Authentic recreation of a classic tape echo machine. GSi VariSpeed is a simulation of the WEM Copicat IC-400 Belt Drive VariSpeed model, the first tape echo machine made by WEM with a DC capstan motor capable of changing speed, thus varying the delay time. GSi VariSpeed replicates the hardware instrument “as is” with all its pros and cons, without any additional feature. This can be considered as the second chapter of a tribute to the genius of Mr. Charlie Watkins that GSi began back in 2008 with the release of the freeware “WatKat”, which was a simulation of the “Custom Copicat”. Please note: this is an AUv3 plugin that can be used with compatible host Apps.
PatternBud is a MIDI CC sequencer for sequencing the patterns of your apps. If you are using a lot of Audio/MIDI apps with multiple patterns, then you can use PatternBud and sequence the patterns quickly.
You can add multiple tracks to PatternBud. Each track has its own MIDI CC number and MIDI Channel. You can add unlimited steps to your tracks. Each step has a MIDI CC value which you can set by tapping the step. The steps can also have multiple actions as well. You can assign actions to your steps for jumping a random/specific step or jumping a random/specific pattern.
PatternBud MIDI CC Sequencer
You can control all the Bud apps as well as the other apps that support changing their patterns with MIDI CC or AU parameters. PatternBud is a MIDI app and it does not produce any audio. For the AUv3 plugin, you need an AUv3 host app such as AUM, Cubase, apeMatrix, BeatMaker etc.
Youtuber Jakob Haq has found a really cool LFO app for modulating your sounds X 16! mLFO was built in Audiokit.
Although mLFO can run as a stand-alone app, the recommended way to use it is as an AUv3 plugin from inside a suitable AU Host app, such as AUM, AudioBus, Cubasis etc.
mLFO AUv3 is a set of 16 programmable MIDI LFOs with a extensive set of features:
– 16 MIDI LFOs.
– Every LFO comes with its own set of parameters, including maximum and minimum values, rate and phase.
– The LFO value range can be varied according to a probability parameter, set by the user.
– Wide rate range, 1/128 to 130442 beats.
– Available shapes: sine, triangle, square, sawtooth, reverse sawtooth, ramp /18, ramp 1/4, ramp 1/2 and random.
– 16 assignable outputs so that you can control up to 16 MIDI entities at the same time.
– Assign an LFO to any of the available MIDI CC controller on any MIDI channel on any of the available outputs.
– 2 trigger modes: Host and Manual so that you can sync an LFO to the host’s playback or control it via a MIDI note.
– Most parameters are can be automated via any Host that supports AU parameter automation.
– MIDI Thru.
Red Rock Sound presents their anniversary plugin AD IT emulates a Pultec HLF-3C for iPhone and iPad.
For 10 years we have been delighting you with professional plugins at an affordable price. Thank you for support!
The HLF-3C completes the Passive EQ Collection. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.
You can easily subtract the unnecessary frequencies in any instrument and sub-group so they stay wonderfully musical in the mix.
The original HLF-3C hardware unit is a true passive design; there are no input/output amplifiers and it does not require any external power. As a result, there is an inherent loss of signal level when using the HLF-3C hardware. The RRS HLF-3C plug-in compensates for this inherent signal loss for simplified use in the modern era; it has unity gain upon insertion (there is no insertion loss until one or both of the cut filters is engaged).
The HLF-3C interface is very simple and includes only three controls:
• Enable — This toggle switch is the plug-in bypass control. When in the down position (bypassed), plug-in processing is disabled altogether. The plug-in is engaged with the switch is in the up position. This switch can be used to compare the processed settings to that of the original signal;
• Low Cut — This rotary switch specifies the cutoff frequency of the low cut filter. Eleven frequencies are available: 50, 80, 100, 150, 250, 500, 750, 1000, 1500 and 2000 CPS;
• High Cut — This rotary switch specifies the cutoff frequency of the high cut filter. Eleven frequencies are available: 1.5, 2, 3, 4, 5, 6, 8, 10, 12 and 15 KCS.
To use HLF-3C as a plug-in, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — HLF-3C will appear in the list of Audio Unit extensions for effect plug-ins in the host app.
Get Red Rock Sound HLF-3C HERE
iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle).
Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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