2017
01/03
Electro Harmonix Mini Synthesizer For iPhone and iPad
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Electro-Harmonix, a pioneer since 1968 in the field of sound effects pedals for musicians, has produced an app which is a faithful digital re-creation of their circa 1980 analog cult-classic, The MINI-SYNTHESIZER.

Available for iPad and iPhone (IOS version 8.0 or later), the EHX MINI-SYNTHESIZER accurately delivers all the vintage synth sounds of the original plus modern updates.

EHX President and Founder, Mike Matthews stated: “Fans of vintage synths will appreciate the apps ability to recreate the original’s warm analog sounds and deep funky bass, but because it’s so affordable ($2.99 for phone, $4.99 for tablet) and user-friendly, parents, educators and non-musicians will love it, too.”

The MINI-SYNTHESIZER app comes with 25 presets and the ability to store an almost unlimited number of user presets programs. Audiobus and inter-app audio capabilities are included as well as Aftertouch for iPhone 6s, 6s Plus.

Intuitive, flexible and powerful control are provided by the MINI-SYNTHESIZER’s 12 sliders and nine switches. Here’s a breakdown of the user interface:

OSC Section
– PITCH slider lets the player raise or lower the pitch of the note by +/- 1 octave
– SUB-OCTAVE slider introduces a note one octave below what’s being played for extra bottom
– OCTAVE UP switch causes the note being played to jump up one octave.
– TUNE knob lets the player tune the MINI-SYNTHESIZER to other instruments and sound sources over a +/- 50 cents range.

FILTERS Section
– PHASE RATE slider adjusts the speed of the phase shifter
– FILTER START sets the start frequency of the filter sweep
– FILTER STOP sets the stop frequency of the filter sweep
– SWEEP RATE controls the speed of the filter sweep
– PHASE switch turns the effect on/off
– 2X FILTER switch changes how the audio passes through the filters (either in parallel or in series)
– Q switch sets the amount of resonance on the filter sweep
– RETRIGGER switch turns the filter retrigger on/off

DELAY Section
– TIME slider adjusts the delay time up to two seconds
– FEEDBACK controls the number of echo repeats
– BLEND adjusts the mix of the original signal and the echo repeats
– DELAY switch turns the effect on/off

REVERB Section
– AMOUNT slider adjusts the reverb effect level
– BLEND slider controls the mix of the wet and dry signals
– REVERB switch turns reverb on/off
– REVERB>DELAY switch lets the user place either Delay or Reverb first in the effects chain for a variety of cool sound effects.

MISCELLANEOUS CONTROLS
– VOL (Volume) slider adjusts the MINI-SYNTHESIZER’s overall sound output level
– POLY/MONO switch toggles between polyphonic (four notes can be played simultaneously) or monophonic (only one note can be played at a time) modes
– PRESETS pop-down menu displays the presets available and allows the user to instantly select one
– HORIZONTAL slider lets the player adjust the keyboards sounding range over an expansive eight-octave range.
– RIBBON Interface lets the player perform portamento (glide up or down to pitch), vibrato and other expressive playing.

The easy-to-use Electro-Harmonix MINI-SYNTHESIZER App is loaded with great sounds and features and is sure to appeal to serious musicians and non-musicians alike.

LIMITATIONS
– There is a known issue with old iPad and iPhone devices (pre-2012) and the emulation will cause a CPU overload.
– For iPad 2nd gen, iPad 3rd gen, iPad 4th gen, iPad mini 1, mini 2, mini 3, and iPad Air, polyphonic mode limits to 3 voices instead of 4 voices for Holy Grail REVERSE reverb.

DOWNLOADING iPHONE VERSION ON iPAD
– The iPhone version is not meant to perform optimally on the iPad. Be aware that if you download the iPhone version on the iPad you are more prone to glitches and crashes than having the iPad version on the iPad.

Electro-Harmonix Web SiteMini Synthesizer for iPhone Support
What’s New in Version 1.1.0
– MIDI Input and Output Functionality Implemented/Improved
– MIDI Aftertouch Issues Fixed
– Preset File Sharing

Get EHX MiniSynth!

2016
12/25
Geoshred 2 Is Here Now With MIDI and MPE!
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GeoShred Version 2, (Special Introductory price $24.95USD until Feb 1, 2017) an exciting update to the award-winning GeoShred musical instrument for iPad, now with MIDI/MPE support. GeoShred, Winner of a 2017 Electronic Musician Editor’s Choice Award as “one of the most innovative, groundbreaking products to emerge in the past twelve months”, has been enhanced with unprecedented MIDI/MPE I/O control, new effects, and additional model control parameters.

GeoShred is highly expressive when controlling, and being controlled by, instruments that use the upcoming “MPE” MIDI specification (MIDI Polyphonic Expression). It’s both a powerful synth and a formidable iPad based MIDI/MPE controller!

GeoShred is an expressive musical instrument with a multi-touch performance surface, coupled with an advanced physical model of a guitar. A fusion of Wizdom Music’s Geo Synthesizer user interface (Jordan Rudess), and moForte’s powerful, modeled guitar and effects chain based on the next generation Physical Modeling research of Dr. Julius O. Smith III of Stanford/CCRMA.

With GeoShred’s physical modeling synthesis, you can achieve realistic guitar sounds that bend, stretch and manipulate the sound into endless possibilities. You can explore, edit and control the physics of a guitar model – including solid or hollow body, nylon or metal strings, pick position, harmonics and more.

GeoShred is NOT just another app. GeoShred is a powerful, musical instrument that offers a performance environment on a multi-touch surface unlike anything you’ve ever experienced.

What’s New in Version 2.214

GeoShred Version 2, now with MIDI/MPE support. GeoShred has been enhanced with unprecedented MIDI/MPE I/O control, new effects, and additional model control parameters. Bug fixes.

GeoShred Version 2 Features Include:
• A fluidly expressive playing surface coupled with a Physically modeled guitar
• MIDI IN/OUT and MPE support
• MIDI control using Wi-Fi, Bluetooth, virtual MIDI and all digital interfaces including the TASCAM iXR and iConnectivity
• MIDI configuration presets
• Customizable control surface that can be mapped to physical MIDI Controls
• Inter-App Audio and Audiobus support.
• Multiple Modeled effects
• Modeled feedback and VCF effects
• Echo, a unique looper and multi-tap echo
• Finger vibrato, slide and fret scraping
• Unique mono mode using intervals of multiple strings.
• Built in Arpeggiator
• Alternative tunings
• Intelligent pitch rounding
• Easily share presets with friends

Geoshred 2

2016
12/19
VCS3 Synthesizer For iPad and iPhone
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The VCS3 was created in 1969 by Peter Zinovieff’s EMS company. The electronics were largely designed by David Cockerell and the machine’s distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case.

The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track “Won’t Get Fooled Again” (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3’s filter and low frequency oscillators) on Who’s Next. Pink Floyd’s “On the Run” (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3.

What’s New in Version 2
+ Support for iPhone/iPod Touch
+ Support for AudioUnit V3, separate modules: VCO, VCF, SPRING, ENV, VCA, NOISE
+ New Input/Mic/Sampler Envelope Follower
+ New Sequencer Reset/Randomize Functions
+ New AudioShare support
+ AudioCopy SDK 3.4
+ Midibus 1.38 SDK
+ New Bluetooth A2DP High Quality
+ New Presets Manager Search Bar
+ New Control Manager Search Bar
+ New Samples Manager Search Bar
+ New ‘Save Preset As… in’ function permits you to chose a Bank where save it
+ New ‘Create Random Sound’ can modulate the random percentage and bypassing some critical parameters
+ Receive remote MIDI Clock, bug fixed
+ Audiobus Sequencer Play/Stop fixed with Ableton Link
+ Envelope Signal scale fixed
+ Mute switches are now Smoothed
+ Two SEQUENCER Parameters have been added to Control Manager
+ SpectralScope Amp/Time fixed
+ Startup crash fixed with no Internet connection
+ The Oscilloscope input is always an audio despite the Voltometer setting
+ IAA ZOMBIE bug fixed
+ iOS 10 SDK

Description

The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together.
Keyboards controller

DK1 keyboard controller

Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released.

Get iVCS3

2016
11/30
Poison-202 Vintage MIDI Synthesizer
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poison-202

Poison-202 is a professional Vintage Midi Synthesizer. Made by musicians for musicians, it is inspired by famous classic hardware synthesizers of 80’s and 90’s and has all the main sound creation blocks you can imagine: oscillators, cutoff Filters, ADSR-envelopes, ring, cross modulation, LFOs, sync, super-saw oscillator and more! Unlike many other software synthesizers at the market, which can reproduce only limited family of sounds, Poison-202 is designed to be able to reproduce almost any classic synthesizer timbre!

The library of 188 built-in factory presets includes famous patches that can be heard in the compositions of such electronic and rave scene music performers as The Prodigy, Chemical Brothers, Azzido Da Bass, Darude, Kraftwerk, Daft Punk and many others!

You can play it with your fingers on iPhone / iPad, or you can plug-in your favorite USB MIDI keyboard into your device using Apple’s Lightning to USB Camera Adapter and turn Poison-202 into a real synthesizer module.

What’s New in Version 1.2
• added Midi Learn feature. To enter it, tap 3 times on any knob or fader control. When done, tap WRITE button to save changes.
• added ability to Export / Import user preset sound banks using iTunes File Sharing system (look in Settings page);
• added ability to merge user presets banks;
• maximum number of user presets is raised to 300;
• added “Poison-202” Virtual Midi In Port;
• 10 new patches added to factory Bank B;
• added new Bank C with 17 drum patches;
• added background audio idle timer (adjustable from Settings page);
• added default midi mapping (can be changed using Midi Learn);
• fixed: audio units midi program change event issue;
• fixed: issue with midi note off event, appeared when working with Geo Synth;
• fixed: preset number related issues in audio units, which could cause crashes under Garage Band;
• master volume and patch gain changes are now interpolated (no clicks);
• delay time parameter change is now interpolated;
• other minor improvements.

Main Features:

• supports Audio Unit Extension (AUv3)
• can work either as standalone synth app, or as plugin inside Cubasis, Garage Band, AUM, ModStep and other hosts
• Inter-App Audio supported
• Virtual Midi supported
• Midi Learn feature
• 2 oscillators, 5 oscillator waveforms: Saw, Pulse (with adjustable Pulse Width), Sine, Triangle and Super-Saw
• one Super Saw oscillator generates 7 individual saw oscillators at the same time, with adjustable Mix and Detune parameters, reproducing famous classic analog strings and hoover sounds
• additional (third) sinusoid sub oscillator + noise generator
• 2 TVF (time variant filter) modules with Cutoff, Resonance, Keyboard tracking and ADSR envelope, 12 dB/octave
• 2 TVA (time variant amplifier) modules with ADSR envelope
• It is possible to pair two 12 dB TVF to get one 24 dB filter
• Pitch envelope (Attack/Decay) for each oscillator
• Ring modulation
• Sync modulation
• PW modulation
• Cross frequency modulation
• 2 LFO modulation sources with Frequency and Fade-In parameters
• LFO cross-modulation
• 6 waveforms of LFO: Triangle, Sine, Saw, Square, Trapezoid and Random (S&H)
• 4 LFO modulation destinations: Pitch, Filter, Amplifier and PWM
• 3-band EQ for each patch
• Digital realtime effects: Distortion, Bit-Crusher, Chorus, Flanger, Delay, Panning Delay and Reverb with adjustable parameters
• Master brickwall Limiter (can be switched on/off)
• Two signal flow connection structures: Parallel and Series
• Portamento, Solo playing mode with Legato switch
• Pitch Wheel with adjustable pitch bend range
• Modulation Wheel with assignable controls
• Arpeggiator with 6 modes and 12 rhythm patterns with tempo and swing feel control
• Scale play mode when playing onscreen keyboard with over 40 different scales to select from
• Voice polyphony up to 24 (device dependent)
• Up to 300 user presets to store
• Import/Export user preset banks via iTunes File Sharing
• Scalable and movable onscreen keyboard with key velocity control and Hold button
• Show Oscillogram feature

Minimum requirements:
• iOS 7 or higher
• iPhone 4S and up
• iPad 2 and up

Get Poison-202

2016
11/30
Korg Wavestation For iPhone and iPad
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iwavestation

The Wave Sequence Synthesizer for iPad – KORG iWAVESTATION

When Sequential Circuits finally went belly-up, their research and development into vector synthesis was picked up at Korg. This led to the hugely successful Wavestation Synthesizer which was based on Sequential’s ProphetVS. The Wavestation incorporated the 2-dimensional vector joystick of the ProphetVS which allowed the user to alter and animate sounds.

iwavestation-vector-synthesis

The WAVESTATION synthesizer appeared in 1990 with its new “advanced vector synthesis system” which combined and shifted between multiple complex waveforms. The user could operate a joystick to “mix” or “morph” between four oscillators selected from the large onboard collection of waveforms.

iWAVESTATION is evolved the operability of the KORG Legacy Collection. The original editing structure has been preserved, while giving you a redesigned graphical user interface that takes advantage of the intuitive operation possible with iPad.

Korg iWavestation

[ Features ]

– An evolved WAVESTATION sound

– New graphical WAVE SEQUENCE operation

– Total 1,500 sound, including the option PCM/Program cards*

– Interoperable with the Original WAVESTATION

IAP = 7 expansion cards for $4.99

Get Korg iWavestation

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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