Axon 2 Drum Synthesizer
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Axon 2 is a drum synth driven by artificial intelligence. (Well, “intelligence” might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice.

If that sounds weird, you ain’t seen nothing yet. It is surprisingly intuitive once you get the knack of it, and is capable of all-new, complex rhythms that repeat in surprising ways. It often gets referenced as a “random sequence generator,” but there is nothing random in Axon; it is entirely determinative.

The sequencer features seven “neurons” that trigger a voice and send a pulse when they have received a predetermined number of pulses. You can wire the output of any neuron to the input of any other (with built-in loop detection to prevent runaway feedback), and in this manner pre-program the artificial neural network without having to go through a “learning” phase.

The seven individual drum voices, each triggered by its attendant neuron, are 2-operator FM voices in a configuration to best make percussion sounds, with additional FM and AM busses that all voices send to and receive from. Each voice has a HPF, distortion circuit, and white noise generator to provide a full range of percussion-oriented voicing individually, while interacting with each other in new and unique ways.


• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.

• Seven FM percussion voices that also buss together to create a single monolithic complex percussion synthesizer.

• Full mixer with pan, level, mute, and solo on each voice.

• Built-in stereo delay with X/Y pad control over feedback and filter frequency, for live playability.

• MIDI input, including Bluetooth MIDI, for driving Axon from DAW and hardware sequencers, and Virtual MIDI Output (standalone only) for driving other software with the Axon sequencer.

• Inter-App Audio, including transport synchronization, in standalone mode.

• Internal transport for non-synchronized playback.

• Resizable vector-based user interface.

• Drawn reciprocation dingle arm to reduce sinusoidal depleneration.

• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings.

Please Note: This application will work fine on an iPad Mini, but the user interface may be difficult to use due to the size.

Buy Axon 2

iOS version is the same as seen in this video

iSymphonic Orchestra Version 2
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iSymphonic Orchestra was designed with the goal to deliver you superb, extremely realistic and stunning orchestra sounds, instantly with the first key being pressed by you on your MIDI keyboard. Just select a sound and you are ready for your live performance or for a boost of creativity while composing new songs. The sounds used in this app were explicitly recorded to fulfill these requirements and involved several months of recording and post processing under supervision of Kurt Ader and included a variety of innovative, new recording techniques. So far these sounds were only available to very few, famous movie composers. Now they are finally available for the first time to everybody. The supreme quality of these sounds, combined with the unique way they were recorded and assembled, gives us confidence that you haven’t heard anything comparable as of to date, even not on Mac or PC.

Version 2 is here and it’s a HUGE update!

New Sound Selection

One of the most striking new features in iSymphonic 2 is the new sound selection screen. The sound selection combo box is still at its old place, but when you tap on it, the list of sounds pops up in full screen.

Filter Options
Additionally this new sound selection screen provides various interactive filter options, located at the very top of the screen, which help you to find your sounds in a very easy and quick way.

Keywords: Enter arbitrary search keyword(s), either with the on-screen text input keyboard, or with an external wireless Bluetooth keyboard. While you are typing your search keywords, the list automatically updates in real-time, showing you just the sounds that match you search criteria, which may be anything like the sound name, the (real) instruments contained in the sounds, articulations, or anything else related with the respective sound.

Obviously while you are on the road, or even on stage, you probably don’t have a Bluetooth keyboard with you and don’t want to fiddle with the on-screen text keyboard. That’s why the other 4 filter categories provide you each an interactive list of options instead, which you can quickly scroll and tap to find your sounds. You will notice that those lists with options will update in real-time as well, options which are already ruled out by your current search criteria are automatically grayed out.

Instruments: Use this list to easily tap on (real) instruments which should be contained in the sounds you are looking for. You may select more than one instrument from that option list, for example tap on “Choir” and “Bassoon” to find all sounds which at least contain a choir and at least one Bassoon player.

Articulations: Use this list to select the playing style, typically referred to as “Articulations” by musicians, which should be covered by the sounds you are searching for. For example by selecting “Staccato” it will show you sounds which cover this particular playing style of short and significantly loud notes.

Status: This option allows you to define whether you are interested in all sounds provided by iSymphonic Orchestra, or whether you only want to search among the sounds you currently really have installed on your device at this moment.

User Rating: iSymphonic now also allows you to rate the individual sounds, which is described a bit more down later. This option category allows you to search for sounds which were already rated by you with at least the hereby selected amount of stars.

You may use any number of those search categories. If you use multiple search categories simultaniously, then only sounds are listed which match all of your chosen filter options from all your filter categories together.
Rate Sounds

By long tapping on a sound from the list, a popup will appear which shows you more details about that particular sound. It also allows you to rate the quality of the sound by tapping on one of the five stars. After you rated the sound, the respective amount of stars will also be shown on the right hand side of the sound’s name in the list, which helps you to visually spot your favorite sounds directly by just looking at the list.

Then you might also use the “Rating” filter option to just list the sounds which have at least the given amount of stars. For example by selecting 4 stars from this filter, only sounds are listed which were rated by you with 4 stars or 5 stars.

Revised Keyboard

Another aspect which we improved in iSymphonic 2 is the on-screen virtual MIDI keyboard. To be honest, we actually neglected the on-screen MIDI keyboard for quite a while. That’s because most users at the beginning only used the on-screen keyboard for sound check purposes, but rather used an external MIDI keyboard to actually play the sounds. And for a long time we thought playing seriously on a touch screen does not make sense. But our opinion especially changed with the release of the 12.9″ iPad Pro, so it was time to address several issues with the virtual keyboard.

First of all, even though the keyboard looks almost identical to the previous version, it has been completely rewritten from scratch. With the previous version, people sometimes encountered hanging notes while playing with the virtual keyboard. This is no longer the case. The virtual keyboard behaves now reliable under all situations.

Keyboard Toolbar
Another thing you will notice is that the way how the keyboard is controlled, works slightly different now. By short tapping on the keyboard’s arrow button the keyboard’s tool bar unfolds and remains open. This also reveals 3 new control buttons on the keyboard’s toolbar. The “+” and “-” buttons allow you to quickly transpose the current part by octaves or semi tones steps. So it not only transposes the virtual on-screen keyboard, but also your external MIDI keyboard for example, at least if the external keyboard is meant to control the same part. To reset the transpose setting to 0, tap both buttons simultaniously.

The third new button, which looks like two stacked down arrows, allows you to define how MIDI velocity shall be controlled and emulated with the on-screen keyboard. With the previous version, MIDI velocity was emulated by the impact of a finger on the touch screen. Unfortunately the precision those touch impact values were delivered, dropped significantly with recent versions of iOS and device models. As a consequence we now introduced an alternative behavior for controlling MIDI velocity by using the vertical touch position of the finger on the respective virtual piano key, so when you tap on the bottom of the key it generates a high MIDI velocity, or tap on the top of the key to generate a low MIDI velocity. This third new button on the keyboard’s toolbar allows you to switch between those two distinct velocity behaviors at any time.

Even if you are a serious, conservative composer, we really encourage you now to also use the on-screen keyboard as well! You will be surprised how many new musical ideas pop up from your mind immediately, simply because the virtual keyboard automatically kicks you out from your usual mechanical playing patterns of a real MIDI keyboard!
App States

You might have noticed a new icon on the app’s main screen, which leads to a major new feature which we call “App States”. An App State is a snapshot of the entire app at a certain point of time which you may save as a user preset. The new snapshot is added to the list of App States and you may chose any of them whenever you need them to restore the app to the respective snapshot.

This feature was requested by many users and is especially helpful in live concert situations, because an App State saves and restores all sound settings of all 16 parts, as well as everything you had on the MIDI recorder screen. So with the latter you may also quickly restore backing MIDI tracks which assist you during your next live song on stage.

App State Labels
Obviously you need some way to distinguish your individual App States, such that you can always remember easily which App State was saved by you for which purpose. Instead of trying to push that important information into a regular title text which you would need to enter with a text keyboard, we came up with the idea to handle this like musicians were used to before, back in the analogue days with real “set lists” for live shows: by using a pen. So we explicitly support Apple Pencil for allowing you to hand write and draw everything you need, and in a way you personally find appropriate to distinguish your App States in any stressful situation on stage.

As you can see on the left, every App State you save is represented in the app by a rectangular paper strip which you can label appropriately. You can also assign a background color and material for each strip, so you might visually group your App States by color to visually separate them for different live shows where you perform different songs for example.

Arranging App States
To restore, edit, replace or delete an App State, simply single tap on the respective App State strip from the list of App States. The App State strip enlarges and provides you the available options.

You can also arrange your individual App States in the list. Simply drag an App State strip with two fingers from its old position to its new desired location in the list. That way you can easily sort the configurations for your next shows.

And of course, when your App State list grows, use the usual single finger swipe gesture to scroll the list.

Remote App States
You don’t want to use the touch screen during live performances at all? Then assign MIDI program change and bank select numbers to your App States to restore App States remotely with a tap of a button directly at your external MIDI keyboard.

MIDI Device Selection

iSymphonic Orchestra was designed to be very easily and intuitively usable, which also means that you should be able to use the app immediately, without requiring any software configuration. For example when you attach external MIDI equipment with your iPad, iPod or iPhone, then the app automatically connects to those devices. Now this behavior is fine especially for beginners, but we received numerous requests from you, that this is sometimes not what you want. So we addressed this issue in iSymphonic 2 by introducing a new MIDI input device selection screen.

By default, the app still connects automatically to all MIDI equipment that you may attach to your iOS device. But now you can tap on the circled number of connected devices to get more control over the MIDI devices being used.

This new screen shows you all the MIDI devices and all software based MIDI sources (i.e. third party Apps) currently being available on your device, and the respective check mark shows you to which ones of them the app is currently connected with. And you can now also override this automatic configuration and manually select specific MIDI devices and Apps instead.

This screen also allows you to quickly pair your external Bluetooth MIDI equipment in this context, if required.

Improved Tuning

We also addressed your requests regarding tuning improvements. Most importantly the tuning setup screen now allows you to adjust Master Tune, which is the fundamental tuning basis to be used by the app and fulfills certain tuning requirements of professional musicians who may need to adjust their tuning to the one of other instrument players, like using 434 Hz for example instead of the standard reference tuning of 440 Hz.

As you might know, iSymphonic already supports Hermode Tuning for a long time, which is a dynamic tuning algorithm that automatically adjusts the scale in real-time according to your harmonies you play, with the goal to achieve higher purity.

Additionally though, iSymphonic now also supports static tuning scales. Which is needed for almost any non-western musical genre. The tuning screen also provides you a set of factory presets for common Arabic and Turkish scales.

You can save all those individual tuning settings as user presets. So such a user preset stores master tune, your custom static scale, or if you selected the dynamic Hermode Tuning alogirithm instead, it stores the duning depth and the selected Hermode Tuning algorithm; altogether.

Another detail we corrected: you can now use the tuning setup screen simultaniously while playing the virtual on-screen MIDI keyboard to test your tuning changes immediately at the same time. In the previous version the tuning screen automatically disappeared when touching the virtual MIDI keyboard.

Song Export

The app’s built-in MIDI recorder may not have all the features as a fully fledged DAW app, however the built-in recorder is a very handy way to save all your musical ideas. Especially since you don’t need to launch another app just for recording something.

To share your recorded songs more conveniently, the built-in recorder now features an export functionality, which you can use to quickly send your song either as MIDI file, or as a pre-rendered audio file to your colleagues, friends, or for loading your songs to your cloud or app of your choice with just two taps.

Also the metronome received some improvements. When tapping on the metronome button you can now directly alter the metronome’s click volume directly. So you no longer need to switch pages and go to the app’s settings screen just for adjusting this.

Sometimes an audio click can be disturbing, especially when you are in a studio recording session. To avoid that, the metronome is now also visually indicated as you can see on this animation on the left. So you may completely turn off the audio click and still record in beat.

Audio Engine

iSymphonic 2 comes with our next generation audio engine. Apart from new features, it also fixes some audio issues that could have happened under heavy load before, and it now allows an audio latency down to as small as 1 millisecond.

Audiobus Improvements

Support for Audiobus has been improved in iSymphonic 2 as well. For example it now also supports state saving directly within Audiobus 2 or higher. That way your entire iSymphonic setup is stored and automatically restored as snapshot along with your Audiobus session.

Pitchbend Range

The pitch range of the MIDI pitch bend wheel is pre-assigned by us for each individual sound. For the majority the default pitch bend range is ± 200 cents.

Now you can also override the pitch bend range on the app’s settings screen. You may decrease it to only few cents, or rather increase it to a range of up to 2 octaves.

Info Resources

Last but not least we consolidated the App’s info resources. So the most important resources like the App’s user manual or the feedback form, in case you want to get in touch with us, are now made available more clearly and easy from this new popup screen. The user manual and feedback form are now also displayed directly within the app. So it will no longer launch Safari and force you to switch back and forth between the two apps.

Get iSymphonic Orchestra

Zeeon Synthesizer Gets Update
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Zeeon is a virtual analog synthesizer, powered by an advanced analog circuit modelling engine. We spent a lot of time analysing iconic analog synths, both vintage and modern, to find out which parts of the circuit contribute most to their specific character. We used this knowledge to create a unique synth, with focus on what’s most important – the pure, organic and detailed sound. Many analog synth emulations sound dull. Not Zeeon. We take care of the entire spectrum range from deep lows to sweet highs. All audio and modulation signals are processed at 176 KHz (4x oversampling).

What’s New in Version 1.2
– Configurable MIDI channel
– New distortion model
– New modulation source in the matrix: self audio input
– Stability improvements and bug fixes


• Audio Unit v3 and standalone application with a simple polyphonic step sequencer

• 2 oscillators with continuously variable waveforms, hard-sync and sub-oscillator. Carefully simulated analog drift and PSU influence.

• Filter: 3 models available: Transistor ladder low pass, OTA cascade low pass and State Variable Filter with continuously variable LP-HP + BP mode.

• 2 low frequency oscillators and envelope generators per voice.

• Overdrive: diode clipper and transistor saturation, pre and post filter.

• Up to 2 layers per voice. Layers can modulate each other.

• Powerful modulation matrix offering self-modulation and cross-layer modulation, 8 modulation slots, 17 signal sources and 41 targets available, both from modulation modules and audio signal path. This takes Zeeon into semi-modular territory. Imagine oscillator waveform, panning, filter cutoff, resonance or LP-HP mode modulated by oscillators or another layer!

• Effects unit: Circuit modelled BBD chorus, bass booster, zero-delay Phaser, Stereo delay and Reverb.

• 144 presets and Tutorials bank.

Get Zeeon

Line 6 Mobile Pod Guitar Amps
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Featuring 65 classic amps and effects, Line 6 Mobile POD® 2.0 gives you everything you need for next-generation mobile guitar processing. Create your own custom guitar tones—or choose from amazing presets designed by Line 6. It’s the ultimate creative tool for guitarists on the go.

• Choose from 32 amps, 16 cabs, and 16 effects
• Create, edit, and save your favorite custom guitar tones
• Stream music and play along with your favorite songs
• Quickly craft custom tones with drag-and-drop editing
• Record with all major iOS-compatible audio interfaces and apps

With a sleek and modern user interface, Mobile POD 2.0 makes it easy to dial in the perfect guitar tone. Stack one amp and cab and up to eight effects in any order with easy-to-use drag-and-drop editing. Then save and recall your favorite tones with ease using advanced patch management capabilities.

Featuring an integrated music playback engine with music streaming capabilities, Mobile POD 2.0 enables you to play along with your favorite songs using your custom tones. Plus, you can use the built-in song looper to polish your solos or build new song ideas.

Mobile POD 2.0 puts the world’s best amplifiers and cabs in the palm of your hand. Mix and match amps and cabs to create your own unique sound, save your custom presets and then dial them up in an instant.

From classic reverb to powerful overdrive to surf-style tremolo, Mobile POD 2.0 will inspire your playing with 16 awesome effects. You can even combine effects and create your own custom sounds.

Mobile POD 2.0 is compatible with all major iOS interfaces—including Line 6 Sonic Port™ and Sonic Port VX. Mobile POD supports the Apple Inter-App Audio feature and is AudioBus ready, so you can record with GarageBand® or the DAW app of your choice.

• 1964 Fender® Deluxe Reverb®
• 1959 Fender® Bassman®
• 1960 Tweed Fender® Champ®
• 1965 Blackface Fender® Twin Reverb®
• 1968 Marshall® Plexi (100 watt)
• Marshall® JTM-45 meets Budda® Twinmaster
• Budda® Twinmaster head
• 1960 Vox® AC15
• 1985 Mesa/Boogie® Mark IIc+
• 1995 Mesa/Boogie® Dual Rectifier® Head
• Dumble® Overdrive Special (Drive Channel)
• 1989 Soldano® SLO Super Lead Overdrive
• 1987 Roland® JC-120 Jazz Chorus
…and more

• 1960 Fender® Tweed Champ®
• 1964 Fender® Deluxe Reverb®
• 1965 Fender® Blackface Twin Reverb®
• 1959 Fender® Bassman®
• 1960 Vox® AC15
• 1995 Matchless Chieftain
• 1996 Marshall® (Celestion® Vintage 30s)
…and more

• Overdrive
• Compressor
• Tremolo
• Chorus
• Flanger
• Rotary
• Delay
• Room Reverb
• Spring Reverb
• 4-Band EQ
• Wah

Get Mobile Pod

Werkbench Updated With Link
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WerkBench Sampler Sequencer For iPad

WerkBench Sampler Sequencer For iPad

Werkbench arrives with a wicked new update! At the heart of WerkBench are two step sequencers that can sample sounds directly into rhythms and then warp those sounds with synthesizer type controls and high-quality audio effects.

What’s New in Version 3.1.0
**We added Ableton Link and Kymatica AudioShare support!**
-Ableton Link’s technology let’s you easily sync WerkBench with other apps and the rest of your studio. No computer or additional software required, It just works. It’s amazing. Thanks Ableton.
-AudioShare support allows easy transfer between WerkBench and the popular audio editing/managing app AudioShare by Kymatica. WerkBench can now open all types of audio files into the importer.

**We implemented a better ‘initialize’ option**
Previously, there was no way to start over completely from scratch. Now you can choose ‘New session’ via the folder button.

**We implemented a better AudioBus control panel**
-Brought back the play toggle.
-Added a record button. Now you can temporarily disarm recording while working on sounds in another app and then re-arm your steps without having to switch back to WerkBench. Saves you some clicks!

**We fixed some things!**
-Step editing knobs now default to sensible values and are easier to control.
-Some buttons were hard to tap.
-Got rid of a click that would happen in the envelope with long low sounds.
-Saved loops now recall their first and last step correctly.

WerkBench features:

–“Fancy Controls” (pitch, lowpass filters, highpass filters, envelopes, and more!)

–Edit the level, pitch, pan, low-pass filter, high-pass filter, envelope attack & decay, echo send, reverb send, and bit crusher effects independently for each of the 128 steps!

–All of these settings can be: performed and recorded in real-time, randomized, or programmed on the sequencer grids.

–Individual sequences can have arbitrary start and end points (they can even run backwards and be any length up to 16 steps)

–Chain sequences to build longer loops (1 – 128 steps!).

–Modeled tape echo for spacey effects with a sweet real-time visualizer, tempo sync, and free running modes.

–Reverb with fully sweep-able controls for decay, color (tone), and mix.

–Save and load loops or whole sessions of 8 patterns.

–Share loops between devices easily via airdrop, iTunes, e-mail, etc.

–Import wav files to chop up with our editor (the editor also works as a granular synthesizer!!)

–Export loops and recordings via Audio Copy, iTunes file sharing, and email.

–MIDI sync and MIDI note modes. Each of the 128 steps can be triggered on its own MIDI note.

–User-programable scales per side.

Get Werkbench

  • iPad Loops is a music app blog dedicated to exposing the best iPad apps for iOS musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my loops are Retronyms AudioCopy, LP-5, iPRO.DJSAMPLER, Looptastic, and Audio Elements. My work is published by Magix Soundtrack Loops, Sample Logic, Pakotec, Loopmasters, Acoustica, Xmix, Sound Trends, and many more. Subscribe to our RSS feed below to get updated when new apps are posted.


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