2019
02/20
New Bleass Delay Audio Unit!
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Bleass Delay Audio Unit For iOS

BLEASS delay transforms your sounds into cinematic and experimental sonic experiences! It is constantly creating flux in the audio signal making your music even more lively.
BLEASS delay is also ideal for making track build-ups and transitions.

This app will be available February 21st 2019

MAIN FEATURES:
– Delay Line with Sync and Ping Pong Stereo options
– Frequency Shifter in the feedback stage for creating harmonic flux
– Two Filters (Low Pass / High Pass with resonance) for creating warm analog Echo effects
– Each stage has its own LFO with Stereo Phase to create even wider space movements.

All these features are shown within the factory presets, and you can save your own presets which will automatically carry over across different host apps.
All variables are exposed as AU Parameters in hosts which support automation.
BLEASS delay can also be used as a standalone app using headphones and mic or an external sound card.

Check out www.bleass.com for video tutorials and demos.

Get this app HERE

***NOTE : this is an Audio Unit Effect Plugin (AUv3) which ideally requires a compatible host (such as AUM or Audiobus) or DAW (such as GarageBand or Cubasis) ***

2018
05/18
Bram Bos Perforator Rhythmic Gate AUv3
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Perforator is a rhythmic gating audio effect: it will creatively snip, cut, gap and filter incoming audio to create rhythmic patterns out of sustained sounds.

By tuning the slice envelopes you can create anything from classic staccato “trance gate” sounds to emulations of sloppy pumping sidechain compression.

Two gating mechanisms can be dialled in: an AMP EG gate (the traditional way of gating) and a 12dB/Oct lowpass filter which will rapidly carve away high frequencies from your sound to effectively silence them.

– AUv3 Audio Effect, works in all AU compatible hosts
– automatically syncs with your project’s tempo
– edit Left an Right channel independently
– built-in preset manager with a ton of factory presets
– all AU Parameters exposed for host automation
– user manual available on ruismaker.com
– Universal: works on iPad, iPhone and iPod Touch
– Bonus Feature: AU MIDI output*

* AU MIDI: both envelopes (L+R) can send their values out as MIDI CC messages to mimic ‘parameter lock’ messages in other plugins/apps. Note: this feature requires iOS11+ and a host compatible with AU MIDI from effects.

Get Perforator

2018
03/06
Stone Echo Audio Unit
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Echo effect Audio Unit V3 inspired by the mayan pyramids acoustic echo. I come up with a complex phase modulated frequency of the echo so you can change it’s frequency signature. It is kind of changing the material of the reflective surface and I called it “Stone F”.

I have made the echo to sound more music friendly to me but there is button called “UFO” and if you press it the effect is more close to the mayan just shifting the frequency backwards (I liked that better). You can also control the feedback of the phase modulation.

The effect can work as a stand alone app and as an audio unit AUV3 plug-in.
Stone Echo is an effect that is heavy on the CPU

Controls:
– Time – time offset of the echo
– Stone F – frequency response of the echo
– Feedback – echo feedback
– Level – the volume of the echo
– UFO – heavy modulated echo

Get Stone Echo

2017
12/22
Maxima Automatic Gain Control App
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Maxima is an audio effect designed to provide automatic gain control of your audio materials to ensure that the levels stay consistent and never exceed 0dB. It’s a clever combination of dynamic processors that can be set to provide a gentle transparent signal boost respecting the initial dynamic or significant colorised level maximisation. Thanks to a unique signal path, algorithms and a small set of parameters, Maxima makes a complicated task easy.

In addition to the classic final stage application, Maxima excels on individual tracks too. With a few changes it’s easy to go from the common gain deviation compensation, e.g. for vocals, to drastical audio changes that will bring your audio material to new territories: boost reverb tails, flattenize drums… The applications are various and the possibilities are limitless.

>> Get the final touch!
Maxima definitely makes audio louder and that makes it an effective tool in many mastering engineers’ arsenals.

>> Be creative!
Emphasis subtitle details, sometimes floor contains treasure, you will have a completely new listen to your old tracks! The audio background may indeed contain noise, but sometimes also “pearls” that may be revealed.

>> Go further!
Tired by the advertisement boost, or important speech level variation in broadcasting? Use Maxima to maintain the level constant. DJ’s may also benefit from the effects to normalise in real time the level of the mixed tracks.

As with all FAC products the interface has a unique sober look and provides a great user experience. Maxima also brings a real-time multi-waveform graph having a 6s buffer of the audio material before and after operations, this will help on setting the right parameters and have a visual feedback.

Get Maxima

2017
12/18
Reslice and Tap Delay AUv3
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Now supports AUv3 parameter automation.

Get Reslice

Now supports AUv3 parameter automation.

Get Tap Delay

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  • iPad Loops is a music app blog dedicated to exposing the best iPad apps for iOS musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my loops are Retronyms AudioCopy, LP-5, iPRO.DJSAMPLER, Looptastic, and Audio Elements. My work is published by Magix Soundtrack Loops, Sample Logic, Acoustica, Xmix, and many more. Subscribe to our RSS feed below to get updated when new apps are posted.

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