2014
03/10
Groovemaker 2 For iPad
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GrooveMaker® 2 is the latest version of this revolutionary iPhone/iPad/iPod touch app, designed for creating non-stop electronic, dance and hip-hop tracks in real-time by anyone anywhere, with results that sound like they were produced by a professional DJ. Making music with loops will never be the same.

IK Multimedia Groovemaker 2

GrooveMaker works with pre-arranged sets of loops (called “Songs”) that always sound good together. You can remix them in real-time in virtually limitless ways with our patented “groove generator” technology — all with just one touch.

As soon as you select a Song, you enter into the new Grid interface. Push the Randomix button, and you will immediately see the building blocks of your groove appear on the grid, and the music will start playing. You can change grooves with the Randomix function, or literally “draw” new grooves directly on the grid. You can lock loops, solo and mute them, change volume and pan, and freely associate loops to each of the 8 available tracks. When you’re satisfied with the results, just take a Snap (snapshot) to memorize it for further sequencing.

Enhance your grooves with the new Effects interface, where you have 16 high-quality DJ-oriented effects, from Filter to Delay, Stutter to Flanger, and Crush to Noise. You also get highly creative effects like Twist, Brake, Spin and Tail, that can only be found on sophisticated professional DJ gear.

All the effects can be operated with the X-Y touch surface, where you can even record automation within the 8-bar groove duration, for ultra-dynamic groove-effects progressions. You also have a new Master section, where you can give the finishing touch to your groove with a Compressor, an EQ and a Filter, for a professional sound that can be cut straight to a record.

GrooveMaker Packs offer over 3,600 loops. They come grouped “Song” packs that are each organized by categories such as bass drum, loop, bass, line, pads, effects and percussion. There are 70 collections available, featuring styles like House, Dubstep, Hip-Hop, Techno, Trance, Electro, D’n’B, Reggae, Reggaeton, and Rock. There are even artist packs from Ace of Skunk Anansie, Chris Domingo and Cool & Dre, with more to be released.

Additionally, GrooveMaker 2 lets you record your own loops with your device, and add them to your grooves. You can also import audio material directly from your Music Library or other sources, cut them into loops, and auto-sync them with your groove effortlessly.

What’s New in Version 1.1
– now GrooveMaker 2 is Universal (adds iPad version)

GrooveMaker 2 features:

• Completely redesigned interface
• Single application allows you to have all your loop collections in one place, with in-app purchase
• 16 Packs available in 70 song collections including styles like EDM, Dubstep, House, Hip Hop, Techno, Trance, Electro, D’n’B, Reggae, Reggaeton, Rock plus artist packs (4 built-in Songs plus 16 packs available for in-app purchase)
• New Matrix interface for simplified loop remixing by drawing
• New flexible management of the Randomix algorithm
• Now single loop duration can be freely set
• New groove duration can be freely set from 1/2 bar to 8 bars, with new 1/4 to 1/32 live-loop functions on saved grooves for dramatic effects
• 16 FX with automation and touch-pad like interface (10 Filter FX built-in effect plus 6 more available for in-app purchase)
• New IMPORT functions allow you to easily import audio files or record your own, and integrate them with the existing collection
• New high-quality time-stretch for seamless groove tempo variation from 50% to 200% of original BPM without affecting the pitch
• New real-time recorder
• New master control with Compressor, EQ and Filter
• New sharing features includes Audio Copy, E-mail, Wi-Fi, FTP, SoundCloud
• Compatible with Audiobus, Inter-App Audio and X-Sync

Groovemaker 2 is available for $9.99

2014
03/10
Virtual iVCS3 For iPad
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iVCS3 iPad

iVCS3 iPad

Official EMS VCS3 emulator – The VCS3 was created in 1969 by Peter Zinovieff’s EMS company. The electronics were largely designed by David Cockerell and the machine’s distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case.

The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track “Won’t Get Fooled Again” (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3’s filter and low frequency oscillators) on Who’s Next. Pink Floyd’s “On the Run” (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3.

Description

The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together.
Keyboards controller

DK1 keyboard controller

Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released.

iVCS3 is available for $14.99

2014
03/02
microTera Synthesizer For iPad
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microTera

Waveshaping Synthesis is a type of distortion synthesis that can create dynamic spectra in a controlled way. In waveshaping, it is possible to change the spectrum with the amplitude of the sound. A simple example of this method is the clipping caused by overdriving an audio amplifier.

These simple method creates an astonishing variety of sounds which are very unique and can’t be reproduced by any other contemporary synth!

microTERA gives you also a method of getting randomly generated sound patches in a way you never experienced before: roll the dice! Every single try gives you a new unique sound patch, really every try, promised…

Waveshaping Synthesis

• Wavehaper with user programmable shape
• Spectral shape specification
• Three sine oscillators
• Feedback input for noise components
• 4 Low frequency oscillators
• 4 Envelopes with tempo sync
• 64 time/level segments per envelope
• Monophonic or polyphonic with 16 voices.
• Over 150 factory sounds

• Uses programmable sequences with up to 32 steps.
• Can trigger single notes and chords.
• Unique randomizer generates Arpeggios with 100% usability.
• 32 Arpeggios included, unlimited user arpeggios possible.
• For each step you can program tie, accent, transposition and note order

Effects

• Chorus
• Phaser
• Distortion (Tape/Tube/…)
• Echo/Delay
• Reverb

Global

• Audiobus compatible (Input slot)
• Inter App Audio compatible.
• CoreMIDI / Virtual MIDI
• Audio recorder with Metronome.
• Upload to SoundCloud and File Export.
• Audio pasteboard.

microTERA is available for $9.99

2014
03/02
Rrarrow Modular Effects For iPad
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rrarrow audio effects for ipad

rrarrow is the experimental modular audio effect and noise machine for the iPad featuring extended feedback capabilities.

Key features:
– Simplicity. The interface is simplified for faster assembly and more flexible connectivity — you can assemble your effect very fast and control all the processing parameters with the audio signal.
– Feedback capabilities. You can add feedbacks to the audio chain to get some chaotic noise sounds
– Twelve blocks for audio processing:
– Sine generator. Basic oscillator with sine waveform
– Signal multiplier
– Delay
– Frequency shifter
– Envelope follower
– “Lorenz attractor”
– Quantizer
– Sample-and-hold
– Reverb
– Special Lowpass filter
– Clipper
– Nonlinear shaper (for self-oscillating circuit)
– Audiobus support. Now you can stream live audio directly to other Audiobus-compatible apps! See http://audiob.us for more information. Works as input and filter.
– Background audio support: enabled when connected to Audiobus and user switchable otherwise.

iPad2 or newer is recommended for complex presets

rrarrow is available for $3.99

2014
02/20
Z3TA+ For iPad
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Z3TA+ iPad

The legendary Z3TA+ synthesizer has been used on countless records, and it’s distinctive sound has been a staple of electronic artists the world over. And now Z3TA+ iOS puts the full power of Z3TA+2 on your iPad. Packed with hundreds of presets, modulatable waveshaping, dual mode filters, and flexible effects, Z3TA+ iOS is the perfect creative synth for making music anywhere, anytime.

Feature Highlights:
• Includes over 500 presets
• User-friendly on-screen Keyboard and external MIDI control
• Waveshaping synthesis with 6 Oscillators, 6 LFOs, and more
• Modulation Matrix including 16 Sources, Curves, Controls, and Destinations
• Advanced modular effects including Distortion, Mod, Compression and more
• Performance section with Tap Tempo, assignable XY Pad, Mod Wheels, and Adaptive Pitch Bend
• Inter-App Audio, Background Audio, and Audiobus support

Z3TA+iOS will be there for you when you’re working behind your studio rig, or on the road. It embodies every characteristic of the original synthesizer and brings the all of parameters you know and love to a fluid iOS7 touch-enabled interface. Z3TA+iOS is perfect for both experienced and new users especially when connecting to other audio applications using Audiobus and Inter-App Audio. Plugin in any iPad compatible MIDI controller and take your performance to the stage.
Feature Highlights:
• Includes over 500 presets
• User-friendly on-screen Keyboard and external MIDI control
• Waveshaping synthesis with 6 Oscillators, 6 LFOs, and more
• Modulation Matrix including 16 Sources, Curves, Controls, and Destinations
• Advanced modular effects including Distortion, Mod, Compression and more
• Performance section with Tap Tempo, assignable XY Pad, Mod Wheels, and Adaptive Pitch Bend
• Inter-App Audio, Background Audio, and AudioBus support

Z3TA+iOS will be there to quench your thirst for sound design when you’re
working behind your studio rig, or on the road. It embodies every characteristic of the original synthesizer with a brand new performance section full of parameters to twist and turn your
programs on the fly. Z3TA+iOS is perfect for both experienced and new users especially when connecting to other audio applications using Audiobus and Inter-App Audio. Plugin in any iPad compatible MIDI controller and take your performance to the stage.

Get Z3TA+

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, and iMPC Pro. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Native Instruments, The Grammt Museum and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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