Foxflove Flanger is a 60’s style through-zero flanger effect with pre-process saturation and high shelf filtering giving enough versatility to make thin guitars crunchy or give some subtle keys a little more depth.
Built upon the tenet of simplicity, the flora project presents great sounding, lightweight audio effects using Inter-App Audio and Audiobus technologies to allow you to get the sound you want, without sacrificing processing power.
NB: Foxflove Flanger requires either Audiobus, Inter-App Audio or an AUV3 capable host in order to operate. See http://audiob.us for more information.
This update of Beatmaker 3 adds AU Midi plug in support. This means you can route AU Midi plugins to other tracks/instruments within Beatmaker 3. Here is an example of Bram Bos Rozeta Particles running inside Beatmaker 3.
BeatMaker brings unmatched efficiency and depth in an intuitive audio and MIDI workstation. Look no further, the power of traditional desktop software and real hardware is now united into one single production studio.
What’s New in Version 3.0.8
Sound store downloads issue now fixed! Enjoy this amazing update!
[Overall improvements]
– Song position readout, in the transport bar, can be switched between BAR:BEATS, MM:SS.MS and SMPTE, simply by pressing it.
– Support of MIDI knob increment/decrement (“infinite” encoders), via MIDI RPN/NRPN.
– The transport bar record button will now be red when recording.
– Added an option, in the recording panel (press the ‘Q’ label on the transport bar), to disable minimal note length quantization.
– It is now possible to show/hide the left global navigation bar while displaying the AUv3 keyboard screen. This gives access to effects and macros from that view.
– It is now possible to tag packs & categories on a selection of files and directories, recursively from the Browser in files mode.
[Sampler & Plugins]
– Support of AUv3 MIDI plugins. Now, BeatMaker 3 will create virtual input MIDI devices for each AUv3 that supports MIDI out. This way, you can route MIDI messages to other plugins and the sampler.
– Added a ruler button on the full-screen sample editor to switch the time reference of the bottom grid between seconds, samples and bars/beats.
– When using the “Add to existing layer” sample load method, get the currently selected layer rather than the last one. The layer can be selected from the editor screen > SAMPLES tab, just below the small pads selector.
– Added move left/right and zoom in/out tools on the mapping editor toolbar.
– The “Stereo to Mono” sample process tool now offers the possibility to use only the left or right channel.
– When selecting a sample from the mapping editor, highlight it as well in the “SAMPLES” listing.
– When drag’n’dropping a sample that is added to an existing layer, auto-select it in the “SAMPLES” listing.
– Added tooltip next to sample markers when moving them, that will follow the current ruler unit (seconds, beats and samples).
– Improvements on the “Zero Snap” tool: adapt scan size to the currently visible range and find the closest zero-cross against all channels.
– Sample editor zoom in/out is now behaving more naturally.
– Sample editor move left and right buttons will now behave more naturally.
– Double-tapping the sample editor “START/END” or “LOOP” button will focus and recenter.
– In the full-screen sample editor, added a marquee above sample & loop start/end markers to make it more obvious the area can be dragged.
– Zoom in/out and move functions are now consistent on all three modes: select, slice and normal.
– “Grid Snap” can now be used in Slices mode in the sample/slice editor.
– Long press on [-] and [+] on the sample editor will resp. fully zoom out or in.
[Sequencer]
– Added a setting for the transport stop behavior: it can either go back to the start of the track, or on the latest position (by pressing the bar / position in SONG mode).
[Bug fixes & engine improvements]
– When drag’n’dropping a sample onto the mapping editor, follow the browser load method.
– Fixed an issue where it was not possible to drag’n’drop a sample after C5 on the mapping editor.
– Fixed Modulation Delay effect that would still apply processing when depth was set to 0%.
– Fixed an issue where exporting sliced sample to Apple Loop will not preserve number of beats and tempo.
– Fixed an issue in the browser where sharing a file from a group would bogusly pick another file.
– Fixed the Auto-Scale feature.
– Fixed a crash that could happen when using samples with bogus metadata.
– Fixed an issue with the validation of purchases on iOS 11.2.
– Fixed double tapping of a value in the parameter panel.
– Fixed an issue where the mixer would not show any level.
– Fixed an issue where audio recording wouldn’t start or record anything.
– Fixed a crash that would happen when exporting slices to a new bank.
– Fixed a browser issue that would happen when dropping a file back onto itself.
– Fixed a crash that would happen when duplicating pads with AUv3.
A stereo delay effect with LP/HP filter, can be used as an audio unit or as a standalone application. The Reverser Delay is a crystal-clear stereo delay comprised of independent left and right delay channels giving the user separate control over the delay time and feedback for each channel. Each channel also has a dedicated filter to sculpt the tone of the repeats, with the option of switching between high pass and low pass.
However, the crown jewel of the Reverser Delay is its reverse feature which allows for either the left or right delay channels (or both) to be reversed allowing for sonic experimentation not capable on a typical delay unit.
The Reverser Delay makes experimentation simple with an easy to understand user interface. But if users aren’t sure where to start, they can jump straight in and explore the Reverser Delay’s factory presets for inspiration.
Features:
– Stereo delay effect with delay offset, reverse mode, feedback and mix
– Tape-like resyncing of delay offset
– Per-channel state variable filter, offering low pass and high pass modes
– Mono or stereo input
– Clean and simple design
– Runs on both iPads and iPhones
– Selection of factory presets (available when run in an Audio Unit host)
FoldR is a simple Wave Folding Audio Unit Extension by the makers of Layr. Wave Folding is an interesting distortion effect that adds harmonics to the original signal by folding the waveform back on itself when it exceeds a clipping threshold.
FoldR is great for adding spice to monophonic synth leads and rhythmic, tempo based modulations can turn drum loops into totally new entities, while long, slow, free running modulations are perfect for dirty ambient drones.
FoldR lets you set the folding thresholds and modulate the folding amount and symmetry with tempo based or free running modulators. FoldR also includes a wave shaper to add even more interest.
There is also a short built-in manual and a selection of colour themes.
Dub Siren | Performance Synth – Designed to deliver authentic dub sounds and effects, iTALIZER at it’s heart is a monophonic synthesizer paired with an authentic tape echo emulation. iTALIZER comes with customizable X/Y pad and standalone application, making it a complete solution for live sets and performances. What’s more, with full support for Audio Unit V3 Extensions, Audiobus, Interapp-Audio, MIDI and Ableton Link, iTALIZER is equally suited for live as well as studio use.
Overview:
* Monophonic Virtual Analog Synth Voice
* Authentic Tape Echo emulation
* Performance oriented touch controls
* Tempo Sync (syncs both LFOs & Delay Time)
* Standalone operation support for USB audio interfaces
* Audio Unit Extension
* Inter App Audio support
* Audiobus support
* MIDI Remote Control
* Ableton Link
* Tap Tempo
Synth Voice
* 5 Waveforms (Sine, Saw, Square, Triangle, Noise)
* 4 Pole Lowpass Filter for further sound shaping
* 2 LFOs ranging from 0.01Hz to 25Hz (1x Sine, 1x Square)
* Fixed Env/VCA triggers via touchpad, MIDI or manually
Tape Echo
* Authentic Tape Echo Emulation
* Effect Send control
* Delay Time and Feedback controls
* Loop mode
* Capable of self-oscillation
* 8x oversampled
Touch Controls
* X/Y Pad Performance Control
* Both axis can be mapped to any parameter
* Voice triggers automatically when using the touchpad
Requirements:
* iOS9+
* iPhone, iPod Touch or iPad
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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