Bram Bos teases us with a new trancegate audio unit for iPhone and iPad called Perforator. Quick demo of the Perforator Gatemask (“trancegate”) AUv3 plugin. Use the plugin for applying rhythmic gates and accents to sustained sounds, like pads, strings or drones.

Ran my Les Paul through this new mono to stereo audio unit effect called Stereo Modulator. PUT YOUR HEADPHONES ON! Honestly I wish I didn’t feel rushed with this video I wanted to make it longer but figured folks might just want to hear the modulation part of it on a guitar. My wife was giving the baby a bath and she started crying so I just said screw it and made the demo short. It has a very clean widening effect with the modulation LFO down.
Stereo Modulator is an AU3 effect that converts mono sound into stereo, with an adjustable width and optional stereo modulation.
It works by using a bank of randomized stereo de-correlators that apply micro-delays introduce random differences between the spectrums of the left and right audio channels. In its output we hear a natural sense of space that is not present in mono recordings. It’s similar to the sound space one gets from using a stereo reverb plugin except that it is tight and clear, without any feeling of echo.
It can operate either as a static effect or it can be gently modulated by a low-frequency oscillator. The modulation is akin to the sound of a Leslie speaker, except that it doesn’t do any pitch shifting, so the output remains focused and tuning is not compromised.
This effect is especially useful for mixing electric guitars together with vocals. Using Stereo Modulator on the guitars, we can push them out to the sides, creating a space in the centre for the vocal to cut through, without needing to reduce the volume of the guitars.
NOTE: Stereo Modulator is an AU3 plugin only, not a standalone app. To use it, you will need an audio unit host app such as Garageband or Audiobus.
Get Stereo Modulator
Hello every body this is Jason Donnelly aka Dj Puzzle reporting for my website ipadloops.com and today I’m going to show you two cool new effects. Both effects emulate an old cassette tape meaning they can make your brand new sparkling mix sound like it was playing back on an old broken down tape player. On one hand we have Fly Tape by MSXII and the other DAW Cassette by Klevgrand. They are both unique in their own way and they were both released just recently within the past couple of weeeks so I wanted to do a sort of comparison review for both in one video. Now I noticed a lot of the demos for these apps show the app on a master buss affecting the whole mix so I wanted to demo them as an insert effect on a single track. In this case a midi track using an AU instrument.
*I should add “Head Quality” in DAW Cassette is the LoFi effect in that one I kinda rushed over it and skipped that info.
Get Fly Tape https://itunes.apple.com/us/app/fly-tape/id1343651192?mt=8&at=10laUK&ct=FLYTAPE
Get DAW Cassette https://itunes.apple.com/us/app/daw-cassette/id1368962464?mt=8&at=10laUK&ct=DAWCASSETTE
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Fly-Tape is like Gross Beat for iPhone and iPad. It’s a unique MSXII look on some of the aspects about tape that we love while adding some unique features that are enjoyable! Fly Tape installs as an iOS AUv3 FX plugin, designed for use within host apps such as Garageband, Beatmaker 3, Cubasis, Audiobus, and more. Standalone mode for demo purposes.
Named for it’s performance style of use, users can adding FX to their incoming audio signals in many ways “on the Fly.” Sliders for textured nuances such as hiss & pitch will allow you to dial in tasteful settings that can become reminiscent of cassette tapes. These also can be automated via midi cc for additional modulation.
Fly Tape FX:
Fly Tape includes numerous touch based FX. These FX also release upon button release to enhance the performance experience. Additionally, some FX have more settings upon a quick, double-tap of the effect.
Play Button
• Will start audio (demo drum loop) in standalone mode
• Disabled while in plugin mode
Stop Button
• Will stop playing audio with a scrubbing, slow down effect
• Release will resume audio
Pause Button
• A simple audio mute. Useful for drops in performance
• Release will resume audio
Bypass Switch
• Bypass Fly-Tape audio effect unit as a whole
Noise Slider
• Gradual increase of “hiss” simulation from left to right
Pitch Slider
• Gradual detuning of audio from left (normal) to right (-.50 cents)
Half-Speed FX Button
• Plays audio at half-speed
• Normal playback resumes on release
• Half-Speed will stay in time with current host tempo
Saturate Button
• 2 saturation modes “Clean” & “Gritty” available
• Quick double tap will prompt small menu option
• Release will resume normal audio without effect
Lofi Button
• 3 lofi modes “70’s”, “80’s”, and “90’s” available
• Quick double tap will prompt small menu option
• Release will resume normal audio without effect
Loop Button
• Reverses and loops audio while pressed
• Release will resume normal audio without effect
Stutter Button
• 8 stutter quantize settings available
• Quick double tap will prompt small menu option
• Settings available are 1/2, 1/4, 1/8, 1/8T, 1/16, 1/16T, 1/32, 1/64
• Stutter is immediate upon press, release will resume audio without effect
Tips:
FX buttons can be chained in unique ways to deliver awesome results such as Lofi “70’s –> Saturate “Clean” –> Half-Speed.
All parameters of Fly Tape can be mapped in your favorite hosts. For example, you can map the Noise & Pitch sliders to faders or knobs on your favorite midi controller.
Fly Tape’s Midi CC values are listed below:
Bypass: 102
Pitch: 103
Noise: 104
Tape Stop: 106
Mute (Pause): 107
Half-Speed: 108
Saturate: 109
Lofi: 110
Loop: 111
Stutter: 112
Get Fly Tape

Fac Maxima is an extremely useful audio utility effect. I use it in almost all of my projects. FAC Maxima is an audio effect designed to provide automatic gain control of your audio materials to ensure that the levels stay consistent and never exceed 0dB. It’s a clever combination of dynamic processors that can be set to provide a gentle transparent signal boost respecting the initial dynamic or significant colorised level maximisation. Thanks to a unique signal path, algorithms and a small set of parameters, FAC Maxima makes a complicated task easy.
What’s New:
• New waveform viewer: optional scales, mirroring, threshold line feedback, VU Meter Peak/Rms and general widget optimisation.
• Automatic setting of the startup view (small vs large). Can be changed if the host supports the view configuration management.
In addition to the classic final stage application, FAC Maxima excels on individual tracks too. With a few changes it’s easy to go from the common gain deviation compensation, e.g. for vocals, to drastical audio changes that will bring your audio material to new territories: boost reverb tails, flattenize drums… The applications are various and the possibilities are limitless.
• Get the final touch!
FAC Maxima definitely makes audio louder and that makes it an effective tool in many mastering engineers’ arsenals.
• Be creative!
Emphasis subtitle details, sometimes floor contains treasure, you will have a completely new listen to your old tracks! The audio background may indeed contain noise, but sometimes also “pearls” that may be revealed.
• Go further!
Tired by the advertisement boost, or important speech level variation in broadcasting? Use FAC Maxima to maintain the level constant. DJ’s may also benefit from the effects to normalise in real time the level of the mixed tracks.
As with all FAC products the interface has a unique sober look and provides a great user experience. FAC Maxima also brings a real-time multi-waveform graph having a 6s buffer of the audio material before and after operations, this will help on setting the right parameters and have a visual feedback.
Get FAC Maxima




