Quite possibly the coolest app to come out to date. This takes sampling to a new level of performance. Samplr lets you make music and play with sound in a new and intuitive way by touching the waveform on the screen directly with your fingers. Explore the sounds melody and texture using the different play modes and create your music compositions with the gesture recorder.
The sound at your fingertips.
With an interface designed for live performance, Samplr gives the musician quick and precise access to all the instrument functionality at any time. Unlike other apps that try to recreate real life instruments or interaction concepts from traditional computers Samplr was designed from the very beginning for Multi-Touch devices.
A fully fledged instrument.
• 7 different play modes: Slicer, Looper, E-bow, Tape, Scratch, Keyboard and Loop Player.
• 6 simultaneous samples (with 6 voices each).
• 5 sound effects per sample: Distortion, Filter, Amplitude Modulator, Feedback Delay and Reverb.
• Gesture recorder.
• High quality audio engine.
• Detailed user guide.
• Import your own samples (WAV) through iTunes.
• Ready to use sample library.
With Ellipsynth, you can stretch and retune fists full of audio in real time. Ellipsynth is a real-time polyphonic granular synthesis instrument. It can import and export audio, as well as record. It’s like a hyped up granular version of “synthicity itself” app by the same author.
Echo Pad is a real-time Echo effect processor featuring a unique delay + sound on sound looper controlled by a multi-touch XY interface on your iPad, iPhone, and iPod touch device.
Use the built in mic on your headphones, plug in a guitar, microphone, synth, drum machine, iOS device, or whatever you want using an audio interface such as the Apogee Jam or MIC, or one of the many other compatible iOS and USB audio interfaces. (Verified up to date list of compatible audio interfaces below.)
Echo Pad was born out of love for tape echoes, sound on sound loopers and noisy, dirty analog delay pedals. Echo Pad excels at hands on warping delay tones and controlled feedback, and is not afraid to get loud.
Great for both live performance and sound design, Echo Pad was designed to have fun with the ability to sculpt a wide range of delay tones from subtle rhythms to heavy, dubbed out ambient swirls, to aggressive feedback explosions.
Who needs another whack, sterile digital delay to strum generic radio rock riffs with? No one.
Adding to the fun is a no frills sound on sound looper, perfect for quickly looping and layering guitar riffs or vocal melodies, glitching live audio input, building layered ambient soundscapes and more.
Loops can be quickly bounced to an audio file for sharing with other apps.
Echo Pad is a Universal app that supports Audio Copy/Paste (General Pasteboard) for quickly sharing loops and recordings created with Echo Pad with other audio apps, as well as playing back and processing pasted audio from other apps through Echo Pad’s effects. You can also export a loop or recording directly into the AudioShare file management app by using the “Export to AudioShare” functions. This exports your loop or recording directly into the AudioShare app without needing to use AudioCopy/Paste, for a super fast workflow.
Additionally, recordings and loops can be exported to iTunes FIle Sharing for access on your Mac/PC.
New features:
– Route main looper through FX. Record into the main looper, then process it. 🙂
– Paste audio into Main Looper. Paste audio to be automatically recorded and looped in the main sound on sound looper.
– Paste audio to scratch loopers. Paste audio from other apps to load directly into the scratch loopers using AudioPaste.
– Export/AudioCopy Scratch Loop to Pasteboard. Export and AudioCopy current contents of scratch loopers to the pasteboard.
– Export Scratch Loop to AudioShare. Export current contents of scratch loopers directly to AudioShare.
– New delay type: “Shimmer” octave up pitch shift delay, inspired by my favorite blue pedal (rhymes with ES-3).
Improvements:
– adjusted UI for better access of controls
– separate Import and Export menus
– delay hi pass/lo pass filter control (the red circle) is now controlled independently, no longer requires first finger to be onscreen.
– “Output L.P. Filter” replaces previous “Input L.P. Filter”. This now filters the master output, and can be modulated by the L.F.O.
Features:
* Realtime FX processor designed for live performance and sound design
* Multi-touch XY control of delay parameters for expressive control
* Sound on sound looper for creating layered loops on the fly
* Universal app
* Supports iPhone 5 screen
* supports Background audio
* Works with headphones as well as most iOS and professional USB audio interfaces including:
-Apogee Jam
-Apogee Mic
-iRig
-iRig iMic
-Focusrite Scarlett 2i2 (*requires external power thru USB hub)
– Apogee ONE (*requires external power thru USB hub)
– Apogee GIO (*requires external power thru USB hub)
– many more
Sharing/Exporting:
* Audio Copy and Paste for sharing loops and recordings made within Echo Pad, as well as playback and process pasted audio from other apps using Echo Pad in realtime. (General Pasteboard)
* supports NEW “Export to AudioShare” functionality.
Loops and recordings created with Echo Pad can be exported directly to the AudioShare app for easy audio file management.
* recordings & loops are exported to iTunes File Sharing for access on your Mac/PC
Sound design and Control:
* 4 delay types – Tape/analog echo, 8-bit, Rising, Reverse
* LFO assignable to delay time, input filter, volume. Great for subtle to extreme modulated echoes.
*Control delay time, feedback, and echo high pass and low pass filters with XY control. (dual touch, more gestures coming in updates.)
*Toggle slider control panels for access to full parameters.
* Save and recall effect settings.
*BPM sync for rhythmic delays.
*Tap tempo to set delay time and global BPM.
*Sound on sound looper for quickly capturing and layering sound.
WOPR is a polyphonic, stereo virtual analog synthesizer with totally unique evolving modulation driven by vintage 1970s cellular automata. What really makes it stand out is the modulation grid. It is based on a bona fide 1970s invention called Conway’s Game of Life. Look it up, marvel at the infinite variety of patterns, geek out on the math, then put them to work twisting knobs in WOPR.It’s made for iPad 2 or later only. WOPR is a performance instrument, a stand-alone instrument in the same spirit as the Korg Monotron.
It’s brilliantly playable: the full-width “Wribbon” keyboard lets you play pitch-perfect notes every time, then bend them like a guitar god to convey your inner pain to the screaming masses.
It’s performance-friendly: you can create customized control panels for comfortable access to parameters. That’s much better than contorting your fingers to fit some tiny panel layout.
WOPR is a seriously powerful analog, but what sets it apart is its modulation grid: you paint a pattern of cells into a grid, set the tempo, hit ‘run’ and let the cellular automata evolve your pattern. You link areas of the grid to any of the synth’s parameters and your patches come to life, rhythmically pulsating as the patterns shift with each beat. Constrain parameters to ranges for tight control over rhythmic modulation, or set them free to dynamically breed new patches.
The core synth engine justifies its powerful modulation. WOPR has:
– 2 pannable oscillators with sine, saw, square and triangle waves. Each oscillator has an incredible range: 32′ to 1′, with +/- 500 cent detune (a perfect fourth either way). There’s also a white noise generator.
– 3 ADSR envelopes, 2 assignable between osc 1 & 2 and the third dedicated to the noise source.
– 2 fruity, resonant 24Db/octave low pass filters, assignable to osc 1 & 2 or to the left and right stereo channels.
– 2 delays, a free-running delay with fine control over low intervals, and a tempo-synced delay running from 32nds to two whole beats. Delays are independent, or can be assigned to feed each other in any sequence. Howls, rings and reverbs are easy to create; so are good, old-fashioned solid, rhythmic delays.
– 2 octave, full-width Wribbon keyboard: play piano like a guitar, bending individual notes or entire chords. All without losing fixed-key pitch accuracy when you don’t want to bend. Best of all the whole width of your iPad 2 is there for performance.
– 6 voice polyphony. If that’s not enough (maybe you have tiny fingers), it comes with the best note stealing algorithm on the iPad.
– Modulation matrix: use this to link controls to the Game of Life, or simply use it to define a custom control panel for easy performance.
WOPR is version 1.0.0. It doesn’t yet have these features, but they’re being worked on:
– Audio copy/paste (it’s coming soon.)
– A giant preset library. (More are available for free download within the app.)
WOPR’s architecture might change a bit too. It’s young and has a lot of growing up to do. Right now Omnivore is experimenting with stereo BPF & LPF filters that you can insert into various places in the signal pipeline. We’re looking at ways to drive a wavetable library from the grid, too.
Finally, what does WOPR stand for? Anything you like. Wave Oscillator Piano Replacement? Wickedly Optimized for Phat Response? Who knows. All we can say is that it’s the synth David Lightman would choose…
Eurypharynx is a 4-Voice Polyphonic Virtual Analog Synthesizer. It combines the following five remarkable features.
– In each OSC, you can select two waveforms and also morph them.
– Flexible patching operation is available with Matrix Patching.
– Alter numerous parameters sequentially with Modulation Sequencer.
– Intuitive performance is available with XY Pad Control.
– It is possible to save up to 256 patches.
Specifications:
Implemented Features:
– 4-Voice Polyphony
– OSC x 2 / NG x 1
– OSC Modulation
Ring Modulation
OSC Sync
– Glide
– Filter x 1
– EG x 2
– LFO x 2
– Arpeggiator Type x 6
– Matrix Patching
– Modulation Sequencer
– XY Pad Control x 2
– FX
Delay
Chorus
Over Drive
– Keyboard (Scale) x 35
– Real-Time Recording
Others:
– Wireless Sync-Start Technology (WIST) is supported.
– AudioCopy is supported.
– CoreMIDI is supported.
MIDI
This app is compatible with Core MIDI; you can play and control with your external USB MIDI device connected to Apple iPad Camera Connection Kit.
Precaution for Use : MIDI channel 1 is set for Eurypharynx. USB MIDI devices are connected via Apple iPad Camera Connection Kit (sold separately). A self-power USB hub may be required for connecting USB MIDI devices with high power consumption. Set various MIDI settings at your USB MIDI device.
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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