2018
05/18
Bram Bos Perforator Rhythmic Gate AUv3
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Perforator is a rhythmic gating audio effect: it will creatively snip, cut, gap and filter incoming audio to create rhythmic patterns out of sustained sounds.

By tuning the slice envelopes you can create anything from classic staccato “trance gate” sounds to emulations of sloppy pumping sidechain compression.

Two gating mechanisms can be dialled in: an AMP EG gate (the traditional way of gating) and a 12dB/Oct lowpass filter which will rapidly carve away high frequencies from your sound to effectively silence them.

– AUv3 Audio Effect, works in all AU compatible hosts
– automatically syncs with your project’s tempo
– edit Left an Right channel independently
– built-in preset manager with a ton of factory presets
– all AU Parameters exposed for host automation
– user manual available on ruismaker.com
– Universal: works on iPad, iPhone and iPod Touch
– Bonus Feature: AU MIDI output*

* AU MIDI: both envelopes (L+R) can send their values out as MIDI CC messages to mimic ‘parameter lock’ messages in other plugins/apps. Note: this feature requires iOS11+ and a host compatible with AU MIDI from effects.

Get Perforator

2018
03/06
Stone Echo Audio Unit
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Echo effect Audio Unit V3 inspired by the mayan pyramids acoustic echo. I come up with a complex phase modulated frequency of the echo so you can change it’s frequency signature. It is kind of changing the material of the reflective surface and I called it “Stone F”.

I have made the echo to sound more music friendly to me but there is button called “UFO” and if you press it the effect is more close to the mayan just shifting the frequency backwards (I liked that better). You can also control the feedback of the phase modulation.

The effect can work as a stand alone app and as an audio unit AUV3 plug-in.
Stone Echo is an effect that is heavy on the CPU

Controls:
– Time – time offset of the echo
– Stone F – frequency response of the echo
– Feedback – echo feedback
– Level – the volume of the echo
– UFO – heavy modulated echo

Get Stone Echo

2017
12/22
Maxima Automatic Gain Control App
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Maxima is an audio effect designed to provide automatic gain control of your audio materials to ensure that the levels stay consistent and never exceed 0dB. It’s a clever combination of dynamic processors that can be set to provide a gentle transparent signal boost respecting the initial dynamic or significant colorised level maximisation. Thanks to a unique signal path, algorithms and a small set of parameters, Maxima makes a complicated task easy.

In addition to the classic final stage application, Maxima excels on individual tracks too. With a few changes it’s easy to go from the common gain deviation compensation, e.g. for vocals, to drastical audio changes that will bring your audio material to new territories: boost reverb tails, flattenize drums… The applications are various and the possibilities are limitless.

>> Get the final touch!
Maxima definitely makes audio louder and that makes it an effective tool in many mastering engineers’ arsenals.

>> Be creative!
Emphasis subtitle details, sometimes floor contains treasure, you will have a completely new listen to your old tracks! The audio background may indeed contain noise, but sometimes also “pearls” that may be revealed.

>> Go further!
Tired by the advertisement boost, or important speech level variation in broadcasting? Use Maxima to maintain the level constant. DJ’s may also benefit from the effects to normalise in real time the level of the mixed tracks.

As with all FAC products the interface has a unique sober look and provides a great user experience. Maxima also brings a real-time multi-waveform graph having a 6s buffer of the audio material before and after operations, this will help on setting the right parameters and have a visual feedback.

Get Maxima

2017
12/18
Reslice and Tap Delay AUv3
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Now supports AUv3 parameter automation.

Get Reslice

Now supports AUv3 parameter automation.

Get Tap Delay

2017
12/12
Dedalus Delay Ver 2 AUv3
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Dedalus Delay is a real time audio mangler. A network of delay lines is continually granulated and modulated, producing a labyrinth of echoes, which are further processed by filters, dynamic processors and saturation modules. Dedalus can produce a wide variety of effects, from reverb-like ambiences to evolving resonation, from rhythmic pulsation to chaotic layering, from subtle chorusing to pure noise.

What’s New in Version 2
+ Added AudioUnit (AUv3) Plugin Extension
+ Host Sync play/stop/rewind/bpm
+ New Send/Receive jitter-free MIDI clock
————————–
+ Audiobus 3 New MIDI Receiver Port
+ New Sampling Rate Setting (up to 96 kHz)
+ New Quick View for the Presets Manager
+ Improved LFO performance in background
+ Midibus 1.39 SDK
+ Audiobus 3.0.3 SDK
+ Ableton LINK 2.1.2 SDK
+ Disable Auto-Lock Screen
+ iPhone X compatibility

Main Features:

– Audiobus and Inter-App Audio support (sender and FX)
– Multiple delay lines with feedback and granulation
– Signal saturation
– Built In Stereo Sampler with varispeed
– Control Manager LFO for Parameters
– Midibus, Virtual Midi and Network: 14 bit NRPN controllers
– File Manager, sharing common audio files via iTunes, Dropbox and AudioCopy
– Snapshot Presets Morphing Pad
– Post Fx Chain: Low-shelf Filter, High-shelf and Compressor

Get Dedalus Delay

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  • iPad Loops is a music app blog dedicated to exposing the best iPad apps for iOS musicians, producers, and Djs. This is not a database of every app. It is, however, one of useful recommendations from someone with many years in music production. I try to update it on a daily basis (ok sometimes every two days) and I do my best to post useful apps only. My name is Jason Donnelly (Dj Puzzle). You might know me from my royalty free loop packs and sound design. Some of the apps that contain my loops are Retronyms AudioCopy, LP-5, iPRO.DJSAMPLER, Looptastic, and Audio Elements. My work is published by Magix Soundtrack Loops, Sample Logic, Pakotec, Loopmasters, Acoustica, Xmix, Sound Trends, and many more. Subscribe to our RSS feed below to get updated when new apps are posted.

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