for an all-out sonic assault, because Trooper is here and it’s our meanest, beastliest, user-friendliest synth yet!
Many of Trooper’s parameters are meant to interact and meld together in novel ways. For example, the oscillator volumes —beyond just acting as mere blend knobs— vary the characteristics of the basic signal depending on how far they are “pushed”. The emphasis is on providing warm and round basic tones with lots of variable harmonic content.
The primary oscillators are backed by an audible LFO that is both a sound source and a wide frequency range modulator. This lets FM-based sounds to combine with traditional waveforms. A pink/white noise generator helps out pads and percussions, and insidiously changes tonality when added in small amounts.
A new filter implementation complements the pugnacity of the signal generators. In its middish settings, the resonance can be characterized as “throaty.” The filter is capable of self-oscillating, and can be controlled via the keyboard. The mated ADSR envelope is shaped to provide tonal ‘immediacy’ and smooth frequency shifts. The amount knob has a wide range that changes the feel and shape of the envelope, especially when pushed above the mid-level.
The output stage features a virtual VCA that imparts tones colloquially termed as “fat”. Extra modulation is provided by a non-audible LFO and a dedicated envelope. The LFO offers numerous wave shapes, BPM syncing, and key tracking. Its output is controllable via the mod wheel, velocity, or aftertouch.
The Esprit parameter helps deploy some of the Trooper “special sauce.” Highly interactive with the stages preceding it, Esprit is known to be handy in tightening up bass tones, and in adding the “je nais se quois” to presets at large. The Get6 parameter is a one-touch ticket to big, mix-filling synth sounds. So whenever you’re lost in an empty mix…it’s got your six.
The arpeggiator inspires rhythms with five algorithms, variable note value, octave range, and gate. The “Texturizer” purveys a wide range of modulation effects that include chorus, flanging, variable comb, resonant delay, and stereo imaging. The BPM-syncable two-tap delay has time and feedback controls per channel, and is tuned a little darker than our usual offerings. Trooper can run in monophonic or polyphonic mode, the latter providing up to 12 voices. Legato is available in either mode.
Watch Doug Woods demo Trooper!
The robust MIDI implementation also includes MPE support, and the synth is able to I/O MIDI performance data. The “MagTouch” virtual controller lets you to play and record (in AUv3 hosts so enabled) over the MPE protocol. MIDI learn is made easy via a visual interface, and users can save, patch-link, and share MIDI CC maps. Bluetooth MIDI input is also supported.
The AUv3 implementation lets you to run multiple instances of Trooper in DAWs. Trooper’s fluid UI accommodates a wide variety of screen sizes and view configurations. Feature navigation is designed to be nonintrusive so that parameters can be accessed easily. The iPad implementation supports portrait layout, so that pretty much all is on one screen.
Included are over 250 presets that range from deep basses to weird so-and-so’s, stopping by many other sounds along the way. The powerful YPAT2 system helps you save, catalog, and share presets with ease.
The standalone app provides a “Tapedeck” to record, save, and share your ideas on the quick. It features a built-in looper, and a metronome with configurable time signature. The standalone also features tap tempo, and MIDI clock syncing. DSP is in high resolution 64-bit, with native processing at up to 96kHz.
TimeVerb-X is a new plugin from GSi that combines GSi’s “classic” Type4 spring reverb, first released in 2008, and a new algorithmic digital reverb. The “Type4” spring reverb emulation was originally inspired by an Accutronics reverb tank type 4, like those used in classic Hammond organs of the A100 series, also used in many famous electric guitar amplifiers. The digital reverb, instead, was first developed for the GSi Gemini sound module, but was also included in some Crumar hardware instruments. Both effects have been slightly expanded and further improved for the release of TimeVerb-X, as the spring reverb now features a self-oscillating feedback decay adjustment and a stereo width knob, and the digital reverb includes the early reflections section that was missing in the original project. Both reverbs put together make up a great sound when working in parallel, and create some interesting atmospheres when working in series.
TimeVerb-X app
TimeVerb-X main features:
– Spring reverb “Type 4” with feedback and stereo operation
– Digital reverb with pre-delay, early reflections and room size adjustment
– Built-in programmer with unlimited number of Programs (comes with 16 factory Programs)
– Integrated user’s manual
– Comes with AUv3 extension
Get TimeVerb-X HERE
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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