2022
08/29
Youtuber Jakob Haq Demos mLFO
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Youtuber Jakob Haq has found a really cool LFO app for modulating your sounds X 16! mLFO was built in Audiokit.

Although mLFO can run as a stand-alone app, the recommended way to use it is as an AUv3 plugin from inside a suitable AU Host app, such as AUM, AudioBus, Cubasis etc.

mLFO AUv3 is a set of 16 programmable MIDI LFOs with a extensive set of features:

– 16 MIDI LFOs.
– Every LFO comes with its own set of parameters, including maximum and minimum values, rate and phase.
– The LFO value range can be varied according to a probability parameter, set by the user.
– Wide rate range, 1/128 to 130442 beats.
– Available shapes: sine, triangle, square, sawtooth, reverse sawtooth, ramp /18, ramp 1/4, ramp 1/2 and random.
– 16 assignable outputs so that you can control up to 16 MIDI entities at the same time.
– Assign an LFO to any of the available MIDI CC controller on any MIDI channel on any of the available outputs.
– 2 trigger modes: Host and Manual so that you can sync an LFO to the host’s playback or control it via a MIDI note.
– Most parameters are can be automated via any Host that supports AU parameter automation.
– MIDI Thru.

Download mLFO HERE

2022
08/28
Free Passive Filter EQ From Red Rock Sound
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RRS HLF-3C

Free Passive Filter App Pultec HLF-3C For iOS

Red Rock Sound presents their anniversary plugin AD IT emulates a Pultec HLF-3C for iPhone and iPad.

For 10 years we have been delighting you with professional plugins at an affordable price. Thank you for support!

The HLF-3C completes the Passive EQ Collection. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.

You can easily subtract the unnecessary frequencies in any instrument and sub-group so they stay wonderfully musical in the mix.

The original HLF-3C hardware unit is a true passive design; there are no input/output amplifiers and it does not require any external power. As a result, there is an inherent loss of signal level when using the HLF-3C hardware. The RRS HLF-3C plug-in compensates for this inherent signal loss for simplified use in the modern era; it has unity gain upon insertion (there is no insertion loss until one or both of the cut filters is engaged).

The HLF-3C interface is very simple and includes only three controls:

• Enable — This toggle switch is the plug-in bypass control. When in the down position (bypassed), plug-in processing is disabled altogether. The plug-in is engaged with the switch is in the up position. This switch can be used to compare the processed settings to that of the original signal;

• Low Cut — This rotary switch specifies the cutoff frequency of the low cut filter. Eleven frequencies are available: 50, 80, 100, 150, 250, 500, 750, 1000, 1500 and 2000 CPS;

• High Cut — This rotary switch specifies the cutoff frequency of the high cut filter. Eleven frequencies are available: 1.5, 2, 3, 4, 5, 6, 8, 10, 12 and 15 KCS.

To use HLF-3C as a plug-in, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — HLF-3C will appear in the list of Audio Unit extensions for effect plug-ins in the host app.

Get Red Rock Sound HLF-3C HERE

2022
08/27
4Pockets Midi Layers
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4Pockets Midi Layers

4Pockets Midi Layers

MIDI Layers is an AUv3 MIDI plugin designed to allow sophisticated routing of MIDI data in hosts such as AUM or Cubasis.
Have you ever wanted to play multiple instruments from a single master keyboard during a live performance? Would you like to be able to set up keyboard splits, crossfade layers or create an ensemble of layered instruments? If you answered yes to either of those questions, then MIDI Layers may be your solution.

Layers allows you to create up to 12 scenes, each with up to 127 layers, spanning your entire master keyboard. These scenes allow you to seamlessly switch between various layer mappings at any time during a performance.
Each layer controls the MIDI output, which can be routed to one of MIDI Layers 16 output ports and 16 channels. So if you have 5 layers in your scene, each layer is able to divert MIDI key input to 5 destinations, allowing you to control 5 instruments from one master keyboard.
Layers can overlap, meaning you can create an ensemble of two or more instruments. Layers can also have cross fades so that you can fade from one instrument to another across a specified range. You can also control the velocity curves of a layer if you need to emphasize note velocity at a certain set of octaves.

Each layer can also be remapped so that you can target a different key range on the destination instrument. This allows you to have several single note layers that can target specific drum machine samples for instance.
You can assign a song per scene, or have several scenes containing parts of the same song. Switching scenes is simple, using the on screen scene buttons, via AU parameters, or you can even add a special control layer to a scene which can then be triggered via your master keyboard.

It is also possible to assign a Program Changes to a layer. When you switch scenes, each layer can fire off its own program change to your destination instruments.
Each scene can be assigned its own scale, which enables you to play using only the white notes so say goodbye to wrong notes.
Finally, layers can be assigned to mute groups, allowing you to quickly turn on/off groups of layers with a single key or button press.

Features:
○ Up to 127 layers per scene.
○ 12 scenes per preset.
○ Supports 16 output ports and 16 channels.
○ Remote switching of scenes using MIDI or AU.
○ Supports layer mutes and mute groups.
○ Named scenes with large scene selection mode.
○ Supports scales per scene which can be played using white notes only.
○ Each layer can define a Program Change that is sent when scenes are switched.
○ Supports per layer velocity curve.
○ Supports per layer remapping of notes on output.
○ Each layer can have a cross fade settings assigned.
○ Definable Master Keyboard size (6, 7, 8 or 10 octave).
○ Scene and mute control layers.
○ Provides default custom layouts.

Please Note: This product will not work with GarageBand since it cannot load AUv3 MIDI plugins.

Get MIDI Layers HERE

2022
08/25
Marshall JMP1 Emulator for iOS
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Nembrini Audio Marshall Preamp for iOS

Nembrini Audio Marshall Preamp for iOS

NEW RELEASE intro price 50% Off

PREAMPLIFIER

Nembrini Audio JMP Pro Guitar Amplifier plugin is based on a Marshall JMP1* preamplifier.
JMP Pro Valve Amplifier drives pure tone into each of its four uniquely voiced channels OD1, OD2, Clean1 and Clean2
OD1: This channel’s smoldering power will take you from the molten gold of a classic British sound, to searing metal and all points in between.
OD2: Tightly focused, high gain is served up here by the truckload. Modern and aggressive, yet fluid and toneful. This channel has all the distortion and sustain you’ll ever need.
Clean1: It is perfect for warm full-bodied chords, fat clean lead passages and jazz tones.
Clean2: It has the glassy edge of a classic British sound for those bright, jangly tones.

JMP Pro Nembrini

JMP Pro Nembrini

POWER AMPLIFIER

Powered by four EL34 virtual tubes with presence, volume and power switch in class AB push-pull configuration.

DIGITAL DELAY

FILTER make the delay Lo-Fi and OFFSET create a time offset in left/right delay sections

ANALOG MODULATIONS

select Chorus or Tremolo modulation

AMBIENT REVERB

Hall reverb algorithm

FILTERS CLEANER
Low and High cut filters PRE and POST amplifier

ANALOG NOISE GATE

tuned for guitar and bass

STUDIO COMPRESSOR

keep your dynamics in check, whether just thickening the sound or keeping levels consistent

Works as a standalone app, AudioUnit v3 effect, or Inter-App Audio effect.

Get JMP Pro HERE

2022
08/23
GSi High Quality Piano For iPad
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GSi VOL 1 high quality piano for iPad

GSi VOL 1 high quality piano for iPad

Very high quality piano samples with very fast loading.

GSi Genuine Sounds piano edition is a collection of fine sampled instruments based on a very efficient and unique proprietary sound engine made by GSi and called WLF – Wavetable Linear Format. The WLF Engine grants the highest performance with the lowest memory usage and CPU load possible, resulting in high polyphony even on less capable devices. All sounds included in the Genuine Sounds collections are professionally sampled using proprietary software and hardware machines.

With Genuine Sounds Volume First we at GSi are glad to introduce our new technology to the world, offering some of the finest acoustic and electric piano samples we’ve produced so far, with the sincere hope to continue along this route and release more collections in the future, focused on several other instrument categories.

Main features:

– Powered by WLF Engine – Highly efficient DFD Streaming (Direct-from-disk)
– User selectable Streaming Buffer size
– Disk Pre-Caching option to increase disk streaming performance
– Polyphony up to 1024 stereo voices
– Internal 32 bit processing with native 32 bit sampled material
– Stereo 4-band semi-parametric equalizer
– Four effect slots
– FX1 features: Mono/Stereo Tremolo, Auto-Panner, Ring-Modulator, Wha-Wha (Pedal, LFO, Dynamic), Limiter
– FX2 features: Stereo Chorus, Stereo Phaser 4 or 6 stages, Flanger, Digital Delay, Analog Delay
– FX3 features amplifier simulations: TWIN, JCM, AC, RJC, BASS
– FX4 features digital reverb with 9 variations
– Each sample-set can have up to 8 dedicated parameters
– All parameters can be Midi-controlled with user-defined Midi Map and Midi Learn feature
– Sound Bank Manager with direct download and ability to delete unused sample-sets
– Program Manager with unlimited number of Programs and freely assignable Midi P.C. numbers
– Import/Export of single Programs and entire Banks
– Import/Export of user-defined Midi Maps
– User defined Velocity Curves

Most piano samples don’t use loops, each note reproduces the natural decay of the actual piano from which it was sampled.
Some of the samples that come with this App were also made available for hardware Crumar and GSi products, even though under a different format.

Get Genuine Sounds Vol 1 HERE

  • iPad Loops is an iOS music production blog dedicated to exposing the best iPad apps musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my sounds are Synth One, EG Segments, Hammerhead, Retronyms AudioCopy, Audio Evolution Mobile, LP-5, iPRO.DJSAMPLER, Looptastic. My work is published by Roland, Antares, Magix, Soundtrack Loops, Sample Logic, Acoustica, Loopmasters and many more. Subscribe to our RSS feed below to get updated when new apps are posted.
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