FS Refraktor is an innovative twist on modulation effects, inspiring the exploration of new sonic territory. Sitting somewhere between a delay and a flanger, FS Refraktor offers endless possibilities, from rhythmic flanging to chaotic pitch modulation and unpredictable stuttering.
Whoa this is such a cool multi effects app! I’m loving it so much. Thanks FutureSonic. – Jason
The highly flexible sixteen step sequencer and LFO rhythmically warp sounds beyond recognition – standard drums beats become bleeping basslines and synths gain a mind of their own, generating melodies from thin air.
The sequencer’s Slew control varies the speed at which the delay time changes – low settings produce sudden jarring variations while higher settings transition smoothly between delay times.
Bypass the sequencer, and FS Refraktor will add metallic overtones and strange resonances to your sounds, similar to a short, reflective reverb.
Carve Revolutionary Sounds
The dedicated filter section makes it simple to sculpt your sound. Select from a range of versatile filter types: Low Pass, High Pass, Band Pass, Notch and FS Refraktor’s unique Carve mode.
Features:
– Delay section with delay time, feedback, modulation and mix controls
– A highly customizable sequencer for rhythmic modulation of the delay time
– Slew control to vary the speed of delay time changes.
– A versatile filter section with Low Pass, High Pass, Band Pass, Notch and Carve filter options
– Stereo spread control for creating wide out of phase sounds.
– Runs as both a standalone app and an AUv3 extension
– Ability to save presets when run as an AUv3 extension
*** Note: this is an Audio Unit Effect Plugin (AUv3) which requires a compatible host or DAW to work. ***
Kosmonaut is Multitap Delay with a twist. In addition to adding echoes to your audio, it packs a bunch of extra tools to put your music in space:
– Tape looper with with variable sound-on-sound decay level
– 4-Tap Delay (placed in series for complex feedback loops)
– LP/HP filters with LFO
– Autopanner
– Ambiance Generator
– Haas Effect Processor (aka ‘wavefront precedence effect’)
All features are demonstrated extensively in a ton of factory presets, and you can easily add your own user presets, which will automatically carry over across different host apps.
All variables are exposed as AU Parameters in hosts which support automation.
It also has a smart Random-feature, which may come up with usable results 🙂
FAC Transient as is suggested by the name is an outstanding dynamics processor providing precise design and control of the attack and sustain stages of your instruments. Transient designers or shapers are often associated with drum enhancements and only the best of them are versatile enough to suit most of the scenarios. Of course, you know that FAC takes pride in ensuring versatility in its product line, providing subtle to drastic changes. FAC Transient is no exception to the rule.
To meet this objective and to be ready for all the situations: drums, guitars, bass, vocal and much more. FAC Transient includes, in addition to the classic amplification or attenuation of the attack and sustain portion of your instrument, a fine control of the detection circuit involved in the processing.
Without going into technical details, there are three envelopes built from their respective detection circuits. The first one is the contour of the input signal, this includes similar processing available in Maxima and brings you control of the treshold, time and detector algorithm. The second and third one define the contour of the attack and sustain portions and brings you a total control of the depth and duration of each stage.
FAC Transient gives you all you need to design the shape of your instruments and provides them the place they deserve in your mix.
Echo effect Audio Unit V3 inspired by the mayan pyramids acoustic echo. I come up with a complex phase modulated frequency of the echo so you can change it’s frequency signature. It is kind of changing the material of the reflective surface and I called it “Stone F”.
I have made the echo to sound more music friendly to me but there is button called “UFO” and if you press it the effect is more close to the mayan just shifting the frequency backwards (I liked that better). You can also control the feedback of the phase modulation.
The effect can work as a stand alone app and as an audio unit AUV3 plug-in.
Stone Echo is an effect that is heavy on the CPU
Controls:
– Time – time offset of the echo
– Stone F – frequency response of the echo
– Feedback – echo feedback
– Level – the volume of the echo
– UFO – heavy modulated echo
Poison-202 is a professional Vintage Midi Synthesizer. Made by musicians for musicians, it is inspired by famous classic hardware synthesizers of 80’s and 90’s and has all the main sound creation blocks you can imagine: oscillators, cutoff Filters, ADSR-envelopes, ring, cross modulation, LFOs, sync, super-saw oscillator and more! Unlike many other software synthesizers at the market, which can reproduce only limited family of sounds, Poison-202 is designed to be able to reproduce almost any classic synthesizer timbre! Check out the Presets Demo video:
What’s New
Version 2.3
– 50 new preset patches added into Bank E;
– “Random” button is now visible in the AU also, not only in standalone mode;
– fixed issue, when double tapping the FX control knobs was not resetting effect’s parameter value.
The library of 420 built-in factory presets includes famous patches that can be heard in the compositions of such electronic and rave scene music performers as The Prodigy, Chemical Brothers, Azzido Da Bass, Darude, Kraftwerk, Daft Punk and many others!
You can play it with your fingers on iPhone / iPad, or you can plug-in your favorite USB MIDI keyboard into your device using Apple’s Lightning to USB Camera Adapter and turn Poison-202 into a real synthesizer module.
Features:
• Audio Unit Extension (AUv3) support
• Audiobus support
• Inter-App Audio support
• Virtual Midi support
• can work either as standalone synth app, or as plug-in inside Cubasis, Garage Band, AUM, ModStep and other hosts
• 2 oscillators, 5 waveforms: Saw, Pulse (with adjustable Pulse Width), Sine, Triangle and Super-Saw
• one Super Saw oscillator generates 7 individual saw oscillators at the same time, with adjustable Mix and Detune parameters, reproducing famous classic analog strings and hoover sounds
• additional sub oscillator + noise generator
• 2 TVF (time variant filter) modules with Cutoff, Resonance, Keyboard tracking and ADSR envelope, 12 dB/octave
• 2 TVA (time variant amplifier) modules with ADSR envelope
• It is possible to pair two 12 dB filters to get one 24 dB/oct filter
• Pitch envelope (Attack/Decay) for each oscillator
• Ring, Sync, PW, XFM oscillator modulation
• 2 LFO modulation sources with Frequency and Fade-In parameters
• LFO’s and Delay tempo sync
• LFO cross-modulation
• 6 waveforms of LFO: Triangle, Sine, Saw, Square, Trapezoid and Random (S&H)
• 4 LFO modulation destinations: Pitch, Filter, Amplifier and PWM
• 3-band EQ for each patch
• Digital realtime effects: Distortion, Bit-Crusher, Chorus, Flanger, Delay, Panning Delay and Reverb with adjustable parameters
• Master brickwall Limiter (can be switched on/off)
• Two signal flow connection structures: Parallel and Series
• Portamento, Solo playing mode with Legato switch
• Pitch Wheel with adjustable pitch bend range
• Modulation Wheel with assignable controls
• Arpeggiator with 6 modes and 12 rhythm patterns with tempo and swing feel control
• Scale play mode when playing onscreen keyboard with over 40 different scales to select from
• Voice polyphony up to 24 (device dependent)
• Up to 300 user presets to store
• Import/Export user preset banks via iTunes File Sharing
• Scalable and movable onscreen keyboard with key velocity control and Hold button
• Show Oscillogram feature
• Midi Learn feature
• Arabic quarter-tone microtuning option
Minimum requirements:
• iPhone 4S and up
• iPad 2 and up
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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