DAW LP is an Audio Unit effect that emulates the sound of a vinyl disc (and player). With a variety of controls one can simulate scratched vinyl records, dusty pickup needles and rusty cables. Tune in anything from an old 78s player to a modern hifi sound.
Features:
• AUv3 only, works as a plugin in Garageband, AUM, Cubasis, AudioBus 3, Beatmaker 3 or any other AUv3 compatible host.
• Scratches/crackles rate, level and ducking.
• Control vinyl noise, amplifier noise and low frequency hum levels.
• Continuous control of amplifier, pickup needle and cable quality.
• Switch between 50 Hz hum and 60 Hz hum.
•Additional input gain, output gain and dry/wet mix parameters for convenience.
NOTE! DAW LP only works as a AUv3 plugin. It can be used inside any AUv3 compatible host, but won’t work as a stand alone app.
ElliottGarage presents EGSY01 analog synth v3 is here!
3.0 New features
– EGSY01 is now an AU3 with full parameters automation supports
– New Sequencer & Automation module
– Presets are now exchangeable (export & import single preset or user bank)
– Improved knob sensitivity
– Sequencer and delay time syncs with host (AU3)
– Multiple assignment for modulation wheel
– Presets by SoundOfIzrael & Alfonso Fo’ Corace
With EGSY01 you can create sounds without any limit, from modern ones to vintage analog ones, working with arpeggiator, step sequencer and FM, addictive and subtractive synthesis .
The totally brand new audio engine generate your sound mixing 2 oscillators with 4 selectable waveforms, and you can watch the sound created on the oscilloscope screen.
You can set the sounds through the panels “Oscillators”, “ADSR/LFO”, “FM”, “FX” and “Settings”, and play with any master keyboard or MIDI controller (CORE MIDI), or creating a wireless MIDI network, or again sending the audio signal to other apps with InterApp audio or AUDIOBUS.
The keyboard is touch sensitive, and you can modulate the sound by sliding your finger up and down on the keys or moving the pitch modulation (assignable to various parameters of the synth from “Settings” panel). You can also set your favorite musical scale on the keyboard and easily play over your songs.
Stereo delay and Arpeggiator steps time can be synchronize in the BPM tempo panel, to generate incredible rythmic figures.
Features:
– 2 oscillators with selectable waveforms, volume, octave e detune
– InterApp Instrument & AU3 compliant
– MIDI In from other app and MIDI controllers
– 4 Waveforms (Sine, Saw, Triangle, PWM)
– Core midi/Network midi
– MIDI Learn functionality to map all knobs and slider to your external MIDI controller
– Vca / Vcf
– Evenlope ADSR
– FM Synthesis panel (with 2 operators)
– Panel BPM tempo, with tap tempo, tempo sync for Delay & Arpeggiator, and subdivisions (4/4, 6/8 and 8/8)
– Arpeggiator – 4 different types of arpeggiator, gate, selection arpeggio octaves
– Step sequencer with selection from 4 to 16 steps and pitch values root, fifth, 1 octave, 1 octave fifth, 2 octave
– Setting for keyboard and arpeggiator portamento
– Stereo delay (can be synchronized with the arpeggiator)
– Panel FX (delay + crush + noise)
– VoiceSynth effect with Keyboard Controlled option
– Granular effect
– High Pass and Low Pass Filter
– Keyboard with 6 octaves and control on filter cutoff
– Keyboard musical scales (56 different types)
– Modulation wheel can be assigned to different parameters
– Oscilloscope
– Presets save – overwrite – exchange
– LFO with selectable amplitude and frequency
– Audiobus, Interapp & AU3
– Polyphony
– Universal App
BIAS Amp is a professional virtual amp designer that offers replications of 36 of the best vintage and modern amps in rock. With BIAS Amp, you have the power to create new sounds by designing your custom dream amp—swap out the tubes, preamp, transformer, tone stacks, cab, and mic, all via a powerful, intuitive interface designed for your iPad.
Close your eyes, and you’ll swear you’re hearing the real thing. With BIAS Amp, you own a complete virtual collection of the most coveted and unique guitar amps of all time—some dating as far back as the 1940s. Every amp model is meticulously engineered to respond to your playing with immediacy, sensitivity, and realism that make you not only sound better, but also play better. And BIAS Amp sounds great on bass guitar, too.
But BIAS Amp doesn’t stop there. Create totally new sounds by designing your custom dream amp. It’s as easy as tap and drag. Using BIAS Amp’s highly intuitive and Lightning-fast interface, it’s child’s play to instantly swap out colorful tube preamps, lush distortion circuits, classic tone stacks, boutique power stages, custom-built transformers, and cabs loaded with specially matched speakers. The result is a depth and range of tones that’s unachievable using traditional guitar amps or other modelers. Whether you’re a classic rocker, metalhead, jazz player, bluesman or singer-songwriter—and whether you understand how amplifier electronics work or not—you’ll be dialing in killer, exclusive tones in a heartbeat.
BIAS Amp integrates seamlessly with Positive Grid’s BIAS FX and JamUp guitar multi-effects apps for iPad, expanding BIAS Amp into a powerful and completely unified professional guitar system for live use, recording, and jamming. Simply tap the JamUp icon on BIAS Amp’s upper bar to open your current BIAS Amp setup directly in either JamUp or JamUp Pro. JamUp adds 1 amp and 6 effects to your BIAS Amp rigs; JamUp Pro adds 6 amps and 16 stomp-box and premium rack effects – including distortion, compression, tape delay, tremolo, and spring reverb. Both JamUp and JamUp Pro include Jam player, 8-track recorder and phrase sampler, tuner, and metronome, effectively turning BIAS Amp into a recording studio and top-of-the-line practice utility.
BIAS Amp works with GarageBand and other audio apps using iOS’s Inter-App Audio and Audiobus. Whether recording, songwriting, or honing your chops—at home or on the road—BIAS Amp places unequaled tone at your fingertips.
UPDATE:
– Closed back cabinets can now be enabled and dragged into the signal path
– New tonestacks are now accessible in the demo version
– New tonestacks are now accessible by BIAS AMP 1 owners
– Random crashes
Features:
• Complete, accurate, and versatile amp modeling
• 36 amp models included with the introductory release
• Factory categories that allow you to organize amps by music genre and sonic impact (clean, blues, twang, crunch, metal, acoustic, and bass)
• Fully customizable preamps, tone stacks, power amps, transformers, cabinets, and mic selection and placement – mix and match!
• Customize the look and feel of your amp panel by changing the name, tolex, panel, and knobs
• Ability to work the way guitarists think: Tweak gain and overdrive, swap out tubes and transformers, change the cabinet and mic position, and shape the tone with different tone stacks and two 8-band equalizers
• Noise gate and room simulator
• Create a virtually unlimited number of custom amps
• Preset to recall each of your 8 favorite settings
• Works with GarageBand and other audio apps via Inter-App Audio and Audiobus
Running Fugue Machine through Rozeta Scaler will give you instant access to manipulate those scales and keys. Fun experimentation! I was having fun with this combo and wanted to share. Also shown, Rozeta LFO slowly modulating the filter cut off in BS-16i. ApeFilter and EOS2 take it to another sonic level.
ArpBud has two main sequencers: the interval sequencer and the pitch sequencer, with unlimited number of steps for both. You can design your arpeggios by interval values in interval sequencer. And you can drive your arpeggios with a pitch sequencer by applying the pitch to each interval value of the interval sequence. Every step of pitch sequencer has its own interval sequencer. So, you are free to work on a single arpeggio as well as multiple arpeggios.
You can set the pitch bend, modulation and portamento MIDI control change values for interval sequencer steps. Also, you can set the rate, volume and loop count for each pitch sequencer step. You can copy/paste steps in between. And you can load other sequencers you have in your other projects.
You can set the layout of your projects and set the behavior of the knobs, or touch control gestures from the settings menu. It works for every screen sizes of iPhones and iPads. If you have an iPad user, you can take advantage of the split view feature and place both ArpBud and your audio MIDI app in one screen for working on them at the same time.
You can drive your favorite audio MIDI apps on your iOS or Mac/PC, like Garageband, Ableton Live, FMPlayer, Model 15 etc. ArpBud also supports Audiobus MIDI, IAA and Ableton Link for fitting into your current workflow. When you are not sequencing, if you have enabled any MIDI input (Audiobus MIDI app, connected hardware or other MIDI sending apps) for ArpBud, it will sequence the currently active interval sequencer for the playing MIDI input data.
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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