2017
08/12
Bark Filter Multi Band Filter / Compressor
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The multi band filter in Bark takes the approach to match the reception characteristic of the gate where all sounds must pass through: the human ear. The ear behaves as if it contains a bank of filters, each filter passing frequencies within their respective critical band. Two tones apart more than the frequency dependant critical bandwidth are perceived as separate tones. For this reason Bark contains a filter bank with 27 very steep bandpass filters matching the critical bandwidth characteristic of the human ear. In fact, the human ear have also its own built in multi band compression system which are based on the critical bands.

Why the name Bark ? The Bark scale is a frequency scale on which equal distances correspond with perceptually equal distances. Above about 500 Hz this scale is more or less equal to a logarithmic frequency axis. Below 500 Hz the Bark scale becomes more and more linear.

Multiband compressors can act differently on different frequency bands. The advantage of multiband compression over full-bandwidth compression is that unneeded audible gain changes or “pumping” in other frequency bands is not caused by changing signal levels in a single frequency band. Bark can act both as single band compressor and with up to 27 bands in multiband mode by linking critical bands.

The linear phase filter bank with its steep filter slopes can be used for unusually pronounced filter effects too…

What’s New in Version 1.1.0
– AUv3 Parameter Automation added

Features:

• Multi band dynamic range compressor with up to 27 bands
• Variable number of compressor bands (1..27)
• Threshold/Ratio Attack/Release and Makeup Gain
• Linear phase precision filters for maximal transparency
• Real time pre/post processing calibrated spectrum analyser
• AudioUnit for AUv3 compatible hosts.
• Inter-app audio compatible effect.
• Audiobus 3 compatible with state saving.
• Low latency live usage with mic and headphones.
• Audio recorder

Get Bark Filter

2017
07/20
Amazing Noises Brick Wall Limiter
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A brickwall peak limiting app, for the complete control of your audio volume. New Sampler! Now you can use the app as a standalone. Audiobus and Inter-App Audio Effect.

The Amazing Noises Limiter it has a wide range of dynamic processing: from very gentle volume attenuation to heavy distortion (if you want it!).

Main Features:

+ AudioUnit V3, Audiobus and Inter-App Audio support
+ Brickwall Limiter
+ Live Normalizer
+ Built In Stereo Sampler with varispeed
+ Control Manager LFO for Parameters
+ Midibus, Virtual Midi and Network: 14 bit NRPN controllers
+ Snapshots Presets Morphing Pad

Tech Requirements:

– iOS8 or later
– iPad 2 or later

Get Amazing Noise Limiter

2017
06/18
Free Audio Damage Compressor For iOS
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With over half a million downloads, the free Rough Rider compressor from Audio Damage is one of the most popular plugin effects on the planet. Now available for the first time on iOS, Rough Rider 2 brings the exact same plugin to your iPad, as a stand-alone application (with Inter-App Audio) and as an AUv3 for use with hosts that support it, like GarageBand, Cubasis, and Audiobus 3.

Get Rough Rider 2

2017
05/29
NYCompressor Audio Unit for iOS
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In February I published a video review of No Limits limiter by the same developer DDMF. DDMF is known for quality effects with a realistic looking interface. This time around we have NY Compressor by DDMF. NYCompressor is a professional sounding compressor audio unit for iOS. It is compatible with Garageband, Cubasis, AuriaPro and other AUv3 hosts. The NYCompressor is the ideal workhorse when it comes to dynamics management in a mix. From gentle compression for glueing your mix together to heavy drum compression for the ultimate punch: NYCompressor can do it all.

Features:

– Compression ratio up to 1:10.

– Optional key signal filtering.

– True sidechaining (4 inputs, needs to be supported by host)

– Hard/soft knee.

– Parallel (New York) compression.

– Independent L/R or Mid/Side compression.

Get NY Compressor

2016
08/26
Future Bass Sidechain Ducking Effect In Cubasis
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AUFX-PUSH

The following tutorial shows you how to achieve a pumping effect using sidechain compression in Cubasis and an inter app audio effect AUFX PUSH. Good for producing Future Bass pads with a ducking effect. *AUFX Push is by Kymatica. In the video I say it’s by AUFX which was a mistake.

Apps used:

Compressor AUFX:PUSH https://itunes.apple.com/us/app/aufx-push/id958106165?mt=8&at=10laUK

DAW Cubasis https://itunes.apple.com/us/app/cubasis-music-production-system/id583976519?mt=8&at=10laUK

Voice synth PPG Phonem https://itunes.apple.com/us/app/phonem/id1088853546?mt=8&at=10laUK

About AUFX:PUSH

highly tweakable stereo dynamics processor with noise gate, compressor/expander with external side-chain input, and limiter/clipper. From subtle compression, extreme pumping, to maximum loudness!

This app is part of the AUFX series, a collection of simple and powerful audio effect apps.

• High quality 32-bit DSP engine.
• Compressor/expander with optional lookahead buffer.
• Allows negative ratios for pumping/cancellation effects.
• Hard or soft knee with adjustable radius.
• Built-in side-chain low/high cut filters with monitor toggle.
• External side-chain input through Inter-App Audio or Audiobus.
• Built-in noise gate.
• Brick-wall lookahead limiter.
• Hard/soft clipper.
• Supports “parallell compression”.
• RMS/Peak envelope followers with attack, release and hold time.
• Switchable between Linear and Logarithmic mode.
• Automatic makeup gain.
• Stereo link on/off.
• Process hardware input/output, or other apps through Inter-App Audio or Audiobus (input/filter/output slots supported).
• Save, load and share user presets.
• Supports Audiobus 2 state saving.
• Comes with several bundled presets.
• Fully MIDI controllable, including Virtual MIDI.
• Background Audio.
• Record the result directly in app.
• Email recordings or export to AudioShare audio document manager app.
• Access user presets and recordings through iTunes File Sharing.

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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